Media and the Ecological Crisis is a collaborative work of interdisciplinary writers engaged in mapping, understanding and addressing the complex contribution of media to the current ecological crisis. The book is informed by a fusion of scholarly, practitioner, and activist interests to inform, educate, and advocate for real, environmentally sound changes in design, policy, industrial, and consumer practices. Aligned with an emerging area of scholarship devoted to identifying and analysing the material physical links of media technologies, cultural production, and environment, it contributes to the project of greening media studies by raising awareness of media technology's concrete environmental effects.

Labor resides at the center of all media and communication production, from the workers who create the information technologies that form the dynamic core of the global capitalist system and the designers who create media content to the salvage workers who dismantle the industry's high-tech trash. The Routledge Companion to Labor and Media is the first book to bring together representative research from the diverse body of scholarly work surrounding this often fragmentary field, and seeks to provide a comprehensive resource for the study and teaching of media and labor. Essays examine work on the mostly unglamorous side of media and cultural production, technology manufacture, and every occupation in between. Specifically, this book features: -wide-ranging international case studies spanning the major global hubs of media labor; -interdisciplinary approaches for thinking about and analyzing class and labor in information communication technology (ICT), consumer electronics (CE), and media/cultural production; -an overview of global political economic conditions affecting media workers; -reports on chemical environments and their effect on the health of media workers and consumers; -activist scholarship on media and labor, and inspiring stories of resistance and solidarity.

Labor resides at the center of all media and communication production, from the workers who create the information technologies that form the dynamic core of the global capitalist system and the designers who create media content to the salvage workers who dismantle the industry's high-tech trash. The Routledge Companion to Labor and Media is the first book to bring together representative research from the diverse body of scholarly work surrounding this often fragmentary field, and seeks to provide a comprehensive resource for the study and teaching of media and labor. Essays examine work on the mostly unglamorous side of media and cultural production, technology manufacture, and every occupation in between. Specifically, this book features: -wide-ranging international case studies spanning the major global hubs of media labor; -interdisciplinary approaches for thinking about and analyzing class and labor in information communication technology (ICT), consumer electronics (CE), and media/cultural production; -an overview of global political economic conditions affecting media workers; -reports on chemical environments and their effect on the health of media workers and consumers; -activist scholarship on media and labor, and inspiring stories of resistance and solidarity.

Media and the Ecological Crisis is a collaborative work of interdisciplinary writers engaged in mapping, understanding and addressing the complex contribution of media to the current ecological crisis. The book is informed by a fusion of scholarly, practitioner, and activist interests to inform, educate, and advocate for real, environmentally sound changes in design, policy, industrial, and consumer practices. Aligned with an emerging area of scholarship devoted to identifying and analysing the material physical links of media technologies, cultural production, and environment, it contributes to the project of greening media studies by raising awareness of media technology s concrete environmental effects. "

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‘Liberty, equality, fraternity, or death; – the last, much the easiest to bestow, O Guillotine!’

After eighteen years as a political prisoner in the Bastille the aging Dr Manette is finally released and reunited with his daughter in England. There two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil lanes of London, they are all drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror and soon fall under the lethal shadow of La Guillotine.

This edition uses the text as it appeared in its first serial publication in 1859 to convey the full scope of Dickens’s vision, and includes the original illustrations by H. K. Browne (‘Phiz’). Richard Maxwell’s introduction discusses the intricate interweaving of epic drama with personal tragedy.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. After eighteen years as a political prisoner in the Bastille the aging Dr Manette is finally released and reunited with his daughter in England. There two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil lanes of London, they are all drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror and soon fall under the lethal shadow of La Guillotine.

The Sufis were heirs to a tradition of Islamic mysticism, and they have generally been viewed as standing more or less apart from the social order. Professor Eaton contends to the contrary that the Sufis were an integral part of their society, and that an understanding of their interaction with it is essential to an understanding of the Sufis themselves. In investigating the Sufis of Bijapur in South India, (he author identifies three fundamental questions. What was the relationship, he asks, between the Sufis and Bijapur's 'ulama, the upholders of Islamic orthodoxy? Second, how did the Sufis relate to the Bijapur court? Finally, how did they interact with the non-Muslim population surrounding them, and how did they translate highly developed mystical traditions into terms meaningful to that population? In answering these questions, the author advances our knowledge of an important but little-studied city-state in medieval India. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Bleeding Kansas" has earned its name. A state already scarred from the violence wrought by the likes of John Brown and William Quantrill, Kansas witnessed further episodes of wanton bloodshed in the late nineteenth century when settlers poured into a supposedly peaceful frontier.Focusing on the tumultuous years 1885–1892, Robert K. DeArment's compelling narrative is the first to reveal the complete story of the county seat wars that raged in Kansas—controversial episodes that made national news in the late 1900s but are largely unknown today. With a story populated by some of the most notorious characters of the West—including Sam Wood, Theodosius Botkin, Bat Masterson, and Bill Tilghman—Ballots and Bullets relives the violence that only avarice can breed. Ordinary, decent citizens were drawn into bitter conflicts to advance their own communities and block the fortunes of other towns, even if it meant using hired gunmen. Gripping and historically accurate, DeArment's account reveals a shocking chapter in the history of the West.

The Sufis were heirs to a tradition of Islamic mysticism, and they have generally been viewed as standing more or less apart from the social order. Professor Eaton contends to the contrary that the Sufis were an integral part of their society, and that an understanding of their interaction with it is essential to an understanding of the Sufis themselves. In investigating the Sufis of Bijapur in South India, (he author identifies three fundamental questions. What was the relationship, he asks, between the Sufis and Bijapur's 'ulama, the upholders of Islamic orthodoxy? Second, how did the Sufis relate to the Bijapur court? Finally, how did they interact with the non-Muslim population surrounding them, and how did they translate highly developed mystical traditions into terms meaningful to that population? In answering these questions, the author advances our knowledge of an important but little-studied city-state in medieval India. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this ambitious and exciting work Richard Maxwell uses nineteenth century urban fiction- particularly the novels of Victor Hugo and Charles Dickens- to define a greater genre, the novel of urban mysteries. His title comes from the ""mystery mania"" that captured both sides of the channel. In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode popular mysteries of the era and to reveal man's evolving consiousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in the nineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.

A first-of-kind book on marble collecting for beginners interested in learning about how to identify and value old marbles.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Why is Hollywood so successful? Overwhelming almost every other national cinema and virtually extinguishing foreign cinema in the multicultural United States, Hollywood seems powerful around the globe. This book draws from political economy, cultural studies, and cultural policy analysis to highlight the material factors underlining this apparent artistic success.
This new edition brings the arguments completely up-to-date by taking into consideration important developments such as 9/11, shifts in the exchange rate, transformations in U.S. foreign policy, and significant developments in trade agreements, consumer technology, and ownership regimes. Each chapter has been substantially revised, and major new sections on India and China have been added.

Why is Hollywood so successful? Overwhelming almost every other national cinema and virtually extinguishing foreign cinema in the multicultural United States, Hollywood seems powerful around the globe. This book draws from political economy, cultural studies, and cultural policy analysis to highlight the material factors underlining this apparent artistic success.
This new edition brings the arguments completely up-to-date by taking into consideration important developments such as 9/11, shifts in the exchange rate, transformations in U.S. foreign policy, and significant developments in trade agreements, consumer technology, and ownership regimes. Each chapter has been substantially revised, and major new sections on India and China have been added.

In this ambitious and exciting work Richard Maxwell uses nineteenth-century urban fiction--particularly the novels of Victor Hugo and Charles Dickens--to define a genre, the novel of urban mysteries. His title comes from the "mystery mania" that captured both sides of the channel with the runaway success of Eugene Sue's Les mysteres de Paris and G. W. M. Reynold's Mysteries of London. Richard Maxwell argues that within these extravagant but fact-obsessed narratives, the archaic form of allegory became a means for understanding modern cities. The city dwellers' drive to interpret linked the great metropolises with the discourses of literature and art (the primary vehicles of allegory). Dominant among allegorical figures were labyrinths, panoramas, crowds, and paperwork, and it was thought that to understand a figure was to understand the city with which it was linked. Novelists such as Hugo and Dickens had a special flair for using such figures to clarify the nature of the city. Maxwell draws from an array of disciplines, ideas, and contexts. His approach to the nature and evolution of the mysteries genre includes examinations of allegorical theory, journalistic practice, the conventions of scientific inquiry, popular psychiatry, illustration, and modernized wonder tales (such as Victorian adaptations of the Arabian Nights). In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode the popular mysteries of the era and to reveal man's evolving consciousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in thenineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.

"Richard Maxwell Brown's brief study of 'violence and American values' is quite simply a tour de force of provocatie, well-conceived, and smoothly written historiography....rich with novel insights, new conceptualizations, and solid documentation." -Richard W. Etulain, in Reviews in American History. "Fascinating and provocative, No Duty to Retreat is an authoritative examination of violence not only on the American frontier and in American society at large, but in American jurisprudence as well." -Robert M. Utley, author of High Noon in Lincoln, Billy the Kid, and Cavalier in Buckskin: George Armstrong Custer and the Western Military Frontier. " No Duty to Retreat] is a delightful book and a provocative one to contemplate....It belongs in the library of all westerners." - Gordon Morris Bakken, in Montana: The Magazine of Western History. In 1865, Wild Bill Hickok killed Dave Tutt in a Missouri public square in the West's first notable "walkdown." One hundred and twenty-nine years later, Bernard Goetz shot four threatening young men in a New York subway car. Apart from gunfire, what do the two events have in common? Goetz, writes Richard Maxwell Brown, was acquitted of wrongdoing in the spirit of a uniquely American view of self-defense, a view forged in frontier gunfights like Hickok's. When faced with a deadly threat, we have the right to stand our ground and fight. We have no duty to retreat. Richard Maxwell Brown is Beekman Professor Emeritus of Northwest and Pacific History at the University of Oregon and the nation's leading expert in the history of violence in American, western, and frontier history

Those who will recall the Simpson trial as the legal extravaganza of its century might be surprised by striking parallels between it and the late-nineteenth century trial of the infamous Frank James. In 1882, James urrendered to authorities voluntarily and was tried for murder the following year in Gallatin, Missouri. Petrone's analysis of primary and secondary sources tells the story of a charismatic prominent figure, who assembles his century's legal dream team and in the face of overwhelming incriminating evidence, wins acquittal from a sympathetic jury. 'The trial of Frank James has never before been explored in detail, although his acquittal has long screamed for explanation' - Bill O'Neal. 'Scholars as well as 'buffs' have always neglected the trial of Frank James. Thus ""Judgment at Gallatin"" fills in a major gap in our knowledge of the James brothers' - Richard Maxwell Brown.

This book was first published in 2009. A much older genre than is often thought, the historical novel has played a vital role in the development of the novel overall. It began in seventeenth-century France as a distinctive way of combining historical chronologies with fictive narratives. In Romantic Scotland, historical fiction underwent a further transformation, inspired by both antiquarian scholarship and crisis-oriented journalism. The first comprehensive study of its subject for many years, The Historical Novel in Europe highlights both the French invention and Scottish re-invention of historical fiction, showing how these two events prepared the genre's broad popularity during the nineteenth and twentieth centuries. In Europe, as well as in the Americas, the historical novel became as much a way of reading and a set of expectations as a memorable collection of books. The main authors discussed include Madame de Lafayette, the abbe Prevost, Walter Scott, Alexandre Dumas, Victor Hugo, Gustave Flaubert and Mark Twain.