Michel Serres first book in his 'foundations trilogy' is all about beginnings. The beginning of Rome but also about the beginning of society, knowledge and culture. Rome is an examination of the very foundations upon which contemporary society has been built. With characteristic breadth and lyricism, Serres leads the reader on a journey from a meditation the roots of scientific knowledge to set theory and aesthetics. He explores the themes of violence, murder, sacrifice and hospitality in order to urge us to avoid the repetitive violence of founding. Rome also provides an alternative and creative reading of Livy's Ab urbe condita which sheds light on the problems of history, repetition and imitation. First published in English in 1991, re-translated and introduced in this new edition, Michel Serres' Rome is a contemporary classic which shows us how we came to live the way we do.

According to Michel Serres, a process of 'hominescence' has taken place throughout human history. Hominescence can be described as a type of adolescence; humanity in a state of growing, a state of constant change, on the threshold of something unpredictable. We are destined never to be the same again but what does the future hold? In this innovative and passionately original work of philosophy, Serres describes the future of man as an adolescence, transitioning from childhood to adulthood, or luminescence, when a dark body becomes light. After considering the radical changes that humanity has experienced over the last fifty years, Serres analyzes the new relationship that man has with diverse concepts, like the dead, his own body, agriculture, and new communication networks. He alerts us to the consequences of these changes, particularly on the danger of growing inequalities between rich and poor countries. Should we rejoice in the future, ignore it, or even dread it? Unlike other philosophies that preach doom and gloom, Hominescence calls for us to anticipate the uncertain light of the future.

In this third installment of his classic 'Foundations' trilogy, Michel Serres takes on the history of geometry and mathematics. Even more broadly, Geometry is the beginnings of things and also how these beginnings have shaped how we continue to think philosophically and critically. Serres rejects a traditional history of mathematics which unfolds in a linear manner, and argues for the need to delve into the past of maths and identify a series of ruptures which can help shed light on how this discipline has developed and how, in turn, the way we think has been shaped and formed. This meticulous and lyrical translation marks the first ever English translation of this key text in the history of ideas.

According to Michel Serres, a process of 'hominescence' has taken place throughout human history. Hominescence can be described as a type of adolescence; humanity in a state of growing, a state of constant change, on the threshold of something unpredictable. We are destined never to be the same again but what does the future hold? In this innovative and passionately original work of philosophy, Serres describes the future of man as an adolescence, transitioning from childhood to adulthood, or luminescence, when a dark body becomes light. After considering the radical changes that humanity has experienced over the last fifty years, Serres analyzes the new relationship that man has with diverse concepts, like the dead, his own body, agriculture, and new communication networks. He alerts us to the consequences of these changes, particularly on the danger of growing inequalities between rich and poor countries. Should we rejoice in the future, ignore it, or even dread it? Unlike other philosophies that preach doom and gloom, Hominescence calls for us to anticipate the uncertain light of the future.

World-renowned philosopher, Michel Serres writes a text in praise of the body and movement, in praise of teachers of physical education, coaches, mountain guides, athletes, dancers, mimes, clowns, artisans, and artists. This work describes the variations, the admirable metamorphoses that the body can accomplish. While animals lack such a variety of gestures, postures, and movements, the fluidity of the human body mimics the leisure of living beings and things; what's more, it creates signs. Already here, within its movements and metamorphoses, the mind is born. The five senses are not the only source of knowledge: it emerges, in large part, from the imitations the plasticity of the body allows. In it, with it, by it knowledge begins.

In this first English translation of one of his most important works, " Statues: The Second Book of Foundations, "Michel Henry""presents a statue as more than a static entity. A statue for Serres is the basis for knowledge, society, the subject and object, the world and experience. Through his prescient analysis of statues and how we create and respond to art, Henry demonstrates how sacrificial art founded society and through this reflects on the centrality of death and the dead body to the human condition.Approaching the problem from multiple angles, Serres comments on Verne's "Around the Moon," Rodin's "The Gates of Hell," the Eiffel Tower, cemeteries, short stories by Maupassant, fables by La Fontaine, clothing and the paintings of Carpaccio, the Challenger disaster and Baal. Each section covers a different time period and statuary topic, ranging from four thousand years ago to 1986. Expository, lyrical, fictionalized and hallucinatory, "Statues" does not follow a linear time sequence but rather plays with time and place, history and story in order to provoke us into thinking in entirely new ways.Through mythic and poetic meditations on various kinds of descent into the underworld and new insights into the relation of the subject and object and their foundation in death, "Statues" contains great treasures and provocations for philosophers, literary critics, art historians and sociologists.

Biogea is a mixture of poetry, philosophy, science, and biography exemplary of the style that has made Michel Serres one of the most extraordinary thinkers of his age. His philosophical and poetic inquiry sings in praise of earth and life, what he names singularly as Biogea. In these times when species are disappearing, when catastrophic events such as earthquakes and tsunamis impale the earth, Serres wonders if anyone "worries about the death pangs of the rivers." And for Serres, one can ask the same question of philosophy as the humanities increasingly find themselves in need of defenders. Today, all living organisms discover themselves part of this Biogea. "Today we have other neighbors, constituents of the Biogea: the sea, my lover; our mother, the Earth, becomes our daughter; this beautiful breeze which inspires the spirit, a spiritual mistress; our light friends, the fresh and flowing waters."