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American Purgatory is a story of the working class, a dystopia set
in a near-future United States marked by severe drought, herbicidal
warfare, and a totalitarian climate of poverty. This purgatory is
populated by those who believe if that they work hard enough, they
will be set free. Against this backdrop, three unlikely characters
begin a journey that will take them away from work, belief, and
even each other, until the protagonist uncovers the truth about
this place and the people in it-a truth that indeed sets her free.
Equal parts Dante and Cormac McCarthy, American Purgatory is a
coming-of-age for capitalism written in the decade of tea-party
terror.
Yes, there is barbecue, but that's just one course of the meal.
With Vinegar and Char the Southern Foodways Alliance celebrates
twenty years of symposia by offering a collection of poems that are
by turns as sophisticated and complex, as vivid and funny, and as
buoyant and poignant as any SFA gathering. The roster of
contributors includes Natasha Trethewey, Robert Morgan, Atsuro
Riley, Adrienne Su, Richard Blanco, Ed Madden, Nikky Finney, Frank
X Walker, Sheryl St. Germain, Molly McCully Brown, and forty-five
more. These poets represent past, current, and future conversations
about what it means to be southern. Throughout the anthology,
region is layered with race, class, sexuality, and other shaping
identities. With an introduction by Sandra Beasley, a
thought-provoking foreword by W. Ralph Eubanks, and luminous
original artwork by Julie Sola, this collection is an ideal gift.
Meant to be savored slowly or devoured at once, these pages are a
perfect way to spend the hour before supper, with a glass of iced
tea?or the hour after, with a pour of bourbon?and a fitting
celebration of the SFA's focus and community.
The term "Holocaust survivors" is often associated with Jewish
communities in New York City or along Florida's Gold Coast.
Traditionally, tales of America's Holocaust survivors, in both
individual and cultural histories, have focused on places where
people fleeing from Nazi atrocities congregated in large numbers
for comfort and community following World War II. Yet not all
Jewish refugees chose to settle in heavily populated areas of the
United States. In This Is Home Now: Kentucky's Holocaust Survivors
Speak, oral historian Arwen Donahue and photographer Rebecca Gayle
Howell focus on overlooked stories that unfold in the aftermath of
the Holocaust. They present the accounts of Jewish survivors who
resettled not in major metropolitan areas but in southern, often
rural, communities. Many of the survivors in these smaller
communities did not even seek out the few fellow Jewish residents
already there. Donahue transcribes the accounts as she heard them,
keeping true to the voices of those she interviewed. One of the
survivors who shares her tale, Sylvia Green, describes the pain and
desolation of her experiences in the Nazi death camps with a voice
that reveals both her German-Polish heritage and her subsequent
small-town life in Winchester, Kentucky. The Hungarian-born Paul
Schlisser has an equally complex voice, a mix of phrases learned in
the U.S. Army in Vietnam and regional speech patterns acquired in
his adopted home near Fort Knox. Donahue's collection of voices,
accompanied by Howell's poignant photographs, identifies each
storyteller as an American -- and as a Kentuckian. Like many others
of diverse backgrounds before them, Holocaust survivors joined the
"melting pot" as a haven from the suffering in their native lands,
but they eventually came to regard America as home. Although they
speak of atrocities, most often experienced when they were children
and unable to fully comprehend the situation, they also emphasize
the comfort of acceptance -- not just by Jewish communities but
also by a state that has long equated "religion" with Christianity
alone. Kentucky is not known for its cultural and religious
diversity, yet these stories reveal one of the many ways that the
state has become home to a wide spectrum of immigrants -- people
who once were strangers but now are its own.
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