"Well Considered is a suspenseful but deeply moving novel that gripped me throughout. I recommend it." -William Byers Ron Watkins learns that his great-grandfather, Thomas, was murdered by a mob in 1907 in Maryland. He is driven to find proof that Thomas was an innocent victim in order to protect his children's familial and racial pride from those who might assume that Thomas committed some crime that incited the violence. But as Ron searches for information, Jimmy Clay, neo-Nazi owner of a dilapidated general store and oil-and-lube who has ties to the 1907 mob, learns of his activities. Clay becomes convinced that Ron intends to steal his property, and with two cohorts seizes him as he jogs through the woods. Wilma, Ron's wife, futilely searches for him and desperately calls on neighbors for help. What Ron does not know is that the truth he seeks is hidden in the mind of a friend. Set in former tobacco fields in Maryland, Well Considered travels back to a time a century ago and shows how people and events buried deep in the past can still affect us and control our existence. This is a story of racial conflict and reconciliation, suspense, mystery, history, and humor with characters you will not soon forget.

""I love the way Wilfred recycles the bodies. That's fabulous stuff with a direct line to Heller's Catch-22 and perfectly captures the insanity of the Vietnam War."

-Richard Peabody, co-editor of Gargoyle Magazine

Counting bodies in Vietnam. In this earthy war/peace novel, comedy frames grim pictures of war. Morris weaves combat, a love affair, and military satire into a story that is by turns terrifying, gruesome, and mad, and one acted by a memorable cast of characters-grunts and hookers, Vietcong soldiers and spies, heroes and inane officers. It begins on a huge base in the Central Highlands in 1967 where Lieutenant Wilfred Carmenghetti falls in love with Can and smuggles her to a forward firebase. In the field he and his platoon win stunning victories, but spies plot his death, Vietcong soldiers attack the platoon, and Can leaves him. What follows is a surprising and fanciful comedic ending. "Cologne No. 10 For Men" is a book to make us fear, weep, laugh, and remember. A soldier in Vietnam invents a uniquely absurd solution to the horrors of war. A relatively na ve Wilfred Carmenghetti comes to the Far East to outmaneuver the draft and save the Western world. A funny and serviceable satire about the gross rationalizations that propel war and peace. -Kirkus Discoveries

Higher education has embraced a period of increasingly rapid development due to the speed of technological advances, increased global competition, an ever more astute and savvier consumer base, and ethical planetary responsibilities. One such educational development is transnational education (TNE). The global pandemic has made TNE a timely topic because traditional international education, which relies on the mobility of staff and students, experienced unprecedented challenges, with borders closed and travel banned. This has presented the international education community with a unique opportunity to reassess the effectiveness and efficiency of transnational activities from a social, ethical, and environmental perspective. The Handbook of Research on Developments and Future Trends in Transnational Higher Education offers a perspective of what the future of TNE may look like, what models of TNE there are, its impact, and what institutions may have to do to be successful moving forward. Universities around the world are growing their TNE partnerships. This reference book explores the benefits TNE can offer universities, staff, and students, while increasing its global outlook and capabilities. It further provides concrete suggestions to readers considering this. Covering topics such as employability skill enhancement, formative assessment, and online higher education, this major reference work is an excellent resource for faculty and administrators of higher education, teacher educators, entrepreneurs, researchers, librarians, and academicians.

Published in 1997, this text focuses on the conundrum between the academics ability to distinguish between failing and non-failing businesses with models of over 85.5per cent accuracy, and the reasons why credit agencies and the like do not act on such information. The author asks, are the models defective?

Published in 1997, this text focuses on the conundrum between the academics ability to distinguish between failing and non-failing businesses with models of over 85.5per cent accuracy, and the reasons why credit agencies and the like do not act on such information. The author asks, are the models defective?

Parish churches have been at the heart of communities for more than a thousand years. But now, fewer than two in one hundred people regularly attend services in an Anglican church, and many have never been inside one. Since the idea of 'church' is its people, the buildings are becoming husks - staples of our landscapes, but without meaning or purpose. Some churches are finding vigorous community roles with which to carry on, but the institutional decline is widely seen as terminal. Yet for Richard Morris, post-war parsonages were the happy backdrop of his childhood. In Evensong he searches for what it was that drew his father and hundreds like him towards ordination as they came home from war in 1945. Along the way we meet all kinds of people - archbishops, chaplains, campaigners, bell-ringers, bureaucrats, archaeologists, gravediggers, architects, scroungers - and follow some of them to dark places. Part personal odyssey, part lyrical history, Evensong asks what churches stand for and what they can tell us; it explores why Anglicanism has often been fractious, and why it has become so diffuse. Spanning over two thousand years, it draws on new discoveries, reflects on the current state of the Church in England and ends amid the messy legacies of colonialism and empire.

Parish churches have been at the heart of communities for more than a thousand years. But now, fewer than two in one hundred people regularly attend services in an Anglican church, and many have never been inside one. Since the idea of 'church' is its people, the buildings are becoming husks - staples of our landscapes, but without meaning or purpose. Some churches are finding vigorous community roles with which to carry on, but the institutional decline is widely seen as terminal. Yet for Richard Morris, post-war parsonages were the happy backdrop of his childhood. In Evensong he searches for what it was that drew his father and hundreds like him towards ordination as they came home from war in 1945. Along the way we meet all kinds of people - archbishops, chaplains, campaigners, bell-ringers, bureaucrats, archaeologists, gravediggers, architects, scroungers - and follow some of them to dark places. Part personal odyssey, part lyrical history, Evensong asks what churches stand for and what they can tell us; it explores why Anglicanism has often been fractious, and why it has become so diffuse. Spanning over two thousand years, it draws on new discoveries, reflects on the current state of the Church in England and ends amid the messy legacies of colonialism and empire.

British industry isn't dead. Yet. ICI was Britain's biggest manufacturer and exporter, while GEC was its biggest employer and Morris Motors made over half of its cars; Courtaulds dominated global cloth production and produced the first man-made fibres; BSA was the world's biggest producer of motorbikes; De Havilland produced groundbreaking aeroplanes and some of the world's first jet engines. And yet, these companies have all collapsed, taking with them nearly 200 years of industrial pre-eminence. British industry is dead, killed off by 'Made in China' stickers and US market dominance. Or is it? Will Britain Make It? explores the rise, fall and future of British industry and all the complexities surrounding it. Who's to blame for its slow decline? What about Brexit? Can it be resurrected? If you've ever asked any of these questions, then this is the book for you.

A personal and lyrical rediscovery of the history of England through archaeology and the imagination. History thrives on stories. TIME'S ANVIL explores archaeology's influence on what such stories say, how they are told, who tells them and how we listen. In a dazzlingly wide-ranging exploration, Richard Morris casts fresh light on three quarters of a million years of history in the place we now think of as England. Drawing upon genres that are usually pursued in isolation - like biography, poetry, or physics - he finds potent links between things we might imagine to be unrelated. His subjects range from humanity's roots to the destruction of the wildwood, from the first farmers to industrialization, and from Tudor drama to 20th-century conflict. Each topic sits at a different point along the continuum between epoch and the fleeting moment. In part, this is a history of archaeology; in part, too, it is a personal account of the author's history in archaeology. But mainly it is about how the past is read, and about what we bring to the reading as well as what we find. The result is a book that defies categorisation, but one which will by turns surprise, enthrall and provoke anyone who cares for England, who we are and where we have come from. TIME'S ANVIL was longlisted for the Samuel Johnson Prize for Non-Fiction 2013.