Atomic Mumbai offers an insightful historical and ethnographic account of how nuclear issues are represented in popular culture, print media, films, documentaries, advertising and superhero comics, driven by perceptions of those based in the city of Mumbai, a prime site of nuclear establishments in India since the mid-1940s. Based on long-term fieldwork, and including rare photographs, narratives and extensive interviews, the volume documents urban nuclear imaginaries, along with their terrifying association with genetic mutation and death.

Issues of identity, culture and difference remain central to the politics, policies and encounters of global societies in the 21st century. Changes in the speed, scale, scope and form of international and internal migration, new and resurgent religious and ethnic solidarities, the emergence of 'new' multicultural societies, and the fusions and fissures of 'old' multicultural societies, have challenged and redrawn our understandings of nation and community, citizenship and belonging, exclusion and equality. This landmark collection, which marks the relaunch of the ground-breaking journal Identities: Global Studies in Culture and Power, brings together some of the leading international scholars in the field of race, ethnicity, migration and transnationalism to reflect on the changing landscape of research, theorisation and politics in this challenging contemporary context. The collection includes a powerful and typically provocative article by renowned race scholar Paul Gilroy, along with short 'state of the field' articles, critical interventions and think-pieces, each of which explores different geographical regions, emerging areas of research and new ways of 'thinking' identity in 'uncertain times'. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

Atomic Mumbai offers an insightful historical and ethnographic account of how nuclear issues are represented in popular culture, print media, films, documentaries, advertising and superhero comics, driven by perceptions of those based in the city of Mumbai, a prime site of nuclear establishments in India since the mid-1940s. Based on long-term fieldwork, and including rare photographs, narratives and extensive interviews, the volume documents urban nuclear imaginaries, along with their terrifying association with genetic mutation and death.

Issues of identity, culture and difference remain central to the politics, policies and encounters of global societies in the 21st century. Changes in the speed, scale, scope and form of international and internal migration, new and resurgent religious and ethnic solidarities, the emergence of 'new' multicultural societies, and the fusions and fissures of 'old' multicultural societies, have challenged and redrawn our understandings of nation and community, citizenship and belonging, exclusion and equality. This landmark collection, which marks the relaunch of the ground-breaking journal Identities: Global Studies in Culture and Power, brings together some of the leading international scholars in the field of race, ethnicity, migration and transnationalism to reflect on the changing landscape of research, theorisation and politics in this challenging contemporary context. The collection includes a powerful and typically provocative article by renowned race scholar Paul Gilroy, along with short 'state of the field' articles, critical interventions and think-pieces, each of which explores different geographical regions, emerging areas of research and new ways of 'thinking' identity in 'uncertain times'. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

This is an investigation of arts and aesthetics in their widest senses and experiences, presenting a variety of perspectives which range from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing perceptions of contemporary art and aesthetics, and maps globalizing currents in a number of contexts and regions.The volume includes an impressive variety of case studies offered by established leaders in the field and original and emerging scholarly talent covering areas in India, Nepal, Indonesia, Iran, Russia, Rwanda, and Germany, as well as providing transnational or diasporic perspectives. From the contradictory demands made on successful artists from the south in the global art world such as Anish Kapoor, to images of war and puppetry created by female political prisoners, the volume compels creative and political interpretations of the ever-changing and globalizing terrain of arts and aesthetics.

This pioneering book presents a history and ethnography of adventure comic books for young people in India with a particular focus on vernacular superheroism. It chronicles popular and youth culture in the subcontinent from the mid-twentieth century to the contemporary era dominated by creative audio-video-digital outlets. The authors highlight early precedents in adventures set by the avuncular detective Chacha Chaudhary with his 'faster than a computer brain', the forays of the film veteran Amitabh Bachchan's superheroic alter ego called Supremo, the Protectors of Earth and Mankind (P.O.E.M.), along with the exploits of key comic book characters, such as Nagraj, Super Commando Dhruv, Parmanu, Doga, Shakti and Chandika. The book considers how pulp literature, western comics, television programmes, technological developments and major space ventures sparked a thirst for extraterrestrial action and how these laid the grounds for vernacular ventures in the Indian superhero comics genre. It contains descriptions, textual and contextual analyses, excerpts of interviews with comic book creators, producers, retailers and distributers, together with the views, dreams and fantasies of young readers of adventure comics. These narratives touch upon special powers, super-intelligence, phenomenal technologies, justice, vengeance, geopolitics, romance, sex and the amazing potentials of masked identities enabled by navigation of the internet. With its lucid style and rich illustrations, this book will be essential reading for scholars and researchers of popular and visual cultures, comics studies, literature, media and cultural studies, social anthropology and sociology, and South Asian studies.

Since the 1980s, the Kudankulam Nuclear Power Plant in the south Indian state of Tamil Nadu has faced multiple forms of resistance. Women and men from different walks of life - fishers, farmers, environmentalists, activists, writers, scholars, teachers, journalists, doctors, and lawyers among many others - have come together to combat the deadly radioactive repercussions and repression that come with the development of a high-security nuclear installation. Drawing upon their experiences, this historical and ethnographic study accounts for the anti-nuclear campaign's part in 'right-to-lives' movements while engaging with the (re)production of knowledge and ignorance in the understanding of radiation, and efforts to create an evidence base in response to the otherwise unavailable or insufficient data on the environment and public health in India. Tracing the grassroots struggle for 'energy justice' off- and on-line, the author looks into the larger questions of development, democracy, and nationalism. These have marked not just parts of India identified for large-scale constructions, but also other regions of the world where state functionaries have much to gain from corporate collaborations at the cost of local residents who lose their livelihoods, and are forcibly displaced, persecuted, or even killed in order to execute governmental designs in the name of the nation.

Censorship in South Asia offers an expansive and comparative exploration of cultural regulation in contemporary and colonial South Asia. These provocative essays by leading scholars broaden our understanding of what censorship might mean beyond the simple restriction and silencing of public communication by considering censorship's productive potential and its intimate relation to its apparent opposite, "publicity." The contributors investigate a wide range of public cultural phenomena, from the cinema to advertising, from street politics to political communication, and from the adjudication of blasphemy to the management of obscenity."

'Diaspora & Hybridity deals with those theoretical issues which concern social theory and social change in the new millennium. The volume provides a refreshing, critical and illuminating analysis of concepts of diaspora and hybridity and their impact on multi-ethnic and multi-cultural societies' - "Dr Rohit Barot, Department of Archaeology and Anthropology, University of Bristol

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What do we mean by 'diaspora' and 'hybridity'? Why are they pivotal concepts in contemporary debates on race, culture and society?

This book is an exhaustive, politically inflected, assessment of the key debates on diaspora and hybridity. It relates the topics to contemporary social struggles and cultural contexts, providing the reader with a framework to evaluate and displace the key ideological arguments, theories and narratives deployed in culturalist academic circles today. The authors demonstrate how diaspora and hybridity serve as problematic tools, cutting across traditional boundaries of nations and groups, where trans-national spaces for a range of contested cultural, political and economic outcomes might arise.

Wide ranging, richly illustrated and challenging, it will be of interest to students of cultural studies, sociology, ethnicity and nationalism.