In the 1960s, art patrons Dominique and Jean de Menil founded an
image archive showing the ways that people of African descent have
been represented in Western art from the ancient world to modern
times. Highlights from the image archive, accompanied by essays
written by major scholars, appeared in three large format volumes,
consisting of one or more books, that quickly became collector s
items. A half century later, Harvard University Press and the Du
Bois Institute are proud to have republished five of the original
books and five completely new ones, extending the series into the
twentieth century.
"The Rise of Black Artists," the second of two books on the
twentieth century and the final volume in The Image of the Black in
Western Art," marks an essential shift in the series and focuses on
representation of blacks by black artists in the West. This volume
takes on important topics ranging from urban migration within the
United States to globalization, to Negritude and cultural
hybridity, to the modern black artist s relationship with European
aesthetic traditions and experimentation with new technologies and
media. Concentrating on the United States, Europe, and the
Caribbean, essays in this volume shed light on topics such as
photography, jazz, the importance of political activism to the
shaping of black identities, as well as the post-black art
world."
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