* Contains brief extracts from the critical works themselves so lecturers do not need to turn to multiple books/photocopies - everything needed in one book * Focuses on the most frequently studied texts in English so will fit nicely onto most existing courses * Organised chronologically and broken down into the units most commonly seen on degrees so is much more user-friendly for beginners * Provides a solid history of literary criticism but also brings it right up to date - looking at the issues that engage students right now, such as ecocriticism and queer theory * Richard Jacobs is widely praised for his tone and style which is ideal for students - clear, engaging and accessible * The author has worked alongside specialists in Early Modern studies, Contemporary Literature, and American Literature to ensure the widest possible market for the book

For generations, conventional wisdom stated that you could never sell a book with 'penis' in the title - until Quirk's "Penis Pokey" shattered all of the rules, racking up 100,000 in net sales in just 18 months. In this same tradition comes "How to Live with a Huge Penis" - a gift every man will cherish, regardless of whether or not he actually needs it. Frankly, it's enough for someone to think he needs it. This hilarious self-help parody is full of compassionate advice for men afflicted with Oversized Male Genitalia (OMG).Far too often, these men are banished to the fringes of society, victims of their own freakish length and girth. But Dr. Richard Jacob and Rev. Owen Thomas are here with a message of tolerance and hope, along with hilarious advice on 'coming out' to your family, sharing your assets with a partner, and avoiding injury in the workplace. Complete with a daily affirmations journal and inspiring quotes from leading self-help experts, "How to Live with a Huge Penis" will send an uplifting message to men around the world.

* Contains brief extracts from the critical works themselves so lecturers do not need to turn to multiple books/photocopies - everything needed in one book * Focuses on the most frequently studied texts in English so will fit nicely onto most existing courses * Organised chronologically and broken down into the units most commonly seen on degrees so is much more user-friendly for beginners * Provides a solid history of literary criticism but also brings it right up to date - looking at the issues that engage students right now, such as ecocriticism and queer theory * Richard Jacobs is widely praised for his tone and style which is ideal for students - clear, engaging and accessible * The author has worked alongside specialists in Early Modern studies, Contemporary Literature, and American Literature to ensure the widest possible market for the book

This book recreates in written form seventeen of the most popular, frankly personal and engaging lectures on literature given by the award-winning teacher Richard Jacobs, who has been working with students for over forty years. This is a book written for students, whether starting their studies or more experienced, and also for all lovers of literature. At its heart is the conviction that reading, thinking about, and writing or talking about literature involves us all personally: texts talk to us intimately and urgently, inviting us to talk back, intervening in and changing our lives. These lectures discuss, in an open but richly informed way, a wide range of texts that are regularly studied and enjoyed. They model what it means to be excited about reading and studying literature, and how the study of literature can be life-changing - perhaps even with the effect of changing the lives of readers of this eloquent and remarkable book.

A Beginner's Guide to Critical Reading brings literature to life by combining a rich selection of literary texts with original and lively commentary. Unlike so many introductions to literary studies, it vividly demonstrates how criticism and theory can enhance your own enjoyment and appreciation of literature.
Aimed at AS, A2 and undergraduate students, Richard Jacobs draws a map of English Literature which is fresh and distinctive and which offers guidance to many familiar landmarks. In the process he shows that studying literature can be a source of huge pleasure and interest.

A Beginner's Guide to Critical Reading brings literature to life by combining a rich selection of literary texts with original and lively commentary. Unlike so many introductions to literary studies, it vividly demonstrates how criticism and theory can enhance your own enjoyment and appreciation of literature.
Aimed at AS, A2 and undergraduate students, Richard Jacobs draws a map of English Literature which is fresh and distinctive and which offers guidance to many familiar landmarks. In the process he shows that studying literature can be a source of huge pleasure and interest.


Related link: A review from the Author.co.uk website

This book recreates in written form seventeen of the most popular, frankly personal and engaging lectures on literature given by the award-winning teacher Richard Jacobs, who has been working with students for over forty years. This is a book written for students, whether starting their studies or more experienced, and also for all lovers of literature. At its heart is the conviction that reading, thinking about, and writing or talking about literature involves us all personally: texts talk to us intimately and urgently, inviting us to talk back, intervening in and changing our lives. These lectures discuss, in an open but richly informed way, a wide range of texts that are regularly studied and enjoyed. They model what it means to be excited about reading and studying literature, and how the study of literature can be life-changing - perhaps even with the effect of changing the lives of readers of this eloquent and remarkable book.

Narrative is everywhere and has unique powers: to enchant and inspire, to make sense of our lives and ourselves and to afford us an enriched understanding of alternative worlds and lives and of better futures - though narrative also has the potential to coerce and oppress. Narrative is at the centre at all stages of the English curriculum and has been the subject of a burgeoning critical industry. This timely volume addresses the many ways in which recent thinking has informed the teaching of narrative in university classrooms in the UK and the USA. Distinguished teachers from both countries range widely across narrative topics and genres, including the opportunities opened up by new technologies, and chapters articulate students' own individual and collaborative experiences in the teaching/learning process. The result is a volume that explores the pleasurable challenges of working with students to help them appreciate and assess the power that narrative exerts, to become reflective critics of its inner workings as well as exponents of narrative themselves.

This is the third revised edition of what was described by the English Court of Appeal in C v D as the "standard work" on Bermuda Form excess insurance policies. The Form, first used in the 1980s, covers liabilities for catastrophes such as serious explosions or mass tort litigation and is now widely used by insurance companies. It is unusual in that it includes a clause requiring disputes to be arbitrated under English procedural rules in London but subject to New York substantive law. This calls for a rare mix of knowledge and experience on the part of the lawyers involved, each of whom is required to confront the many differences between English and US law and legal culture. In addition, since the awards of arbitrators are confidential and are not subject to the scrutiny of the courts, the book helps professionals understand the Form's lengthy and complex provisions. The book, first published in 2004, was the first comprehensive analysis of the Bermuda Form. It is frequently cited in Bermuda Form arbitrations and was the joint winner in 2012 of British Insurance Law Association Book Prize for the most notable contribution to literature in the field of law as it affects insurance. It offers a detailed commentary on how the Form is to be construed, its coverage, the substantive law to be applied, the limits of liability, exceptions, and, of course, the procedures to be followed during arbitration proceedings in London. The book will prove invaluable to lawyers, risk managers, and executives of companies which purchase insurance on the Bermuda Form, and to clients, lawyers or arbitrators involved in disputes arising therefrom.

"But I Only Had 2 Beers " - the #1 response over 1.6 million people arrested for drunk driving this year gave to police, their friends, and their attorney. What's the REAL TRUTH behind driving under the influence? Are most people truly drunk or did they merely have an extra glass of wine at dinner? DUI affects everyone, no matter their age, race, income or education level; no one is immune to its effects. Movie & sports stars, lawyers, police, judges, factory workers, and everyone in between has been charged with a DUI. Over 26 DUI lawyers were interviewed to create the material for this insightful look into the truth about Drunk Driving.

Did law school teach you ANYTHING about how to successfully market your law practice? You wouldn't have been compelled to read this book if it did, now would you? Contrary to what the public thinks, you and I know being an attorney can at times be a thankless, life-sucking, time consuming, family destroying profession that earns you little more than middle class wages. It's NOT the best attorneys that make the most money. Many times some of the hardest working and knowledgeable attorneys are the very ones scraping to get by, working 80 hour weeks, and giving up family time and any hope of a life outside the office. From interviewing 150+ attorneys, and seeing the inside of 400+ attorney websites, I can tell you these shocking facts: 1. 97% of attorneys tell me they've been burned, more than once, by an unscrupulous marketing company who sees them as their next ATM withdrawal. 2. The top 3 ways attorneys get burned by marketers are: A) the marketing company controls either the hosting or domain name of their website, and "rents" this to the attorney, pulling the rug out at contract's end, or extorts the attorney for thousands to own their own website; B) Proprietary reporting systems are used to create smoke and mirrors, hiding lack of results; C) Little to no marketing work is actually performed, but instead claimed to have been performed. 3. 95% of attorneys get 0 - 5 visitors to their website a day. (how will you EVER get enough potential clients to call you without enough visitors?) 4. It's possible, with proper marketing, to get your phone ringing with real, live, breathing potential clients on a DAILY BASIS, earning you 4-8 or more retained clients a month from a properly SEO'd website that draws 100+ unique visitors daily. 5. Over 90% of attorneys sacrifice tens of thousands of dollars a year in lost retentions due to untrained, unfriendly, standoffish office staff, attorney partners, lack of customer intake scripting, and utter lack of potential client follow up. 6. In your city, on your block, there are attorneys charging triple what you charge, making $300k - $500k+ a year, meanwhile other lawyers are whoring themselves out for nickels, and going broke. Yes, in THIS ECONOMY. Richard Jacobs' book, Secrets of Attorney Marketing Law School Dares Not Teach, gives you street fighter strategies and tactics you can use TODAY to earn more, work less, and get off the treadmill of mediocrity. At times irreverant, crude, rude, and unprofessional, Richard exposes the truth about what marketing works, and what doesn't. If you're easily offended, stuck on professionalism, "getting your name out there," and feel naked if you have to take a picture without the security of your law books behind you, then do not read this book.

Samuel Oakman uses the cover of darkness to carry out his mission. It is 1934, and the night is dark. The June 1934 Ku Klux Klan meeting takes place in a room above Kahn's Saloon. Young Samuel is the lone Negro to attend secretly. As he learns the posse's plan for the nights cross burning, he forges his counter-plan. In order to accomplish his mission he must enlist a close friend. Sammy forces his white childhood friend, Gabriel Summers, out of a fitful sleep, and with subtle coercion persuades Gabe to follow him into the East Texas bayous. Gabe follows the death march with terrible consequences if Samuel's plan fails. With the aid of his Gramps eight-gauge shotgun, Sammy stops the raid with greater than wished for results. The duel blasts from the shotgun severely injures Samuel, forcing Gabe to assist him to escape. There is no exit strategy-a critical failure of the plan. Samuel's tactics returns them to town and possible discovery, but Gabe intervenes and leads them to safety. Samuel forgot a critical part of the plan-now they must escape the Posse.

Tamara Cohn Eskenazi has a special place in contemporary biblical scholarship. Among the first to bring a focus of scholarly attention to the period of ancient Israel's creativity after the Exile, she has also been a leader in foregrounding the Jewish tradition within the interpretative discourse of biblical scholars. And as a woman scholar, she has advanced the study of issues in the Hebrew Bible that impinge on the concerns of women ancient and modern. Tamara Eskenazi was awarded the 2008 National Jewish Book Award for her volume The Torah: A Women's Commentary and the 2011 National Jewish Book Award in Women's Studies for her commentary on Ruth in the Jewish Publication Society Bible Commentary series. The 26 articles offered to Tamara Eskenazi by her friends in this volume represent the range of her interests in all things biblical and Jewish. From Genesis to the New Testament to modern Hebrew fiction, from technical studies on the prophets or Qumran to penetrating insights on her beloved philosopher Levinas, this volume beautifully represents the range and depth of Jewish culture. The contributors are Rachel Adler, Annette Aronowicz, Judith R. Baskin, Athalya Brenner, Mark G. Brett, Catherine Chalier, David J.A. Clines, William Cutter, Pamela Eisenbaum, David Ellenson, Lisbeth S. Fried, Frederick E. Greenspahn, Sara Japhet, Gary N. Knoppers, Francis Landy, Adriane Leveen, Heather A. McKay, David L. Petersen, Jack M. Sasson, Jesper Svartvik, Marvin A. Sweeney, Phyllis Trible, Gene M. Tucker, Andrea L. Weiss, H.G.M. Williamson and Jacob L. Wright.