Help your students to develop the geographical skills and knowledge they need to succeed using this new Edition Student book, which includes new case studies and practice questions. Written by our expert author team, the new edition is structured to provide support for A-Level Geography learners of all abilities. The book includes: * Activities and regular review questions to reinforce geographical knowledge and build up core geographical skills * Clear explanations to help students to grapple with tricky geographical concepts and grasp links between topics * Case studies from around the world to vividly demonstrate geographical theory in action * Exciting fieldwork projects that meet the fieldwork and investigation requirements This student book is supported by digital resources on our new digital platform Boost, providing a seamless online and offline teaching experience.

Sandra Bullock and Melissa McCarthy star as two mismatched cops in this comedy from 'Bridesmaids' director Paul Feig. Unaware that her colleagues hate her, prim and priggish FBI special agent Sarah Ashburn (Bullock) is seconded to Boston where she's forced to team up with foul-mouthed, take-no-prisoners detective Shannon Mullins (McCarthy). When the pair are ordered to take down a local drug baron, the two cops' wildly contrasting styles - and mutual hatred - soon threaten to derail their mission. But as the weeks pass, a grudging admiration for each others' methods brings about a thawing in hostilities, as the ill-starred crimefighters turn out to be a force to be reckoned with.

It isn't unusual to see our parents as heroes or to view decisions and events from a different time with detachment from our human condition. My parents certainly told us stories of their lives growing up and we've acquired plenty of knowledge of local, national and world history to understand facts and significance. But writing this book allowed me to appreciate that everything my parents did as children, teenagers, young adults and parents was as real as when I did them years later. And writing this book gave context to time, complexity and thought of the issues, actions and happenings around them.

This book asks, 'what are the implications of blurring genres for the discipline of Political Science, and for Area Studies?' It argues novelists and playwrights provide a better guide for political scientists than the work of physicists. It restates the intrinsic value of the Humanities and Social Sciences and builds bridges between the two territories. The phrase blurring genres covers both genres of thought and of presentation. Genres of thought refers to such theoretical approaches as post structuralism, cultural studies, and especially interpretive thought. Part 1 explores genres of thought, focusing on the use of narratives. Specific examples include the narratives of post-truth political cultures; narratives in Canadian general elections; autoethnography as a new research tool; and novels as a way of understanding economic development. Part 2 emphasises genres of presentation and focuses on the visual arts. The chapters cover: photography in British political history, the architecture of American statehouses and city halls, design, comics, and using the creative arts to improve policy practice. This book is interdisciplinary and should have an appeal beyond political science to area studies specialists and others in the humanities. It is an advanced text, so it is aimed primarily at academics and postgraduates.

Although it has only been in the last decade that the planet's population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers' lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.

Drawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering.

Peg Rawes examines a "minor tradition" of aesthetic geometries in ontological philosophy. Developed through Kant's aesthetic subject she explores a trajectory of geometric thinking and geometric figurations--reflective subjects, folds, passages, plenums, envelopes and horizons--in ancient Greek, post-Cartesian and twentieth-century Continental philosophies, through which productive understandings of space and embodies subjectivities are constructed.
Six chapters, explore the construction of these aesthetic geometric methods and figures in a series of "geometric" texts by Kant, Plato, Proclus, Spinoza, Leibniz, Bergson, Husserl and Deleuze. In each text, geometry is expressed as a uniquely embodies "aesthetic" activity because each respective geometric method and figure is imbued with aesthetic "sensibility" and geometric "sense" (rather than as disembodies scientific methods). An ontology of aesthetic geometric methods and figures is therefore traced from Kant's Critical writings, back to Plato and Proclus Greek philosophy, Spinoza and Leibniz's post-Cartesian philosophies, and forwards to Bergson's "duration" and Husserl's "horizons" towards Deleuze's philosophy of sense.

"Romanticism and Form" gives a snapshot of what and where the recent revival of formalism in Romantic Studies is up to, offering new analyses of canonical texts, contextualisations of Romantic forms in relation to war, nationalism, propaganda and empire, reassessments of neglected and marginalised writers and new explorations of the relationship between form and reader. The volume showcases a range of new approaches to form that are distanced from New Criticism but informed by deconstruction, new historicism, feminism, theology and new technology.

These essays trace the "femme fatale" across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.

Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.

The first volume in a series of comparative studies within the ESRC's Whitehall Programme focuses on core executives in five parliamentary democracies comparing the Westminster model as in Australia, Canada and Britain with the continental democracies of Germany and the Netherlands showing how political leadership is shackled by a vast array of constraints, from globalisation to internal fragmentation and rationalisation, making a heroic model of decisive political leadership hard to sustain.

Despite dying in relative obscurity, Jane Austen has become a global force as different readers across time, space, and media have responded to her work - beyond simply American and Great Britain, there are Janeites to be found in China, India, and across the globe. Many fans feel they have developed a personal relationship with Austen and her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites in both the English and non-English speaking worlds experience her work, from visiting her home, to public re-enactments, to films based on her writings.

Popular conceptions of global ideological violence reduction efforts rely heavily on images of "get tough" approaches to crime. Experience has shown, however, that traditional police responses often do not offer comprehensive solutions for curtailing the roots of ideological violence. Preventing Ideological Violence: Communities, Police and Case Studies of 'Success' brings together contributions from experienced community activists, police personnel, and researchers who recount their experiences with police-community partnerships. Featuring case studies from Northern Ireland, Britain, and the United States which illustrate both the benefits and drawbacks associated with community-police partnerships, this collection is a distinct contribution to the fields of law enforcement and international law.

Specialist Periodical Reports provide systematic and detailed review coverage of progress in the major areas of chemical research. Written by experts in their specialist fields the series creates a unique service for the active research chemist, supplying regular critical in-depth accounts of progress in particular areas of chemistry. For over 80 years the Royal Society of Chemistry and its predecessor, the Chemical Society, have been publishing reports charting developments in chemistry, which originally took the form of Annual Reports. However, by 1967 the whole spectrum of chemistry could no longer be contained within one volume and the series Specialist Periodical Reports was born. The Annual Reports themselves still existed but were divided into two, and subsequently three, volumes covering Inorganic, Organic and Physical Chemistry. For more general coverage of the highlights in chemistry they remain a 'must'. Since that time the SPR series has altered according to the fluctuating degree of activity in various fields of chemistry. Some titles have remained unchanged, while others have altered their emphasis along with their titles; some have been combined under a new name whereas others have had to be discontinued. The current list of Specialist Periodical Reports can be seen on the inside flap of this volume.

Specialist Periodical Reports provide systematic and detailed review coverage of progress in the major areas of chemical research. Written by experts in their specialist fields the series creates a unique service for the active research chemist, supplying regular critical in-depth accounts of progress in particular areas of chemistry. For over 80 years the Royal Society of Chemistry and its predecessor, the Chemical Society, have been publishing reports charting developments in chemistry, which originally took the form of Annual Reports. However, by 1967 the whole spectrum of chemistry could no longer be contained within one volume and the series Specialist Periodical Reports was born. The Annual Reports themselves still existed but were divided into two, and subsequently three, volumes covering Inorganic, Organic and Physical Chemistry. For more general coverage of the highlights in chemistry they remain a 'must'. Since that time the SPR series has altered according to the fluctuating degree of activity in various fields of chemistry. Some titles have remained unchanged, while others have altered their emphasis along with their titles; some have been combined under a new name whereas others have had to be discontinued. The current list of Specialist Periodical Reports can be seen on the inside flap of this volume.