'Magical and evocative' Imogen Hermes Gowar, author of The Mermaid and Mrs. Hancock 'Heartachingly poignant' Lucy Holland, author of Sistersong 'An ancient tapestry of legend brilliantly rewoven' Francis Spufford, author of Light Perpetual The new novel from the Costa-Award winning author of In The Days of Rain. AD 500. An island in the Thames. Isla has a secret: she has learned her father's sophisticated sword-making skills at a time when even entering a forge is forbidden to women. Her sister, Blue, has a secret, too: at low tide on the night of each new moon, she visits the bones of the mud woman, drowned by the elders of her tribe who wanted to make a lesson of someone who wouldn't hold her tongue. When the local Seax overlord discovers Isla's secret there is nowhere for the sisters to hide, except across the water to the walled ghost city, Londinium. Here Blue and Isla find sanctuary in an underworld community of squatters, emigrants, travellers and looters, led by the mysterious Crowther, living in an abandoned brothel and bathhouse. But trouble pursues them even into the haunted city. Dark Earth takes us back to the very founding of Britain to explore the experience of women trying to find kin in a world ruled by blood ties, feuds and men in quest of a nation. 'Superb ... radically new and beautiful' Observer 'Thrilling' Alice Albinia, author of Cwen 'Pulses with the energy of a brave new world, a world as beautiful as it is dangerous, where a belief in myth and magic can save your life' Katherine J. Chen, author of Joan: A Novel of Joan of Arc

This volume will provide students with an introduction to the poetry and life of Elizabeth Barrett Browning, one of the most popular poets of her day in Britain and America and who has become one of the great icons of Victorianism for the modern age. The authors present a biographical survey, study of her poetry, its critical reception and an assessment of her influence on later poets. This book also examines the complex 'myths' which are associated with Elizabeth Barrett Browning and offers re-readings of her life and work, particularly in dispelling the myth of the ailing invalid poet-recluse and instead showing her to be one of the great intellectuals of her day, immersed in European history and politics from a very early age. The book situates Browning within broader historical,political and cultural contexts than have yet been examined enabling a better understanding of her poetry and paints the portrait of a fine and innovative poet, an intellectual and an astute political thinker.

Alternative approaches have emerged which have radically altered our understanding of Tennyson's poetry and his relationship to the Victorian age. This text covers the most significant areas of new work on Tennyson, effectively linking feminist and gender studies with deconstructive, psychoanalytic and linguistic attention. The Introduction discusses ways in which orthodox critical approaches have dominated readings of Tennyson's poetry and provides a critical overview of the radical reappraisal of his work. It also provides a guide to the varied ways in which these new debates have shaped and are shaping themselves, with a final discussion of the future directions which Tennyson criticism is likely to take. The essays chosen cover and reflect a range of modes of critical enquiry compelling in themselves.

Alternative approaches have emerged which have radically altered our understanding of Tennyson's poetry and his relationship to the Victorian age. This text covers the most significant areas of new work on Tennyson, effectively linking feminist and gender studies with deconstructive, psychoanalytic and linguistic attention. The Introduction discusses ways in which orthodox critical approaches have dominated readings of Tennyson's poetry and provides a critical overview of the radical reappraisal of his work. It also provides a guide to the varied ways in which these new debates have shaped and are shaping themselves, with a final discussion of the future directions which Tennyson criticism is likely to take. The essays chosen cover and reflect a range of modes of critical enquiry compelling in themselves.

WINNER FOR THE 2017 COSTA BIOGRAPHY AWARD

In the vein of Bad Blood and Why be Happy when you can be Normal?: an enthralling, at times shocking, and deeply personal family memoir of growing up in, and breaking away from, a fundamentalist Christian cult.

‘At university when I made new friends and confidantes, I couldn’t explain how I’d become a teenage mother, or shoplifted books for years, or why I was afraid of the dark and had a compulsion to rescue people, without explaining about the Brethren or the God they made for us, and the Rapture they told us was coming. But then I couldn’t really begin to talk about the Brethren without explaining about my father…’

As Rebecca Stott’s father lay dying he begged her to help him write the memoir he had been struggling with for years. He wanted to tell the story of their family, who, for generations had all been members of a fundamentalist Christian sect. Yet, each time he reached a certain point, he became tangled in a thicket of painful memories and could not go on.

The sect were a closed community who believed the world is ruled by Satan: non-sect books were banned, women were made to wear headscarves and those who disobeyed the rules were punished.

Rebecca was born into the sect, yet, as an intelligent, inquiring child she was always asking dangerous questions. She would discover that her father, an influential preacher, had been asking them too, and that the fault-line between faith and doubt had almost engulfed him.

In In the Days of Rain Rebecca gathers the broken threads of her father’s story, and her own, and follows him into the thicket to tell of her family’s experiences within the sect, and the decades-long aftermath of their breaking away.

The story of one tiny creature and history's most spectacular scientific breakthrough. In 1846, Charles Darwin has a secret: an essay, sealed in an envelope and locked in his study drawer, which will overturn human understanding of time and nature forever. Now he must publish and take the consequences. But he hesitates. First, Darwin decides to undertake just one small task: to solve the riddle of a tiny barnacle he picked up on the shores of Southern Chile, the last of his Beagle specimens. As it turns out, he could not have made a more fateful choice. Barnacles are common to almost every shoreline in the world, but this barnacle doesn't fit established definitions or accepted archetypes. He promises himself a month or so studying this creature, this potential key, to try to understand the process of natural selection within this particular species. But eight years later, his study filled with hundreds of barnacle specimens in labelled pill-boxes posted from around the world, the case is still unclosed. Was Darwin hesitating? Or was he testing his 'dangerous idea' to destruction? Lavishly illustrated and superbly told, Darwin and the Barnacle is the fascinating story of how genius sometimes proceeds through indirection - and how one small item of curiosity contributed to history's most spectacular scientific breakthrough.

Soon after publication of On the Origin of Species, Charles Darwin received a letter that deeply unsettled him. He had expected outrage and accusations of heresy, but this letter was different: it accused him of taking credit for a theory that wasn't his. Yet when he tried to trace his intellectual forebears, he found that history had already forgotten them... Rediscovering Aristotle on the shores of Lesbos and Leonardo da Vinci fossil hunting in the Tuscan hills, this is a masterful retelling of the collective daring of a few like-minded men, whose early theories flew in the face of prevailing political and religious orthodoxies and laid the foundations for Darwin's revolutionary idea.

Making Your Case: A Practical Guide to Essay Writing outlines skills central to academic essay writing.

This book emphasizes drafting, redrafting, adaptation and correction as essential processes in the transformation and communication of ideas and provides a guide to three different systems of referencing currently used in academic writing. It also book also contains practical examples and exercises.

'Superb ... radically new and beautiful' Observer 'Magical and evocative' Imogen Hermes Gowar, author of The Mermaid and Mrs. Hancock 'Heartachingly poignant' Lucy Holland, author of Sistersong 'An ancient tapestry of legend brilliantly rewoven' Francis Spufford, author of Light Perpetual The new novel from the Costa-Award winning author of In The Days of Rain. AD 500. An island in the Thames. Isla has a secret: she has learned her father's sophisticated sword-making skills at a time when even entering a forge is forbidden to women. Her sister, Blue, has a secret, too: at low tide on the night of each new moon, she visits the bones of the mud woman, drowned by the elders of her tribe who wanted to make a lesson of someone who wouldn't hold her tongue. When the local Seax overlord discovers Isla's secret there is nowhere for the sisters to hide, except across the water to the walled ghost city, Londinium. Here Blue and Isla find sanctuary in an underworld community of squatters, emigrants, travellers and looters, led by the mysterious Crowther, living in an abandoned brothel and bathhouse. But trouble pursues them even into the haunted city. Dark Earth takes us back to the very founding of Britain to explore the experience of women trying to find kin in a world ruled by blood ties, feuds and men in quest of a nation. 'Unique and extraordinary ... It is difficult to imagine any reader not becoming bewitched by Dark Earth' Irish Times 'Thrilling' Alice Albinia, author of Cwen 'Pulses with the energy of a brave new world, a world as beautiful as it is dangerous, where a belief in myth and magic can save your life' Katherine J. Chen, author of Joan: A Novel of Joan of Arc

A stunning literary ghost-story of entanglement and obsession; ambition and betrayal - set in present-day Cambridge, but entangled with the 17th century The son of a reclusive historian finds his mother's drowned body in the tributary of the River Cam that runs through her garden. She is clutching a glass prism. Elizabeth Vogelsang's magnum opus, a book on Isaac Newton's alchemy, is incomplete. Lydia Brooke, a writer friend of the dead historian, returns to Cambridge to the funeral. It is five years since she has seen Elizabeth's son, Cameron Brown, with whom she has had an intermittent love affair that began years earlier. Cambridge, she discovers, is in the midst of an upsurge of attacks by animal rights extremists. Cameron, who, as a neuroscientist uses animal experimentation, has been targeted. Cameron asks Lydia to act as a paid ghostwriter in the completion of his mother's book, Alchemist. Lydia agrees to the proposal and moves into Elizabeth's strange house, a triangular shaped studio on the banks of the Cam. Soon Lydia finds herself entangled, not only with Cameron, but also with a four-hundred year-old murder mystery, a network of 17th century alchemists and a ghostly figure intent on disrupting her work.

A powerful and gripping historical thriller for fans of The Essex Serpernt and The Miniaturist. 'Original and evocative ... a mesmerising thriller' Daily Telegraph 'Full of twists and turns' Scotsman 'An enthralling exploration of revolutionary science in post-revolutionary France' Guardian 'A book of penetrating humanity and a vivid evocation of Paris' Financial Times Paris, 1815. Daniel Connor, a young medical student from Edinburgh, has just arrived in Paris to study anatomy at the Jardin des Plantes - only to realise that his letters of introduction and a gift of precious coral specimens, on which his tenure depends, have been stolen by the beautiful woman with whom he shared a stagecoach. In the fervour and tumult of post revolutionary Paris, nothing is quite as it seems. In trying to recover his lost valuables, Daniel discovers that his beautiful adversary is in fact a philosopher-thief who lives in a shadowy world of outlaws and emigres. As Daniel embark on a passionate love affair with the Coral Thief, he is drawn to join her salon of thieves to execute one last breathtakingly bold robbery...

A scientific detective story that illuminates the remarkable saga of Darwin's greatest achievement. Pairing Charles Darwin and a rare species of barnacle as her unlikely protagonists, Rebecca Stott has written an absorbing work of history that guides readers through the treacherous shoals of nineteenth-century biology. Beginning her scientific detective story in the 1820s, even before Darwin's Beagle voyage, Stott examines the mystery of why Darwin waited over two decades between formulating his pivotal theory of natural selection and publishing it. Lavishly illustrated, filled with riddles and concepts that challenge our notion of Victorian science, Darwin and the Barnacle is a thrilling account of how genius proceeds through indirection and how one small item of curiosity contributed to history's most spectacular scientific breakthrough."