Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

First Published in 1989, this work is based around a monthly TV column which Raymond Williams wrote for The Listener between 1968 and 1972. Those were the years of the Prague Spring, of anti-Vietnam war demonstrations, of fighting in Cambodia and Northern Ireland, of hope for McGovern in the United States and attacks on the Wilson Labour Government in Britain. In The Listener articles Williams comments on all of these events, providing a rare glimpse not only into the events of his daily life but also into the continuing development of a personal sociology of culture. The articles also discuss such television forms as detective series, science programmes and sports, travelogue, education, gardening, and children's programming. The book also includes Williams' key lecture "Drama in a Dramatised Society", which sets a framework for his analysis; a London Review of Books piece on the Falklands/Malvinas adventure as a "tele-war"; and an interview with Williams on television and teaching. Cited by The Guardian as "The foremost political thinker of his generation", Williams' writing amounts to a primer on ways of watching television and of critiquing its profound social and political impact.

Most analyses of Egyptian politics present the limitations and failures of official political life as the complete story of politics in Egypt. Raymond Baker's direct observation of Egyptian politics has convinced him that alternative political groups have sustained themselves and carved out spaces for promising political action despite official efforts at containment.

In this compelling study, Baker recreates the public worlds of eight groups on the periphery of Egyptian politics. They range in their political stances from Communists to the Muslim Brothers and include shifting clusters of critical intellectuals who gather around influential journals or in research centers, as well as the quiescent aestheticists of the Wissa Wassef community. Taken together, the experiences of Egyptians in alternative groups reveal that Egyptians are more than the objects of diverse external pressures and more than the sufferers from multiple internal problems. They are also creative political actors who have stories to tell about the human potential to struggle for humane values and goals in the modern world.

In examining Egypt from the margins rather than from the center, Baker proposes a new direction for Third World political studies. He suggests a way out of the impasse in the current development literature, which is fixed on a scientific study of causes and determinants, by focusing on actual political struggles and alternative political visions.

In the words of Cornel West, Raymond Williams was 'the last of the great European male revolutionary socialist intellectuals'. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? was the first collection of Raymond Williams's writings on Welsh culture, literature, history and politics. Published in 2003, it appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This edition, appearing in the centenary of Williams's birth, appears at a very different moment in which - after the Brexit referendum of 2016 - Raymond Williams's 'Welsh-European' vision seems to have been soundly rejected and is now a reminder of what might have been. This new edition includes material that was not included in the first edition, with a new afterword in which the editor argues that Williams continues to speak to our moment. Daniel G. Williams's new edition further underlines the ways in which Raymond Williams's engagement with Welsh issues makes a significant contribution to contemporary international debates on nationalism, class and ethnicity. Who Speaks for Wales? remains essential reading for everyone interested in questions of nationhood and identity in Britain and beyond.

First Published in 1989, this work is based around a monthly TV column which Raymond Williams wrote for The Listener between 1968 and 1972. Those were the years of the Prague Spring, of anti-Vietnam war demonstrations, of fighting in Cambodia and Northern Ireland, of hope for McGovern in the United States and attacks on the Wilson Labour Government in Britain. In The Listener articles Williams comments on all of these events, providing a rare glimpse not only into the events of his daily life but also into the continuing development of a personal sociology of culture. The articles also discuss such television forms as detective series, science programmes and sports, travelogue, education, gardening, and children's programming. The book also includes Williams' key lecture "Drama in a Dramatised Society", which sets a framework for his analysis; a London Review of Books piece on the Falklands/Malvinas adventure as a "tele-war"; and an interview with Williams on television and teaching. Cited by The Guardian as "The foremost political thinker of his generation", Williams' writing amounts to a primer on ways of watching television and of critiquing its profound social and political impact.

This book presents Clare's poetry exactly as he wrote it, and includes selections from his `mad' poems as well as his earlier descriptions of birds, animals and village life.

Presents Clare's poetry exactly as he wrote it, and includes selections from his mad' poems as well as his earlier descriptions of birds, animals and village life.

Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.

Acknowledged as perhaps "the" masterpiece of materialist criticism in the English language, this omnibus ranges over British literary history from George Eliot to George Orwell to inquire about the complex ways economic reality shapes the imagination.

By all measures, the late twentieth century was a time of dramatic decline for the Islamic world, the Ummah, particularly its Arab heartland. Sober Muslim voices regularly describe their current state as the worst in the 1,400-year history of Islam. Yet, precisely at this time of unprecedented material vulnerability, Islam has emerged as a civilizational force strong enough to challenge the imposition of Western, particularly American, homogenizing power on Muslim peoples. This is the central paradox of Islam today: at a time of such unprecedented weakness in one sense, how has the Islamic Awakening, a broad and diverse movement of contemporary Islamic renewal, emerged as such a resilient and powerful transnational force and what implications does it have for the West? In One Islam, Many Muslim Worlds Raymond W. Baker addresses this question. Two things are clear, Baker argues: Islam's unexpected strength in recent decades does not originate from official political, economic, or religious institutions, nor can it be explained by focusing exclusively on the often-criminal assertions of violent, marginal groups. While extremists monopolize the international press and the scholarly journals, those who live and work in the Islamic world know that the vast majority of Muslims reject their reckless calls to violence and look elsewhere for guidance. Baker shows that extremists draw their energy and support not from contributions to the reinterpretation and revival of Islamic beliefs and practices, but from the hatreds engendered by misguided Western policies in Islamic lands. His persuasive analysis of the Islamic world identifies centrists as the revitalizing force of Islam, saying that they are responsible for constructing a modern, cohesive Islamic identity that is a force to be reckoned with.

Acknowledged as a masterpiece of materialist criticism, this book delves into the complex ways economic reality shapes the imagination. Surveying two hundred years of history and English literature - from George Eliot to George Orwell - Williams provides insights into the social and economic forces that have shaped British culture and society. Provocative and revolutionary in its day, this work overturned conventional thinking about the development of a common British mentality.

Islam is the fastest growing of the world's major religions. Yet the pervasive hostility to Islam in the West makes understanding its expanding global reach virtually impossible. Islam is all too often seen through a lens that focuses on the small minority of violent extremists rather than the overwhelming majority of Muslims who make up to the moderate mainstream. It is the centrist mind and heart of Islam that captures new adherents in such impressive numbers. For centuries, Abu Dharr al Ghifari, the seventh-century companion of the Prophet Muhammad, has provided a human face for Islamic justice as the core value of the faith. The influence of Abu Dharr has sometimes faded. Extremism may challenge the moderate and tolerant heart of the Islam of the Qur'an that Abu Dharr represents. Invariably, however, Islamic intellectuals have stepped forward to restore balance and moderation. Our time is such a period of renewal and the sweeping awakening of midstream Islam. In this study of justice in Islam, Raymond Baker focuses on the work of major intellectuals who have contributed to this Islamic Awakening. They include: the Egyptians Hassan al Banna, Sayyid Qutb, and Shaikh Muhammad al Ghazalli; the Turkish scholar Sa'id Nursi; the Lebanese Grand Ayatollah Muhammad Fadlallah; the Iraqi Grand Ayatollah Baqir al Sadra; the Iranian radical intellectual Ali Sheriati; and the American athlete and Muslim convert Muhammad Ali. Baker argues that appreciation for the work of these preeminent figures is indispensable to understanding how an awakened Islam with justice at its core has become a global phenomenon.

Raymond Goldsmith's book provides annual estimates of national wealth and its components for the period 1945-1958 in current and in constant (1947-1949) prices, and on a gross (undepreciated) and net (depreciated) basis. These figures continue and expand the author's 1900-1945 estimates, published in A Study of Saving in the United States, Volume III. The estimates for aggregate national wealth are broken down by the main forms of tangible assets but also by the main economic sectors which hold these assets, thus providing wealth statements for each of the seven major sectors. This is the only set of national wealth estimates now available for the United States. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Raymond Williams was a pioneering scholar of cultural and society, and one of the outstanding intellectuals of the twentieth century. In this, a collection of difficult to find essays, some of which are published for the first time, Williams emerges as not only one of the great writers of materialist criticism, but also a thoroughly engaged political writer. Published to coincide with the centenary of his birth and showing the full range of his work, from his early writings on the novel and society, to later work on ecosocialism and the politics of modernism, Politics and Culture shows Williams at both his most accessible and his most penetrating.An essential book for all those interested in the politics of culture in the twentieth century, and the development of Williams's work.

Volume II contains basic data underlying the study of the national balance sheet in the postwar period treats statistical problem, structure and trends and application of the balance sheet approach. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Volume I of this study of the national balance sheet in the postwar period treats statistical problem, structure and trends and application of the balance sheet approach. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'Television: Technology and Cultural Form is a powerful and original book which marked the beginning of a new breed of British accounts of television. Instead of focusing solely on the content of television programs, it examined the shaping effect of television's technological structures upon its characteristic forms.' - Graeme Turner, Centre for Critical and Cultural Studies, University of Queensland

'Television: Technology and Cultural Form changed the way people understand TV. For the first time, a sophisticated critic and historian looked at the all medium's aspects--as a domestic technology, an object of public policy, a fetish of capital, a series of texts, and a creator of audiences... It was the first classic of TV studies.' - Toby Miller, New York University

'This book is a classic because it inaugurated ways of thinking about a new technology - television - as part of everyday material culture which are even more pertinent to us now as we enter the digital age.' - Charlotte Brunsdon, University of Warwick

'A critical, insightful, iconoclastic and humane reading of television's first half century.' - Roger Silverstone, LSE