Richard Bowring describes in outline the development of Japanese religious thought and practice from the introduction of writing to the point at which medieval attitudes gave way to a distinctive pre-modern culture, a change that brought an end to the dominance of religious institutions. A wide range of approaches using the resources of art, history, social and intellectual history, as well as doctrine is brought to bear on the subject. The result is as full a picture as possible of the richness of the Japanese tradition as it succeeded in holding together on the one hand Buddhism, with its sophisticated intellectual structures, and on the other hand the disparate local cults that eventually achieved a kind of unity under the rubric of Shinto. An understanding of this process of constant and at times difficult interaction is essential to a deeper appreciation of Japan's history and its cultural achievements.

Richard Bowring describes in outline the development of Japanese religious thought and practice from the introduction of writing to the point at which medieval attitudes gave way to a distinctive pre-modern culture, a change that brought an end to the dominance of religious institutions. A wide range of approaches using the resources of art, history, social and intellectual history, as well as doctrine is brought to bear on the subject. The result is as full a picture as possible of the richness of the Japanese tradition as it succeeded in holding together on the one hand Buddhism, with its sophisticated intellectual structures, and on the other hand the disparate local cults that eventually achieved a kind of unity under the rubric of Shinto. An understanding of this process of constant and at times difficult interaction is essential to a deeper appreciation of Japan's history and its cultural achievements.

Murasaki Shikibu’s The Tale of Genji, written in Japan in the early eleventh century, is acknowledged to be one of Japan’s greatest literary achievements, and sometimes thought of as the world’s first novel. It is also one of the earliest major works to be written by a woman. This introduction to the Genji sketches the cultural background, offers detailed analysis of the text, discusses matters of language and style and ends by tracing the history of its reception through nine centuries of cultural change. This book will be useful for survey courses in Japanese and World Literature. Because The Tale of Genji is so long, it is often not possible for students to read it in its entirety and this book will therefore be used not only as an introduction, but also as a guide through the difficult and convoluted plot.

This is the second book in an extensive one-year introductory course in Japanese, also suitable for those who wish to work at a slower pace. Students who finish this course will have a firm grasp of how the language works and enough knowledge of the writing system to tackle everyday written material with no more than a dictionary. Particular attention is paid to questions of grammar which foreign learners often find difficult, so Book One can also serve as a reference grammar. An Introduction to Modern Japanese uses both spoken and written forms from the outset. There are word lists for each lesson, and a comprehensive vocabulary for the whole course. Book Two comprises the exercises and word lists which accompany the fifty-two lessons in Book One. The exercises ensure that the student has understood the grammar explained in the relevant lessons and give further practice in reading and recognising characters. Book Ttwo also contains a full vocabulary, Japanese to English and English to Japanese.

In The Tale of Genji, Lady Murasaki (c. 973c. 1020) created one of the supreme classics of Japanese literature; her Diary offers an intimate and equally compelling picture of her life as tutor and companion to the Empress Shoshi.

Although it opens with a lyrical description of the Tsuchimikado mansion in autumn and gives vivid accounts of court events and ceremonies, the work is in no sense an official chronicle. Spiced with anecdote, searching self-analysis and sharp sketches of a timid Empress, spineless courtiers and quarrelsome ladies-in-waiting, it reveals the underside of imperial splendour from an unexpected, utterly female point of view.

Since women were discouraged from learning Chinese, the language of bureaucratic power, many played a key role in forging forms of early Japanese prose. Where others wrote fairy stories or tales of thwarted passion, Murasaki’s Diary is something far more subtle, one of the crucial stepping stones which culminated in the Genji. Relevant details of Japanese dress, religion, architecture and social convention are clearly set out in Richard Bowring’s footnotes and fine Introduction.

In Search of the Way is a history of intellectual and religious developments in Japan during the Tokugawa period, covering the years 1582-1860. It begins with an explanation of the fate of Christianity, and proceeds to cover the changing nature of the relationship between Buddhism and secular authority, new developments in Shinto, and the growth of 'Japanese studies'. The main emphasis, however, is on the process by which Neo-Confucianism captured the imagination of the intellectual class and informed debate throughout the period. This process was expressed in terms of a never-ending search for the Way, a mode and pattern of existence that could provide not only order for society at large, but self-fulfilment for the individual. The narrative traces how ideas and attitudes changed through time, and is based on the premise that the Tokugawa period is important in and of itself, not merely as a backdrop to the Meiji Restoration of 1868.

Murasaki Shikibu’s The Tale of Genji, written in Japan in the early eleventh century, is acknowledged to be one of Japan’s greatest literary achievements, and sometimes thought of as the world’s first novel. It is also one of the earliest major works to be written by a woman. This introduction to the Genji sketches the cultural background, offers detailed analysis of the text, discusses matters of language and style and ends by tracing the history of its reception through nine centuries of cultural change. This book will be useful for survey courses in Japanese and World Literature. Because The Tale of Genji is so long, it is often not possible for students to read it in its entirety and this book will therefore be used not only as an introduction, but also as a guide through the difficult and convoluted plot.