Whether aesthetically or politically inspired, graffiti is among the oldest forms of expression in human history, one that becomes especially significant during periods of social and political upheaval. With a particular focus on the demographic, ecological, and economic crises of today, this volume provides a wide-ranging exploration of urban space and visual protest. Assembling case studies that cover topics such as gentrification in Cyprus, the convulsions of post-independence East Timor, and opposition to Donald Trump in the American capital, it reveals the diverse ways in which street artists challenge existing social orders and reimagine urban landscapes.

The authors collected here address youth street cultures in different cities from the Ibero-American world, bringing together contributions on Brazil, Argentina, Mexico, Chile, Portugal, Spain, and beyond. This overseas approach bridging the European and American contexts is justified by the range of (complex) social, cultural and economic relationships that have shaped this transnational geographical space since the beginning of the colonial period. The chapters collected here focus on three key concepts-creativity, resistance and transgression-that form a threefold dispositive to locally and globally confront, contest and even fight against the hegemonic, punitive and oppressive powers (re)produced by (white, male) dominant classes of the city. The book ensures a high diversity of geographical and social/cultural research contexts by focusing on one, two or multiple spatial contexts (the public space, the street, the city) and, at the same time, by emphasizing the different economic, social, cultural, symbolic specificities of youth cultures (including gender, sexuality and race) in their particular urban contexts.

Discussions of the recent austerity measures in Southern Europe as a response to the sovereign debt crisis have been usually framed in terms of their economic impact. However, the general impoverishment of these countries has induced other massive social and political changes, a fact which is ignored in the literature. This volume seeks to fill this gap and break ground by analyzing these trends in the Portuguese context. Portugal has been portrayed as the Troika's good pupil by obediently adopting all prescribed austerity measures. In the process, the nation's fragile social fabric has been destroyed. Massive emigration, particularly by young people, massive increases in poverty and a foundering economy have triggered a collective framing of the crisis and austerity as unjust and punitive of a collectivity that, at the beginning, naively believed in the neoliberal narrative of the benign effects of the cuts. This reframing unleashed an unprecedented wave of social and political mobilization in an otherwise traditionally apathetic society. This resistance needs to be addressed as a direct effect of austerity policies and properly analyzed for what it really represents: a process of repoliticization and re-democratization sweeping Europe. These mobilizations include direct democracy experiments, the growing influence of social movements (the massive March 2011 demonstrations were a direct inspiration for the creation of the Indignado movement in Spain, attesting the contagion effect), solidarity economy and the major political change in the country's 42 years of democratic rule: an alliance of the left parties, unthinkable before the crisis, and which is reframing relations with the European Union. This volume offers a first approach to the massive political, social and cultural transformations taking place in the country that make Portugal, in certain aspects, a lab for innovative practices (e.g. participatory budgets and the alliance of the left parties) that may be used elsewhere as alternatives to current understandings of economic and political orthodoxy

The authors collected here address youth street cultures in different cities from the Ibero-American world, bringing together contributions on Brazil, Argentina, Mexico, Chile, Portugal, Spain, and beyond. This overseas approach bridging the European and American contexts is justified by the range of (complex) social, cultural and economic relationships that have shaped this transnational geographical space since the beginning of the colonial period. The chapters collected here focus on three key concepts-creativity, resistance and transgression-that form a threefold dispositive to locally and globally confront, contest and even fight against the hegemonic, punitive and oppressive powers (re)produced by (white, male) dominant classes of the city. The book ensures a high diversity of geographical and social/cultural research contexts by focusing on one, two or multiple spatial contexts (the public space, the street, the city) and, at the same time, by emphasizing the different economic, social, cultural, symbolic specificities of youth cultures (including gender, sexuality and race) in their particular urban contexts.

Through a transnational, comparative and multi-level approach to the relationship between youth, migration, and music, the aesthetic intersections between the local and the global, and between agency and identity, are presented through case studies in this book. Transglobal Sounds contemplates migrant youth and the impact of music in diaspora settings and on the lives of individuals and collectives, engaging with broader questions of how new modes of identification are born out of the social, cultural, historical and political interfaces between youth, migration and music. Thus, through acts of mobility and environments lived in and in-between, this volume seeks to articulate between musical transnationalism and sense of place in exploring the complex relationship between music and young migrants and migrant descendant's everyday lives.

Through a transnational, comparative and multi-level approach to the relationship between youth, migration, and music, the aesthetic intersections between the local and the global, and between agency and identity, are presented through case studies in this book. Transglobal Sounds contemplates migrant youth and the impact of music in diaspora settings and on the lives of individuals and collectives, engaging with broader questions of how new modes of identification are born out of the social, cultural, historical and political interfaces between youth, migration and music. Thus, through acts of mobility and environments lived in and in-between, this volume seeks to articulate between musical transnationalism and sense of place in exploring the complex relationship between music and young migrants and migrant descendant's everyday lives.

Esta obra es el resultado del trabajo realizado por un grupo interinstitucional y multidisciplinar que involucro a profesores y estudiantes de las Universidades de Cordoba, sede Monteria y el Centro de Estudios en Ciencias del Mar (CECIMAR) de la Universidad Nacional de Colombia, Sede Caribe, con el apoyo administrativo y financiero de la Oficina de Administracion de Investigacion y Extension de la Universidad de Cordoba. Trabajo enmarcado en los proyectos de investigacion: "Composicion y cambios estacionales de las comunidades de los Crustaceos Decapodos del Departamento de Cordoba" y "Composicion y estructura de la fauna invertebrada asociada a los cesped algales en el litoral rocoso del Departamento de Cordoba.""