Gorgeous Collector's Edition. Many medieval writers, especially from France and Wales, wrote stories about the great British leader, King Arthur. Legends, folklore and myths from this period come together to paint a picture of who he was with some describing him as a great warrior, defending Britain from its enemies, while others suggest Arthur had magical qualities. Throughout this mystery, King Arthur has become an iconic figure, known for his court and knights and his chivalric adventures. This collection offers a selection of myths, featuring Arthur's knights of the round table, his love for Queen Guinevere and of course the ultimate betrayal by his most trusted knight, Sir Lancelot. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

The purpose of the BIAS is, year by year, to draw attention to all scholarly books and articles directly concerned with the matiere de Bretagne. The bibliography aims to include all books, reviews and articles published in the year preceding its appearance, an exception being made for earlier studies which have been omitted inadvertently. The present volume contains over 700 entries on relevant publications that were published in 2013.

The Routledge Companion to Medieval English Literature offers a new, inclusive, and comprehensive context to the study of medieval literature written in the English language from the Norman Conquest to the end of the Middle Ages. Utilising a Trans-European context, this volume includes essays from leading academics in the field across linguistic and geographic divides. Extending beyond the traditional scholarly discussions of insularity in relation to Middle English literature and 'isolationism', this volume: Oversees a variety of genres and topics, including cultural identity, insular borders, linguistic interactions, literary gateways, Middle English texts and traditions, and modern interpretations such as race, gender studies, ecocriticism, and postcolonialism. Draws on the combined extensive experience of teaching and research in medieval English and comparative literature within and outside of anglophone higher education and looks to the future of this fast-paced area of literary culture. Contains an indispensable section on theoretical approaches to the study of literary texts. This Companion provides the reader with practical insights into the methods and approaches that can be applied to medieval literature and serves as an important reference work for upper-level students and researchers working on English literature.

Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry's military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group's culture evolved, and how it was disseminated. Studies of the gentry's literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address the practice and expression of this culture, exploring the extent to which the gentry's activities were different from those of the wider population. Joining the editors in contributing essays to this collection is an impressive array of eminent scholars, all specialists in their respective fields: Christine Carpenter, Peter Fleming, Maurice Keen, Philippa Maddern, Nicholas Orme, Tim Shaw, Thomas Tolley and Deborah Youngs. As a whole, the book offers a broad view of gentry culture that explores, reassesses, and sometimes even challenges the idea that members of the gentry cultivated their own distinctive cultural identity. It will appeal to students looking for a comprehensive introduction to late medieval gentry culture, as well as to researchers interested in gentry studies more generally. -- .

Morte Darthur is investigated for its reflection of the contemporary political concerns Malory shared with the gentry class for whom he wrote. This book sets Malory's Morte Darthur in the context of the political concerns that he shared with the fifteenth-century gentry readers for whom he wrote his book; the author draws widely on their correspondence and readingmaterial, but looks particularly at the political content of contemporary miscellanies owned, commissioned and read by the gentry. She shows how the themes of political governance and royal succession, which are of primary importance in contemporary historical chronicles and genealogies, informed the political thinking of Malory's readers; and demonstrates how debates over ideas of worship, fellowship, lordship, and counselling indicate a process of changes in the gentry's political attitudes and values, their sense of identity, and also their response to the Arthurian story. Dr RALUCA L. RADULESCU is Lecturer in English at Bangor University.

A comprehensive guide to the medieval popular romance, one of the age's most important literary forms. Popular romance was one of the most wide-spread forms of literature in the middle ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition,its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters who become human. The essays in this collection seek to provide an inclusive and thorough examination of romance. They provide contexts,definitions, and explanations for the genre, particularly in, but not limited to, an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception. CONTRIBUTORS: ROSALIND FIELD, RALUCA L. RADULESCU, MALDWYN MILLS, GILLIAN ROGERS, JENNIFER FELLOWS, THOMAS H. CROFTS, ROBERT ALLEN ROUSE, JOANNE CHARBONNEAU, DESIREE CROMWELL, AD PUTTER, KARL REICHL, PHILLIPA HARDMAN, CORY JAMES RUSHTON

Examination of romance texts from late medieval England, linking them firmly to their political and social context. Although the anonymous pious Middle English romances and Sir Thomas Malory's Morte Darthur have rarely been studied in relation to each other, they in fact share at least two thematic concerns, vocabularies of suffering andgenealogical concerns, as this book demonstrates. By examining a broad cultural and political framework stretching from Richard II's deposition to the end of the Wars of the Roses through the prism of piety, politics and penitence, the author draws attention to the specific circumstances in which Sir Isumbras, Sir Gowther, Roberd of Cisely, Henry Lovelich's History of the Holy Grail and Malory's Morte were read in fifteenth-century England. In the case of the pious romances this implies a study of their reception long after their original composition or translation centuries earlier; in Lovelich's case, an examination of metropolitan culture leads to an opening of the discussion to French romance models as well as English chronicle writing. Overall romance reception is investigated through analysis of the manuscript transmission and circulation of these texts alongside contemporary devotional and political texts and chronicles. Dr Raluca Radulescu is Reader in Medieval Literature and Co-Director, Institute for Medieval & Early Modern Studies, Bangor and Aberystwyth Universities.

The most recent research in matters Arthurian, by leading scholars in the field. The essays in this volume represent a wide range of Arthurian subjects, reaching as far back as the sixth century, and as far forward as the nineteenth; they include studies of Arthur as an icon of an independent England in the reign of Henry VIII, the source of Geoffrey of Monmouth's knowledge of Merlin, Malory's Morte Darthur, and the works of Chretien - both in literature and in depictions of scenes from his romances in ivory caskets from the Middle Ages and beyond. Of special interest is the appearance for the first time in print of a newly discovered Arthurian text: a letter in Anglo-Norman French purportedly written by Morgan le Fay. Elizabeth Archibald is Professor of English, University of Durham; DAVID F. JOHNSON is Professor of English, Florida State University. CONTRIBUTORS: CAROLYNE LARRINGTON, MARTINE MEUWESE, STEWART MOTTRAM, RALUCA RADULESCU, NICOLAI TOLSTOY, MICHAEL TWOMEY

Epitomises what is best in Arthurian scholarship today. ZEITSCHRIFT FUER ROMANISCHE PHILOLOGIE This latest issue of Arthurian Literaturecontinues the tradition of the journal, combining critical studies with editions of primary Arthurian texts. Varied in their linguistic and chronological coverage, the articles dealwith major areas of Arthurian studies, from early French romance through late medieval English chronicle to contemporary fiction. Topics include Beroul's Tristan, Tristan de Nanteuil, the Anglo-Norman Brut, and the Morte, while an edition of the text of an extrait of Chretien's Erec et Enide prepared by the eighteenth-century scholar La Curne de Sainte-Palaye offers important insights into both scholarship on Chretien, and our understanding of the Enlightenment. The volume is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1995 and 1995, acting as an update to The New Arthurian Encyclopedia.Contributors: RICHARD ILLINGWORTH, JANE TAYLOR, CARLETON CARROLL, MARIA COLOMBO TIMELLI, RALUCA RADULESCU, JULIA MARVIN, NORRIS LACY, RAYMOND THOMPSON.

New research into medieval women from the Anglo-Saxon to the late medieval period demonstrates their energy, defiance and wit. The phenomenon of medieval women's middle age is a stage in the lifecycle that has been frequently overlooked in preference for the examination of female youth and old age. The essays collected here, ranging from the Anglo-Saxon to the late medieval period, and drawing variously from literary studies, history, law, art and theology, address this lacuna. Taking a variety of critical approaches, the contributors consider medieval definitions, paradigms andexperiences of female middle age, analysing how the middle-aged woman perceived herself subjectively, as well as how she was perceived by others. They seek to challenge the received wisdom that in the middle ages, at forty, womenwere deemed "old" and, from that point onwards, their thoughts should be focused on preparing for death. On the contrary, this collection demonstrates their energy, defiance and wit. Sue Niebrzydowski is Lecturer in English, Bangor University, Wales. Contributors: Jane Geddes, Clare A. Lees, Carol M. Meale, Anneke B. Mulder-Bakker, Sue Niebrzydowski, Raluca L. Radulescu, Sara Elin Roberts, Corinne Saunders, Diane Watt.

The purpose of the Bibliography of the International Arthurian Society (BIAS) is, year by year, to draw attention to all scholarly books and articles directly concerned with the matiere de Bretagne. The bibliography aims to include all books, reviews and articles published in the year preceding its appearance, an exception being made for earlier studies which have been omitted inadvertently."

A comprehensive guide to the medieval popular romance, one of the age's most important literary forms. Popular romance was one of the most wide-spread forms of literature in the middle ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition,its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters who become human. The essays in this collection seek to provide an inclusive and thorough examination of romance. They provide contexts,definitions, and explanations for the genre, particularly in, but not limited to, an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception. CONTRIBUTORS: ROSALIND FIELD, RALUCA L. RADULESCU, MALDWYN MILLS, GILLIAN ROGERS, JENNIFER FELLOWS, THOMAS H. CROFTS, ROBERT ALLEN ROUSE, JOANNE CHARBONNEAU,DESIREE CROMWELL, AD PUTTER, KARL REICHL, PHILLIPA HARDMAN, CORY JAMES RUSHTON

The essays in this collection present a range of new ideas and approaches in Malory studies, looking again (as the title suggests) at several of the most debated critical points. A number of articles focus closely on the implications of the production of the text, ranging from the repercussions of the working habits of the Winchester scribes, as well as of Malory's printers and editors, to a reassessment of Caxton's Preface. There are also nuanced readings of geography and politics in the Morte Darthur and its fifteenth-century contexts, and analyses of text and context in relation to the role of women, character and theme in the Morte, including the important questions of worshyp and mesure, as well as the issues of coherence and genre.