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Are you ready for the monumental shift towards managing income in
retirement? How does managing money in the "accumulation" years
differ from the "income" years? With life expectancies increasing
retirees have to plan for the reality of living 25-35 years in
retirement. Do you have enough for when your paycheck stops? Have
you thought about the sources of guaranteed income you may have?
How much could you withdraw from your nest egg and not run out of
money? How can you take the mystery out of knowing if you'll have
enough? Will you continue to work in retirement? Will you turn your
hobby into a small business? What will the landscape of retirement
look like for you? These questions and many more are answered in
this book "Managing Income in Retirement." Find out how you can
have more confidence knowing that you have a plan to go into your
retirement income years. Planning provides confidence. Confidence
brings the ability to enjoy the retirement you've always dreamed
about.
This book focuses on children and the impact of neurotoxins on the
developing brain to guide the practice of psychologists working
with children in clinical and school settings. Each chapter covers
a distinct neurotoxin or group of neurotoxins, with particular
emphasis on the impact of the neurotoxin exposure on the developing
brain and long-term cognitive and psychosocial outcomes. This is
more complex than studying neurotoxins with adults because of the
rapid development occurring in the child's brain. Further, children
are more susceptible than adults to the effects of neurotoxins due
to their developmental status. Many of the effects discussed in
this volume occur in utero, thus setting the stage for an altered
developmental trajectory.
The Chinese Communist Party, as the political leader of the world's
largest country and second largest economy, plays an undeniably
important role in global politics. Founded in a boarding school in
Shanghai in 1921, the Chinese Communist Party is one of the oldest
ruling parties in the world since its takeover of mainland China in
1949 under the leadership of Chairman Mao Zedong. Since its
inception, the party has survived a civil war with the Kuomintang
(1946-1949); the political, cultural, and humanitarian catastrophe
of the Great Leap Forward (1958-1960), where upwards of 30 million
Chinese civilians died; and the death of the Chinese Communist
Party's dominant leader, Mao Zedong, in 1976. In recent years,
intellectuals and party members have been given increasing leeway
to express their opinions, and Lawrence R. Sullivan takes advantage
of this new research to provide a comprehensive history of one of
the world's most fascinating political movements. The Historical
Dictionary of the Chinese Communist Party contains a chronology, an
introductory essay, an appendix, an extensive bibliography, and
more than 400 cross-reference dictionary entries on key people,
places, and institutions. This book is an excellent access point
for students, researchers, and anyone wanting to know more about
the Chinese Communist Party.
Formally titled "General of the Army," the five-star general is the
highest possible rank awarded in the U.S. Army in modern times and
has been awarded to only five men in the nation's history: George
C. Marshall, Douglas MacArthur, Dwight D. Eisenhower, Henry H.
Arnold, and Omar N. Bradley. In addition to their rank, these
distinguished soldiers all shared the experience of serving or
studying at Fort Leavenworth, Kansas, where they gained the
knowledge that would prepare them for command during World War II
and the Korean War. In Generals of the Army, James H. Willbanks
assembles top military historians to examine the connection between
the institution and the success of these exceptional men.
Historically known as the "intellectual center of the Army," Fort
Leavenworth is the oldest active Army post west of Washington,
D.C., and one of the most important military installations in the
United States. Though there are many biographies of the five-star
generals, this innovative study offers a fresh perspective by
illuminating the ways in which these legendary figures influenced
and were influenced by Leavenworth. Coinciding with the U.S. Mint's
release of a series of special commemorative coins honoring these
soldiers and the fort where they were based, this concise volume
offers an intriguing look at the lives of these remarkable men and
the contributions they made to the defense of the nation.
Following decades of ignoring the environment, China has become a
global leader in air and water purification, solid waste
management, and wastewater treatment with dramatic growth
especially in solar and wind power while major outstanding problems
include continued reliance on coal and other fossil fuels
especially in power plants and heavy industry. Concise Encyclopedia
of Green Technology in China provides a basic understanding of
green technology in the environmental and economic policies of the
People’s Republic of China (PRC). Green technology is defined as
any technology used to mitigate or reverse the deleterious effects
of human activity on the natural environment, green technology
involves the application of multiple environmental sciences
including green chemistry, material sciences, and hydrology along
with utilization of renewable energy sources such as geothermal,
solar, tidal and wave, and wind power. Innovative technologies
developed in China include mass production of electric vehicles
(EVs), development of photovoltaics along with electronic devices
for remote sensing, monitoring, and utilization of enhanced
computer power for the analysis of big data.
Covering the years 1921 to 2021, this Dictionary reviews the major
events, leaders, ideologies, and policies of the Chinese Communist
Party (CCP). Topics range from the accomplishments of the CCP, most
notably, the establishment of the People's Republic of China (PRC)
in 1949 and economic growth and prosperity beginning in 1978-79 to
the major disasters of the Great Leap Forward (1958-60) and the
Cultural Revolution (1966-76) under the leadership of Chairman Mao
Zedong (1943-76). Historical Dictionary of the Chinese Communist
Party, Second Edition contains a chronology, an introduction, and
an extensive bibliography. The dictionary section has more than 400
cross-referenced entries on key people, places, and institutions.
This book is an excellent resource for students, researchers, and
anyone wanting to know more about the Chinese Communist Party.
Sculptural Materiality in the Age of Conceptualism is structured
around four distinct but interrelated projects initially realized
in Italy between 1966 and 1972: Yayoi Kusama's Narcissus Garden,
Michelangelo Pistoletto's Newspaper Sphere (Sfera di giornali),
Robert Smithson's Asphalt Rundown, and Joseph Beuys's Arena. These
works all utilized non-traditional materials, collaborative
patronage models, and alternative modes of display to create a
spatially and temporally dispersed arena of matter and action, with
photography serving as a connective, material thread within the
sculpture it reflects. While created by major artists of the
postwar period, these particular projects have yet to receive
substantive art historical analysis, especially from a sculptural
perspective. Here, they anchor a transnational narrative in which
sculpture emerged as a node, a center of transaction comprising
multiple material phenomenon, including objects, images, and
actors. When seen as entangled, polymorphous entities, these works
suggest that the charge of sculpture in the late postwar period
came from its concurrent existence as both three-dimensional
phenomena and photographic image, in the interchanges among the
materials that continue to activate and alter the constitution of
sculpture within the contemporary sphere.
Covering wide-ranging topics including the arts and entertainment
along with customs and traditions from the ancient imperial and
modern eras, the Historical Dictionary of Chinese Culture provides
more than 300 separate entries along with a comprehensive
Chronology, Glossary of Chinese cultural terms, and extensive
Bibliography of Western and Chinese language sources. Entries of
decorative and fine arts include ceramics and porcelains,
handicrafts, jade and seal carving, jewelry, and painting with
literary subjects including fiction and non-fiction and especially
poetry. Also covered are major customary practices from childbirth
and childrearing to marriage and weddings to funerals and burial
practices along with critical areas of education and major
entertainment venues of cinema and film, classical puppetry, and
theater, ancient and modern. Unsavory aspects of the culture are
also examined, including crime, foot-binding, pornography, and
prostitution, and the government policies aimed at their
eradication along with major events affecting the trajectory of
Chinese cultural development, especially the New Culture-May Fourth
Movement (1917-1921) and the Cultural Revolution (1966-1976).
Throughout the text, Chinese language translations of key terms are
presented in italics and parenthesis along with biographies of
figures central to the creation of China's magnificent cultural
heritage.
This edited collection examines the role of the Fulda Gap-located
at the border between East and West Germany-in Cold War politics
and military strategy. The contributors analyze the strategic
deliberations of the Warsaw Pact and NATO, the balance of forces,
the role of the local peace movement, and various other topics,
while weaving together the history of the Cold War at local,
European, and global levels.
The Historical Dictionary of the Chinese Economy covers the world's
second largest macro economy. Extensive attention throughout the
volume is given to the historical development of the Chinese
economy since the establishment of the People's Republic of China
(PRC) in 1949. Included is a review of developments during the
period of central economic planning adopted from the Soviet Union
(1953-1978) and in-depth information and analysis on the various
policies and fundamental changes brought about in China by the
inauguration of economic reforms from 1978-1979 through 2016. This
book contains a chronology, an introduction, and an extensive
bibliography. The dictionary section has over 400 cross-referenced
entries on critical sectors of the economy including automobiles,
banking and finance, national currency, economic regulation, trade
and investment, and important industries such as agriculture,
computers and electronics, iron and steel, real estate, and
shipping.. This book is an excellent resource for students,
researchers, and anyone wanting to know more about China's economy.
Creativity, Technology, and Learning provides a comprehensive
introduction to theories and research on creativity in education
and, in particular, to the role of digital-learning technologies in
enabling creativity across classroom learning environments. Topical
coverage includes play, constructionism, multimodal learning and
project-/problem-based learning. Creativity is uniquely positioned
throughout the book as an integral component of the educational
process and also as a foundational aspect of self-actualization,
thriving communities, and humane societies. Through in-depth,
empirically based discussions of the philosophical, curricular and
pedagogical elements of creativity, Sullivan demonstrates how
creativity can be fostered across the curriculum through the use of
digital-learning technologies in design, personal expression and
problem-solving activities.
When the Chinese Communist Party (CCP) assumed power in October
1949 China was one of the poorest nations in the world and so weak
it had been conquered in the late 1930s and early 1940s by its
neighbor Japan, a country one-10th its size. More than five decades
later, the People's Republic of China (PRC) is an emerging
economic, political, and major military power with the world's
fastest growing economy and largest population (1.35 billion in
2015). A member of the United Nations Security Council since the
early 1970s and a nuclear power, China wields enormous influence in
the world community while at home what was once a nation of largely
poverty-stricken peasants and urban areas with little-to-no
industry has been transformed into an increasingly urbanized
society with a growing middle class and an industrial and service
sector that leads the world in such industries as steel and
textiles while becoming a major player in computers and
telecommunications. All the while the country has remained under
the tight political control of a one-party system dominated by the
Chinese Communist Party that despite periods of intense political
conflict and turmoil governs China with a membership in 2014 of 88
million people-the largest single organization on earth. This third
edition of Historical Dictionary of the People's Republic of China
contains a chronology, an introduction, appendixes, and an
extensive bibliography. The dictionary section has over 700
cross-referenced entries on important personalities, politics,
economy, foreign relations, religion, and culture. This book is an
excellent access point for students, researchers, and anyone
wanting to know more about China.
The Historical Dictionary of Science and Technology in Modern China
provides the most up-to-date information on science and technology
in China from the late nineteenth century to the present. Special
attention is given to the historical factors, scientists, and
historical figures behind each scientific development. In
particular, this book pays attention to the scientists who were
persecuted to death or tortured during the Cultural Revolution
(1966-1976), and whose scientific research was therefore tragically
cut short. The historical dictionary provides information on
science and technology in China from the late nineteenth century to
the present including: .a chronology; .introduction; .extensive
bibliography; .over 700 cross-referenced dictionary entries on
major scientific and technological fields and sub-fields; .entries
on western scholars and educators who also impacted scientific
achievements in China. This book is an excellent access point for
students, researchers, and anyone wanting to know more about the
science and technology in China."
In Liberalism and Crime, Robert Sullivan offers an alternate way of
looking at liberalism, using the usurpation of the welfare state in
Britain by a free market-oriented economy as his crucible. Not
content with the academic interpretation of liberalism as an
offshoot of analytic philosophy, Sullivan has woven together a
convincing demonstration that liberalism is born out of an
alternative approach--one based in active thought and reasonable
argument. The tapestry of this study touches on the breakup of
British Marxism, the influence of crime on British polity, and the
arguments of Ronald Clarke against 'medical criminology.' Shifting
societal responsibility onto the individual citizen, this new,
alternative, model of liberalism was fully ushered in by the rise
of Margaret Thatcher and continued with Tony Blair and the New
Labour movement in the 1990s. Because similar shifts occurred in
the United States simultaneously, this argument should be of
interest to both general American and British readers, as well as
academics in political theory, cultural studies, criminology, and
British studies.
Sculptural Materiality in the Age of Conceptualism is structured
around four distinct but interrelated projects initially realized
in Italy between 1966 and 1972: Yayoi Kusama's Narcissus Garden,
Michelangelo Pistoletto's Newspaper Sphere (Sfera di giornali),
Robert Smithson's Asphalt Rundown, and Joseph Beuys's Arena. These
works all utilized non-traditional materials, collaborative
patronage models, and alternative modes of display to create a
spatially and temporally dispersed arena of matter and action, with
photography serving as a connective, material thread within the
sculpture it reflects. While created by major artists of the
postwar period, these particular projects have yet to receive
substantive art historical analysis, especially from a sculptural
perspective. Here, they anchor a transnational narrative in which
sculpture emerged as a node, a center of transaction comprising
multiple material phenomenon, including objects, images, and
actors. When seen as entangled, polymorphous entities, these works
suggest that the charge of sculpture in the late postwar period
came from its concurrent existence as both three-dimensional
phenomena and photographic image, in the interchanges among the
materials that continue to activate and alter the constitution of
sculpture within the contemporary sphere.
Creativity, Technology, and Learning provides a comprehensive
introduction to theories and research on creativity in education
and, in particular, to the role of digital-learning technologies in
enabling creativity across classroom learning environments. Topical
coverage includes play, constructionism, multimodal learning and
project-/problem-based learning. Creativity is uniquely positioned
throughout the book as an integral component of the educational
process and also as a foundational aspect of self-actualization,
thriving communities, and humane societies. Through in-depth,
empirically based discussions of the philosophical, curricular and
pedagogical elements of creativity, Sullivan demonstrates how
creativity can be fostered across the curriculum through the use of
digital-learning technologies in design, personal expression and
problem-solving activities.
Written for a broad audience and grounded in cutting-edge,
contemporary scholarship, this volume addresses some of the key
questions asked about pornography today. What is it? For whom is it
produced? What sorts of sexualities does it help produce? Why
should we study it, and what should be the most urgent issues when
we do? What does it mean when we talk about pornography as
violence? What could it mean if we discussed pornography through
frameworks of consent, self-determination and performance? This
book places the arguments from conservative and radical anti-porn
activists against the challenges coming from a new generation of
feminist and queer porn performers and educators. Combining
sensitive and detailed discussion of case studies with careful
attention to the voices of those working in pornography, it
provides scholars, activists and those hoping to find new ways of
understanding sexuality with the first overview of the histories
and futures of pornography.
Italian-born American artist Harry Bertoia (1915-1978) was one of
the most prolific, innovative artists of the post-war period.
Trained at the Cranbrook Academy of Art, where he met future
colleagues and collaborators Charles and Ray Eames, Florence Knoll,
and Eero Saarinen, he went on to make one-of-a kind jewellery,
design iconic chairs, create thousands of unique sculptures
including large-scale commissions for significant buildings, and
advance the use of sound as sculptural material. His work speaks to
the confluence of numerous fields of endeavour, but is united
throughout by a sculptural approach to making and an experimental
embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life
accompanies the first U.S. museum retrospective of the artist's
career to examine the full scope of his broad, interdisciplinary
practice, and feature important examples of his furniture,
jewellery, monotypes, and diverse sculptural output. Lavishly
illustrated, the book offers new scholarly essays as well as a
catalogue of the artists numerous large-scale commissions. It
questions how and why we distinguish between a chair, a necklace, a
screen, and a freestanding sculpture and what Bertoia's sculptural
things, when taken together, say about the fluidity of visual
language across culture, both at mid-century and now.
In an act of totally unnecessary and wanton destruction, British
forces in China during the Second Opium War (1856-1860) looted and
destroyed much of the Old Imperial Summer Palace (Yuanmingyuan)
including three imperial gardens and hundreds of halls, pavilions,
and temples stock full of ancient artwork, antiquities, and
literary works. More than a hundred years later, President Xi
Jinping (2013- ) of the People's Republic of China (PRC) proclaimed
the "rejuvenation" of the Chinese nation with the economic and
especially military power to prevent any such recurrence of
"national humiliation." Though not yet a superpower equal in global
stature to the United States, the PRC is undoubtedly poised to
become the equal if not the superior power in the Asia-Pacific
region expanding its territorial claims in the South China Sea and
asserting undisputed economic dominance. With government, business,
and academic leaders debating how regional and global powers should
respond to a rising China. Historical Dictionary of Chinese Foreign
Affairs contains a chronology, an introduction, a glossary,
appendixes, and an extensive bibliography. The dictionary section
has over 300 cross-referenced entries on major events, national
institutions, foreign nations, and personages impacting Chinese
foreign affairs along with the many institutions of the post-World
War II international order that the PRC has engaged especially
since the 1970s. This book is an excellent resource for students,
researchers, and anyone wanting to know more about Chinese foreign
affairs.
This book focuses on children and the impact of neurotoxins on the
developing brain to guide the practice of psychologists working
with children in clinical and school settings. Each chapter covers
a distinct neurotoxin or group of neurotoxins, with particular
emphasis on the impact of the neurotoxin exposure on the developing
brain and long-term cognitive and psychosocial outcomes. This is
more complex than studying neurotoxins with adults because of the
rapid development occurring in the child's brain. Further, children
are more susceptible than adults to the effects of neurotoxins due
to their developmental status. Many of the effects discussed in
this volume occur in utero, thus setting the stage for an altered
developmental trajectory.
A new look at the interrelationship of architecture and sculpture
during one of the richest periods of American modern design Alloys
looks at a unique period of synergy and exchange in the postwar
United States, when sculpture profoundly shaped architecture, and
vice versa. Leading architects such as Gordon Bunshaft and Eero
Saarinen turned to sculptors including Harry Bertoia, Alexander
Calder, Richard Lippold, and Isamu Noguchi to produce
site-determined, large-scale sculptures tailored for their
buildings' highly visible and well-traversed threshold spaces. The
parameters of these spaces-atriums, lobbies, plazas, and
entryways-led to various designs like sculptural walls, ceilings,
and screens that not only embraced new industrial materials and
processes, but also demonstrated art's ability to merge with lived
architectural spaces. Marin Sullivan argues that these sculptural
commissions represent an alternate history of midcentury American
art. Rather than singular masterworks by lone geniuses, some of the
era's most notable spaces-Philip Johnson's Four Seasons Restaurant
in Mies van der Rohe's Seagram Building, Max Abramovitz's
Philharmonic Hall at Lincoln Center, and Pietro Belluschi and
Walter Gropius's Pan Am Building-would be diminished without the
collaborative efforts of architects and artists. At the same time,
the artistic creations within these spaces could not exist anywhere
else. Sullivan shows that the principle of synergy provides an
ideal framework to assess this pronounced relationship between
sculpture and architecture. She also explores the afterlives of
these postwar commissions in the decades since their construction.
A fresh consideration of sculpture's relationship to architectural
design and functionality following World War II, Alloys highlights
the affinities between the two fields and the ways their
connections remain with us today.
The largest emitter of green-house gases since 2007 and top
polluter of the increasingly stressed Pacific Ocean, the People’s
Republic of China is both a major contributor to environmental
degradation and a leading contender to mitigate and stabilize
global environmental conditions. Reviewing the history of the PRC
from the periods of central economic planning (1953-1978) followed
by the single-minded pursuit of economic growth and mass
consumption beginning in 1978-1979 to the adoption of a more
balanced approach stressing environmental protection and
restoration beginning in the 1990s, Historical Dictionary of the
Chinese Environment documents both the enormous damage to the
country’s natural environment and the dramatic attempts by the
Chinese government and environmental non-government organizations
(ENGOs) at environmental amelioration and restoration. Historical
Dictionary of the Chinese Environment contains a chronology, an
introduction, appendixes and an extensive bibliography. The
dictionary section has over 200 cross-referenced entries on
environmental degradation including air and water pollution,
deforestation, desertification, and resource depletion while
efforts at amelioration and restoration include river and waterway
clean-ups, reforestation and desert control, restoration of
fisheries, creation of national nature reserves, along with energy
conservation and development of renewables such as solar and wind
power. This book is an excellent resource for students,
researchers, and anyone wanting to know more about the Chinese
Environment.
A deep dive into the life and work of sculptor Louise Nevelson
recontextualizes her art in light of social movements, travel, and
her experiences in dance and theater  Known for her
monumental wooden wall pieces and outdoor sculptures, Louise
Nevelson (1899–1988) was a towering figure in twentieth-century
American art. A more nuanced picture of Nevelson emerges in The
World Outside: Louise Nevelson at Midcentury. Discussions about
Nevelson’s early involvement with modern dance and subsequent
immersion in avant-garde theater bring new understandings of her
drawings and sculptures. A reframing of her travels to Mexico and
Guatemala in the early 1950s demonstrates, for the first time, how
colonial archaeology haunted her visual language for decades.
 Other little-known facets of Nevelson’s life—her
interest in folk art, architecture, and period furniture—open up
a conversation about the artist’s approach to America’s past
material culture. A pioneering examination of Nevelson’s
printmaking experiences at Tamarind Lithography Workshop reveals
how the artist created alternative modes of viewing through
unconventional methods and materials. The book also reconsiders
Nevelson’s work in the context of the environmental movement.
Additionally, three contemporary artists relate Nevelson’s role
in their careers and lives, a local expert describes her roots and
relationship to Maine, and the artist’s granddaughter shares
thoughts on Nevelson’s spirituality.  Distributed for the
Amon Carter Museum of American Art Exhibition Schedule Amon Carter
Museum of American Art, Fort Worth, TX (August 27, 2023–January
7, 2024) Colby College Museum of Art, Waterville, ME (February
6–June 9, 2024)
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