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Alloys - American Sculpture and Architecture at Midcentury (Hardcover)
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Alloys - American Sculpture and Architecture at Midcentury (Hardcover)
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A new look at the interrelationship of architecture and sculpture
during one of the richest periods of American modern design Alloys
looks at a unique period of synergy and exchange in the postwar
United States, when sculpture profoundly shaped architecture, and
vice versa. Leading architects such as Gordon Bunshaft and Eero
Saarinen turned to sculptors including Harry Bertoia, Alexander
Calder, Richard Lippold, and Isamu Noguchi to produce
site-determined, large-scale sculptures tailored for their
buildings' highly visible and well-traversed threshold spaces. The
parameters of these spaces-atriums, lobbies, plazas, and
entryways-led to various designs like sculptural walls, ceilings,
and screens that not only embraced new industrial materials and
processes, but also demonstrated art's ability to merge with lived
architectural spaces. Marin Sullivan argues that these sculptural
commissions represent an alternate history of midcentury American
art. Rather than singular masterworks by lone geniuses, some of the
era's most notable spaces-Philip Johnson's Four Seasons Restaurant
in Mies van der Rohe's Seagram Building, Max Abramovitz's
Philharmonic Hall at Lincoln Center, and Pietro Belluschi and
Walter Gropius's Pan Am Building-would be diminished without the
collaborative efforts of architects and artists. At the same time,
the artistic creations within these spaces could not exist anywhere
else. Sullivan shows that the principle of synergy provides an
ideal framework to assess this pronounced relationship between
sculpture and architecture. She also explores the afterlives of
these postwar commissions in the decades since their construction.
A fresh consideration of sculpture's relationship to architectural
design and functionality following World War II, Alloys highlights
the affinities between the two fields and the ways their
connections remain with us today.
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