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Paul Ricoeur was one of the most important philosophers of the twentieth century. In this short and accessible book, he turns to a topic at the heart of much of his work: What is translation and why is it so important? Reminding us that The Bible, the Koran, the Torah and the works of the great philosophers are often only ever read in translation, Ricoeur reminds us that translation not only spreads knowledge but can change its very meaning. In spite of these risk, he argues that in a climate of ethnic and religious conflict, the art and ethics of translation are invaluable. Drawing on interesting examples such as the translation of early Greek philosophy during the Renaissance, the poetry of Paul Celan and the work of Hannah Arendt, he reflects not only on the challenges of translating one language into another but how one community speaks to another. Throughout, Ricoeur shows how to move through life is to navigate a world that requires translation itself. Paul Ricoeur died in 2005. He was one of the great contemporary French philosophers and a leading figure in hermeneutics, psychoanalytic thought, literary theory and religion.
Paul Ricoeur is described in the "Routledge Encyclopedia of Philosophy "as "one of the leading French philosophers of the second half of the twentieth century." This little book collects his thoughts on the subject of translation, and is vintage Ricoeur. He uses the topic to reflect on some of the perennial problems posed by translation, including the transmission of early Greek philosophy to the Renaissance, interpretations of the Bible amongst diverse religious traditions (no small issue at the moment), and the way translations of the same text reflect important cultural dynamics at work across different periods, leading to quite different meanings springing from the same book. There are also discussions of some contemporary figures, such as Umberto Eco, and the whole underscored by Ricoeur's point that there is a paradox at the hear of translation: impossible in theory but effective in practice.
'To thine own self be true.' From Polonius's words in Hamlet right
up to Oprah, we are constantly urged to look within. Why is being
authentic the ultimate aim in life for so many people, and why does
it mean looking inside rather than out? Is it about finding the
'real' me, or something greater than me, even God? And should we
welcome what we find?
Continental philosophy is one of the twentieth century's most important and challenging philosophical movements. This major volume includes fourteen chapters on its major representatives and schools, including phenomenology, existentialism and postmodernism.
Our existence is increasingly lived at a distance. As we move from flesh to image, we are in danger of losing touch with each other and ourselves. How can we combine the physical with the virtual, our embodied experience with our global connectivity? How can we come back to our senses? Richard Kearney offers a timely call for the cultivation of the basic human need to touch and be touched. He argues that touch is our most primordial sense, foundational to our individual and common selves. Kearney explores the role of touch, from ancient wisdom traditions to modern therapies. He demonstrates that a fundamental aspect of touch is interdependence, its inherently reciprocal nature, which offers a crucial corrective to our fixation with control. Making the case for the complementarity of touch and technology, this book is a passionate plea to recover a tangible sense of community and the joys of life with others.
Paul Ricoeur is one of the giants of contemporary continental philosophy and one of the most enduring and wide-ranging thinkers in the twentieth century, publishing major works ranging from existentialism and phenomenology to psychoanalysis, politics, religion and the theory of language. Richard Kearney offers a critical engagement with the work of Ricoeur, beginning with a general introduction to his hermeneutic philosophy. Part one explores some of the main themes in Ricouer's thought under six headings: phenomenology and hermeneutics; language and imagination; myth and tradition; ideology and utopia; evil and alterity; poetics and ethics. The second part comprises five dialogical exchanges which Kearney has conducted with Ricoeur over the last three decades (1977-2003), charting and explaining his intellectual itinerary. This book is aimed at a broad student readership as well as the general intelligent reader interested in knowing more about one of the most enduring major figures in contemporary continental philosophy.
Verhalen bieden ons bijzonder veelzijdige en duurzame inzichten in de menselijke conditie en hebben al sinds Aristoteles de aandacht van de filosofie getrokken. Het leidmotief van Vertellingen is dat dit digitale en naar verluidt 'postmoderne' tijdperk niet de ondergang van het verhaal aankondigt, maar juist zelf een bron van nieuwe verhalen vormt. Richard Kearney, filosoof en schrijver, ontrafelt in een heldere en meeslepende stijl waarom verhalen deze uitwerking op ons hebben en betoogt dat het onvertelde leven niet waard is om geleefd te worden. Vertellingen is onmisbaar, voor iedereen die helder wil nadenken over de rol van verhalen in ons leven en onze cultuur.
Confronted with rising citizen discontent, the Reinventing Government movement, and new technological challenges, public organizations everywhere are seeking means of improving their performance. Their quest is not new, rather, the concern with improving the performance of government organizations has existed since the Scientific Management Movement. "Public Sector Performance" brings together in a single volume the classic, enduring principles and processes that have defined the field of public sector performance, as written in the words of leading practitioners and scholars. Taken as a whole, this volume provides a performance compass for today's public managers, helping them to reconstruct the public's confidence in, and support of, government.Defined here as managing public organizations for outcomes, performance is examined in all its varied dimensions: organizing work, managing workers, measuring performance, and overcoming resistance to performance-enhancing innovations. The selected articles are interesting, thought provoking, and instructive. They are classics in that they have been widely cited in the scholarly literature and have enduring value to public managers who seek to understand the many dimensions of performance. The book is organized into three sections: Performance Foundations, Performance Strategies, and Performance Measurement. Excerpts from additional selected articles feature special topics and wisdom from performance experts.
Verhalen bieden ons bijzonder veelzijdige en duurzame inzichten in de menselijke conditie en hebben al sinds Aristoteles de aandacht van de filosofie getrokken.Het leidmotief van Vertellingen is dat dit digitale en naar verluidt 'postmoderne' tijdperk niet de ondergang van het verhaal aankondigt, maar juist zelf een bron van nieuwe verhalen vormt.Richard Kearney, filosoof en schrijver, ontrafelt in een heldere en meeslepende stijl waarom verhalen deze uitwerking op ons hebben en betoogt dat het onvertelde leven niet waard is om geleefd te worden.Vertellingen is onmisbaar, voor iedereen die helder wil nadenken over de rol van verhalen in ons leven en onze cultuur.
"The Continental Philosophy Reader" is the first comprehensive
anthology of key writings from the major figures in European
thought. The anthology is organised in three sections which map out
the broad territory covered in "The Continental Philosophy Reader:
" from Phenomenology to Hermeneutics, from Marxism to Critical
Theory and from Structualism to Deconstruction. Within each section
classic thinkers and writings of these movements are presented. The
selections have been carefully chosen to be representative of the
thinkers, and each piece of writing is introduced and placed in
their historical and philosophical context by the editors. There is
also a helpful chronology that allows the tradition to be seen in
light of twentieth century thought and culture.
With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.
Radical Hospitality addresses a timely and challenging subject for contemporary philosophy: the ethical responsibility of opening borders, psychic and physical, to the stranger. Kearney and Fitzpatrick show how radical hospitality happens by opening oneself in narrative exchange to someone or something other than ourselves-by crossing borders, whether literal or figurative. Against the fears, dogmas, and demands for certainty and security that push us toward hostility, we also desire to wager with the unknown, leap into the unanticipated, and celebrate the new, a desire this book seeks to recognize and cultivate. The book contends that hospitality means chancing one's hand, one's arm, one's very self, thereby opening a vital space for new voices to be heard, shedding old skins, and welcoming new understandings. Radical Hospitality engages with urgent moral conversations concerning identity, nationality, immigration, commemoration, and justice, moving between theory and praxis and on to the formative life of the classroom. Building on key critical debates on the question of hospitality ranging from phenomenology, hermeneutics and deconstruction to neo-Kantian moral critique and Anglo-American virtue ethics, the book explores novel possibilities for an ethics of hospitality in our contemporary world of border anxiety, refugee crises, and ecological catastrophe.
Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken up and enriched throughout world cinema. Can film indeed think? That is, can film do the work of philosophy? Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Film: Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities. This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form.
How do we give a future to the past? How do we perform acts of double remembrance which honor both sides of the story-- spoken and unspoken, acknowledged and forgotten? One hundred years after the Easter Rising, Twinsome Minds explores the complexities of commemoration against the backdrops of the famine and 1916. Using word and image artist Sheila Gallagher and philosopher Richard Kearney retrieve some neglected micro-narratives of Irish historical trauma to illustrate how memory occurs at the cross section of story and history. In an inventive combination of archival imagery, historical records and narrative imagination, they mine the past for potential futures in a process of healing and recovery. Ireland's Great Hunger Museum at Quinnipiac University publishes Famine Folios, a unique resource for students, scholars and researchers, as well as general readers, covering many aspects of the Famine in Ireland from 1845-1852 - the worst demographic catastrophe of nineteenth-century Europe. The essays are interdisciplinary in nature, and make available new research in Famine studies by internationally established scholars in history, art history, cultural theory, philosophy, media history, political economy, literature and music.
What is Imagination? What is the relationship between aesthetics and ethics in a contemporary civilization dominated by the image? How can we reconcile the right to imagine with the right to justice? Are the claims of artistic creativity and moral responsibility compatible? With an extended foreword and an afterword chapter, and fascinating new material on the narrative imagination, Poetics of Imagining: Modern to Post-modern provides a critically developed and accessible account of the major theories of imagination in modern European thought. It analyses and assesses the decisive contributions made to our understanding of the imaginary life by phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeneutics (Heidegger, Ricoeur), and post-modernism (Vattima, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach, which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture. This is essential reading for those interested in current leading debates on the role of imagining in continental philosophy, ethics, psychoanalysis, art theory and literary criticism.
Confronted with rising citizen discontent, the Reinventing Government movement, and new technological challenges, public organizations everywhere are seeking means of improving their performance. Their quest is not new, rather, the concern with improving the performance of government organizations has existed since the Scientific Management Movemen |
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