The African diaspora - a direct result of the transatlantic slave trade and Western colonialism - has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on "the souls of black folk" in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture. Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues. With 218 illustrations in colour

In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three large-format volumes, consisting of one or more books, that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to have republished five of the original books and to present five completely new ones, extending the series into the twentieth century. The Impact of Africa, the first of two books on the twentieth century, looks at changes in the Western perspective on African art and the representation of Africans, and the paradox of their interpretation as simultaneously "primitive" and "modern." The essays include topics such as the new medium of photography, African influences on Picasso and on Josephine Baker's impression of 1920s Paris, and the influential contribution of artists from the Caribbean and Latin American diasporas.

This survey exhibition captures the arc and continued ascent of contemporary artist Beverly McIver. This exhibition catalog accompanies a survey exhibition of contemporary artist and painter Beverly McIver. Curated by Kim Boganey, this exhibition represents the diversity of McIver's thematic approach to painting over her career. From early self-portraits in clown makeup to more recent works featuring her father, dolls, Beverly's experiences during COVID-19 and portraits of others, Full Circle illuminates the arc of Beverly McIver's artistic career while also touching on her personal journey. McIver's self-portraits explore expressions of individuality, stereotypes, and ways of masking identity; portraits of family provide glimpses into intimate moments, in good times as well as in illness and death. The show includes McIver's portraits of other artists and notable figures, recent work resulting from a year in Rome with American Academy's Rome Prize, and new work in which McIver explores the juxtaposition of color, patterns, and the human figure. Full Circle also features works that reflect on McIver's collaborations with other artists, as well as her impact on the next generation of artists. The complementary exhibition, In Good Company, includes artists who have mentored McIver, such as Faith Ringgold and Richard Mayhew, as well as those who have studied under her. This catalog includes a conversation with Beverly McIver by exhibition curator Kim Boganey, as well as two essays: one by leading Black feminist writer Michele Wallace, daughter of Beverly's graduate school mentor Faith Ringgold, and another by distinguished scholar of African American art history Richard Powell. Published in association with the Scottsdale Museum of Contemporary Art Exhibition dates: Scottsdale Museum of Contemporary Art February 12-September 4, 2022 Southeastern Center for Contemporary Art December 8, 2022-March 26, 2023 The Gibbes Museum April 28-August 4, 2023

The 2016 Presidential Election: The Causes and Consequences of a Political Earthquake critically analyzes the 2016 presidential election. The chapters in this book identify key factors behind the election of Donald J. Trump, explore the unconventional campaign, analyze the unexpected election result, evaluate the forecasting models, and speculate on the effect of the election outcome on politics and governance in the Trump Administration.

In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three large format volumes, consisting of one or more books, that quickly became collector s items. A half century later, Harvard University Press and the Du Bois Institute are proud to have republished five of the original books and five completely new ones, extending the series into the twentieth century.

"The Rise of Black Artists," the second of two books on the twentieth century and the final volume in The Image of the Black in Western Art," marks an essential shift in the series and focuses on representation of blacks by black artists in the West. This volume takes on important topics ranging from urban migration within the United States to globalization, to Negritude and cultural hybridity, to the modern black artist s relationship with European aesthetic traditions and experimentation with new technologies and media. Concentrating on the United States, Europe, and the Caribbean, essays in this volume shed light on topics such as photography, jazz, the importance of political activism to the shaping of black identities, as well as the post-black art world."

A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art. Published in association with the Hutchins Center for African & African American Research

An engaging introduction to contemporary Black American collage brings together art by fifty artists that reflects the breadth and complexity of Black identity   Building on a technique that has roots in European and American traditions, Black artists have turned to collage as a way to convey how the intersecting facets of their lives combine to make whole individuals. Artists have assembled pieces of paper, fabrics, and other, often salvaged, materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times.   As artist Deborah Roberts asserts, “With collage, I can create a more expansive and inclusive view of the Black cultural experience.�   More than 50 artists are represented in the book’s 140 color images, with some creating original artworks for this project. Featured artists include such well-known figures as Mark Bradford, Lauren Halsey, Kerry James Marshall, Wangechi Mutu, Howardena Pindell, Tschabalala Self, Lorna Simpson, Mickalene Thomas, and Kara Walker. In addition to scholarly essays, the publication contains short biographies of each artist written by Fisk University students.   Distributed for the Frist Art Museum   Exhibition Schedule   Frist Art Museum, Nashville (September 15–December 31, 2023)   Museum of Fine Arts, Houston (February 18–May 12, 2024)   The Phillips Collection, Washington, DC (July 6–September 22, 2024)  

A trilogy of the life of Clive Richards - Playboy, Lover and Gambler. The three books centre on the three women who figure most prominently in his life. Born in poverty and a millionaire by age 21, Clive's background as a successful businessman has created an exciting, fun-filled lifestyle. His life is shared with numerous lovers until he meets and settles down with Savitra (Book One) until tragedy strikes. After a near-fatal accident, he marries Sophie (Book Two) and continues his exciting former fun-filled lifestyle with her, together with his daughter, Sahtria (Book Three) who seeks fame and fortune in a different arena. A gripping adult tale of tragedy, humor and romance - the reader shares the thrills of a gambler - from the Miracle Mile at Sydney's Harold Park Paceway to the Doncaster at Royal Randwick Racecourse as well as the slots and tables in the clubs and casinos in Sydney, Darwin and Melbourne. You'll also be transported to the exclusive play grounds of the rich and famous - Tahiti, Malibu, Portofino and Santorini - to name a few, while sampling many mouthwatering gourmet dishes and exotic cocktails. Experience the highs and lows - the thrills and the tragedies - and share Clive's life and those of the women he loves - Savitra, Sophie and Sahtria. A Thriller Spiced with a liberal helping of Romance and Humor

Drama and Thrills - liberally spiced with Romance and Humor Marcia Thompson is a celebrated dancer in 1920's Melbourne Australia. When her best friend is kidnapped at Flemington racecourse, Marcia receives a ransom demand - the first of several - as other people she loves also fall prey to a very clever extortionist who will stop at nothing to ruin Marcia - financially, physically and emotionally. Marcia is driven to her wits end as the extortionist leads her on a not-so-merry dance around the state of Victoria. For a long time, she has no idea who this person is or why he is persecuting her. Her fiance is Inspector Jack O'Brien who is singled out for special treatment by the extortionist, but through some dogged detective work he manages to break into the extortionist's group of accomplices. He does his best to protect Marcia but when the kidnapper strikes again, Marcia decides enough is enough and circumstances force her to hatch a daring plan that will end in either her death - or freedom.

The 2016 Presidential Election: The Causes and Consequences of a Political Earthquake critically analyzes the 2016 presidential election. The chapters in this book identify key factors behind the election of Donald J. Trump, explore the unconventional campaign, analyze the unexpected election result, evaluate the forecasting models, and speculate on the effect of the election outcome on politics and governance in the Trump Administration.

Legislative term limits are reshaping the political landscape in numerous states; however, few of the effects are consistent across all states. Everything from the political environment to the level of legislative professionalism within a state influences the trends that are often attributed to term limits. To cut through these many trends and isolate the ones most likely created by term limits, this volume develops comparisons of states with term limits to similar states without term limits. The comparisons are organized by levels of legislative professionalism. The richness of the case study approach allows the contributors to Legislating Without Experience to offer valuable insights into the legislative process in each of the specific states. They also illuminate the individual idiosyncrasies that enhance or dilute the effects of term limits in a given state. Rarely does a case study book with multiple contributors offer apples-to-apples data comparisons. This project engaged nationally recognized scholars to collect and analyze comparable data in each state. The loss of major power brokers and their institutional memory makes the legislature a more chaotic place. Legislating Without Experience argues that on the whole, the legislature as an institution has been weakened by term limits. However, these effects vary from state to state based on the specifics of the limit and the degree of legislative professionalism. Importantly, legislative actors are adapting to the limits and making the best of a difficult situation. This book will be an excellent reference for students and scholars of state politics, legislative process, and term limits.

Legislative term limits are reshaping the political landscape in numerous states; however, few of the effects are consistent across all states. Everything from the political environment to the level of legislative professionalism within a state influences the trends that are often attributed to term limits. To cut through these many trends and isolate the ones most likely created by term limits, this volume develops comparisons of states with term limits to similar states without term limits. The comparisons are organized by levels of legislative professionalism. The richness of the case study approach allows the contributors to Legislating Without Experience to offer valuable insights into the legislative process in each of the specific states. They also illuminate the individual idiosyncrasies that enhance or dilute the effects of term limits in a given state. Rarely does a case study book with multiple contributors offer apples-to-apples data comparisons. This project engaged nationally recognized scholars to collect and analyze comparable data in each state. The loss of major power brokers and their institutional memory makes the legislature a more chaotic place. Legislating Without Experience argues that on the whole, the legislature as an institution has been weakened by term limits. However, these effects vary from state to state based on the specifics of the limit and the degree of legislative professionalism. Importantly, legislative actors are adapting to the limits and making the best of a difficult situation. This book will be an excellent reference for students and scholars of state politics, legislative process, and term limits.

Since the early 1990s, whether elected representatives at the state and national levels should be limited to a specific term of office has been a contentious public policy question. Changing Members examines the case of Maine, which in 1996 became the first state in the entire nation where legislative term limits took effect in both chambers. Authors Matthew C. Moen, Kenneth T. Palmer, and Richard J. Powell have combined original survey data collected from Maine's legislators, several dozen interviews with legislators and other political elites, and participant observation of committee and floor proceedings to provide a complete picture of the new term limits' effects. Challenging conventional thinking on term limits and offering predictions of their likely impact in other states with citizens' legislatures, Changing Members is an essential source for citizens, elected officials and government workers, and scholars of political science.

Conjuring Bearden, a richly illustrated exhibition catalog, explores the theme of the "conjur woman" in the work of artist Romare Bearden (1911-1988). Throughout his career, Bearden represented the female figure of the conjurer, or her Caribbean equivalent, the Obeah woman, in his art. Enthralled by her spirituality and power to transform, Bearden depicted the Obeah in his collage, photomontage, and watercolors. Although much has been written about Bearden, this is the first book to critically address his obsessive and creative relationship with this figure of the black vernacular.One of Bearden's most striking methods for introducing the figure of the conjur woman in his art was by distilling Cubist and Dadaist fracture through the deconstructive aesthetics of jazz compositions and African American folk collage and assemblage. With arresting color, Bearden's conjurers were neither eroticized nor made passive. Essays look at Bearden's thematic presentation of African American spirituality in relation to his experiments with form and technique. They trace his visual musings on African, Caribbean, and African American expressive mysticism and examine his magical reinvention of pictorial space and time. This catalog accompanies an exhibition of the same title at the Nasher Museum of Art at Duke University, which will be on display from March 4, 2006 through July 16, 2006. Together, they build on the findings of The Art of Romare Beaden, a major retrospective organized by the National Gallery of Art that toured nationwide.