Charts the development of progressive Christianity's engagement with modern science, historical criticism, and liberal humanism Christians who have doubts about the existence of God? Who do not believe in the divinity of Jesus? Who reject the accuracy of the Bible? The New Heretics explores the development of progressive Christianity, a movement of Christians who do not reject their identity as Christians, but who believe Christianity must be updated for today's times and take into consideration modern science, historical criticism, and liberal humanism. Drawing on three years of ethnographic fieldwork in North America, Rebekka King focuses on testimonies of deconversion, collective reading practices, and the ways in which religious beliefs and practices are adapted to fit secular lives. King introduces the concept of "lived secularity" as a category with which to examine the ways in which religiosity often is entangled with and subsumed by secular identities over and against religious ones. This theoretical framework provides insight into the study of religious and cultural hybridity, new emerging groups such as "the nones," atheism, religious apostasy, and multi-religious identities. The New Heretics pays close attention to the ways that progressive Christians understand themselves vis-a-vis a conservative or fundamentalist Christian "other," providing context concerning the presumed divide between the religious right and the religious left. King shows that while it might be tempting to think of progressive Christians as atheists, there are religious and moral dimensions to their disbelief. For progressive Christians the act of questioning and rejecting God-alongside other theological tenets-is framed as a moral activity. Ultimately, the book showcases the importance of engaging with the ethics of belief in understanding contemporary Christianity.

Key Categories in the Study of Religion builds upon the groundwork laid by previous NAASR Working Papers titles in order to bring us full circle to the symbiotic relationship between context and critique. This volume assembles diverse sets of data to consider pertinent categories in which critique occurs. By looking at intentionally disparate case studies, the volume centers on four key contextual categories which stand at the heart of the academic study of religion: Citizenship and Politics, Class and Economy, Gender and Sexuality, and Race and Ethnicity. The contributors to this volume explore questions concerning how scholars construct such categories and/or critique scholars who do? Who decides how to approach the critical study of these topics? What impact does the context of a scholar's research have on the means and method of a given critique? Using these enquiries as a starting point, Key Categories in the Study of Religion investigates the ways that method, theory, and data are mobilized via context as the primary impetus for critical analysis. Each section begins with an orienting essay that explores its category. These introductory chapters include: i) an analysis of the construction of categories in academic literature; ii) an argument either advocating or critiquing scholarship carried out in that vein; and iii) an exploration of its implications for the study of religion. Each chapter is followed by four responses authored by scholars intentionally selected to highlight diverse contexts: subjects, fields, and methods. They extend the orienting essay's conclusions by offering novel analysis vis-a-vis their own scholarly expertise and subject matter. These chapters underscore instances of both congruence and difference to further refine our understanding of possible forms of critique relevant to each category.

Charts the development of progressive Christianity's engagement with modern science, historical criticism, and liberal humanism Christians who have doubts about the existence of God? Who do not believe in the divinity of Jesus? Who reject the accuracy of the Bible? The New Heretics explores the development of progressive Christianity, a movement of Christians who do not reject their identity as Christians, but who believe Christianity must be updated for today's times and take into consideration modern science, historical criticism, and liberal humanism. Drawing on three years of ethnographic fieldwork in North America, Rebekka King focuses on testimonies of deconversion, collective reading practices, and the ways in which religious beliefs and practices are adapted to fit secular lives. King introduces the concept of "lived secularity" as a category with which to examine the ways in which religiosity often is entangled with and subsumed by secular identities over and against religious ones. This theoretical framework provides insight into the study of religious and cultural hybridity, new emerging groups such as "the nones," atheism, religious apostasy, and multi-religious identities. The New Heretics pays close attention to the ways that progressive Christians understand themselves vis-a-vis a conservative or fundamentalist Christian "other," providing context concerning the presumed divide between the religious right and the religious left. King shows that while it might be tempting to think of progressive Christians as atheists, there are religious and moral dimensions to their disbelief. For progressive Christians the act of questioning and rejecting God-alongside other theological tenets-is framed as a moral activity. Ultimately, the book showcases the importance of engaging with the ethics of belief in understanding contemporary Christianity.

This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how such analysis might be applied to other films of a similar genre Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.

Key Categories in the Study of Religion builds upon the groundwork laid by previous NAASR Working Papers titles in order to bring us full circle to the symbiotic relationship between context and critique. This volume assembles diverse sets of data to consider pertinent categories in which critique occurs. By looking at intentionally disparate case studies, the volume centers on four key contextual categories which stand at the heart of the academic study of religion: Citizenship and Politics, Class and Economy, Gender and Sexuality, and Race and Ethnicity. The contributors to this volume explore questions concerning how scholars construct such categories and/or critique scholars who do? Who decides how to approach the critical study of these topics? What impact does the context of a scholar's research have on the means and method of a given critique? Using these enquiries as a starting point, Key Categories in the Study of Religion investigates the ways that method, theory, and data are mobilized via context as the primary impetus for critical analysis. Each section begins with an orienting essay that explores its category. These introductory chapters include: i) an analysis of the construction of categories in academic literature; ii) an argument either advocating or critiquing scholarship carried out in that vein; and iii) an exploration of its implications for the study of religion. Each chapter is followed by four responses authored by scholars intentionally selected to highlight diverse contexts: subjects, fields, and methods. They extend the orienting essay's conclusions by offering novel analysis vis-a-vis their own scholarly expertise and subject matter. These chapters underscore instances of both congruence and difference to further refine our understanding of possible forms of critique relevant to each category.

This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how such analysis might be applied to other films of a similar genre Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.