When Katherine Pettit and May Stone arrived in the rural Appalachian mountains of eastern Kentucky to engage in social settlement work in the late 1800s, they were unmarried outsiders, living in pitched tents on the side of a hill, and perceived as odd, peculiar -- and "quare" (the local pronunciation of "queer"). Yet these strong, capable educators wanted to "learn all we can and teach all we can," and in doing so would persevere to establish the Hindman Settlement School in 1902. When Lucy Furman arrived at the school five years later, she was already an accomplished writer, but used her two decades of living and working at the school as fruitful and prolific inspiration for her beloved novels. Printed for the first time since 1941, this lightly fictionalized account of Pettit's and Stone's entrances into the Hindman community offers the contemporary reader a unique look at this country's early rural/urban divide. From the time of its first publication in The Atlantic to the last edition of the bound book, The Quare Women was a big success. Readers loved the book's dramatic adventure and romance, as well as the real-life research that Furman used to create the story. To this day, the Hindman Settlement School believes in "honoring the past, improving the present, and planning for the bright and colorful future of Central Appalachia." This book endures as a lasting testament to the spirit and legacy of these trailblazing women.

American Purgatory is a story of the working class, a dystopia set in a near-future United States marked by severe drought, herbicidal warfare, and a totalitarian climate of poverty. This purgatory is populated by those who believe if that they work hard enough, they will be set free. Against this backdrop, three unlikely characters begin a journey that will take them away from work, belief, and even each other, until the protagonist uncovers the truth about this place and the people in it-a truth that indeed sets her free. Equal parts Dante and Cormac McCarthy, American Purgatory is a coming-of-age for capitalism written in the decade of tea-party terror.

Yes, there is barbecue, but that's just one course of the meal. With Vinegar and Char the Southern Foodways Alliance celebrates twenty years of symposia by offering a collection of poems that are by turns as sophisticated and complex, as vivid and funny, and as buoyant and poignant as any SFA gathering. The roster of contributors includes Natasha Trethewey, Robert Morgan, Atsuro Riley, Adrienne Su, Richard Blanco, Ed Madden, Nikky Finney, Frank X Walker, Sheryl St. Germain, Molly McCully Brown, and forty-five more. These poets represent past, current, and future conversations about what it means to be southern. Throughout the anthology, region is layered with race, class, sexuality, and other shaping identities. With an introduction by Sandra Beasley, a thought-provoking foreword by W. Ralph Eubanks, and luminous original artwork by Julie Sola, this collection is an ideal gift. Meant to be savored slowly or devoured at once, these pages are a perfect way to spend the hour before supper, with a glass of iced tea?or the hour after, with a pour of bourbon?and a fitting celebration of the SFA's focus and community.

The term "Holocaust survivors" is often associated with Jewish communities in New York City or along Florida's Gold Coast. Traditionally, tales of America's Holocaust survivors, in both individual and cultural histories, have focused on places where people fleeing from Nazi atrocities congregated in large numbers for comfort and community following World War II. Yet not all Jewish refugees chose to settle in heavily populated areas of the United States. In This Is Home Now: Kentucky's Holocaust Survivors Speak, oral historian Arwen Donahue and photographer Rebecca Gayle Howell focus on overlooked stories that unfold in the aftermath of the Holocaust. They present the accounts of Jewish survivors who resettled not in major metropolitan areas but in southern, often rural, communities. Many of the survivors in these smaller communities did not even seek out the few fellow Jewish residents already there. Donahue transcribes the accounts as she heard them, keeping true to the voices of those she interviewed. One of the survivors who shares her tale, Sylvia Green, describes the pain and desolation of her experiences in the Nazi death camps with a voice that reveals both her German-Polish heritage and her subsequent small-town life in Winchester, Kentucky. The Hungarian-born Paul Schlisser has an equally complex voice, a mix of phrases learned in the U.S. Army in Vietnam and regional speech patterns acquired in his adopted home near Fort Knox. Donahue's collection of voices, accompanied by Howell's poignant photographs, identifies each storyteller as an American -- and as a Kentuckian. Like many others of diverse backgrounds before them, Holocaust survivors joined the "melting pot" as a haven from the suffering in their native lands, but they eventually came to regard America as home. Although they speak of atrocities, most often experienced when they were children and unable to fully comprehend the situation, they also emphasize the comfort of acceptance -- not just by Jewish communities but also by a state that has long equated "religion" with Christianity alone. Kentucky is not known for its cultural and religious diversity, yet these stories reveal one of the many ways that the state has become home to a wide spectrum of immigrants -- people who once were strangers but now are its own.