Achilles-warrior and hero-by the protocols of Western culture, should never cry. And yet Homeric epic is full of his tears and those of his companions at Troy. This path-blazing study by Helene Monsacre shows how later ideals of stoically inexpressive manhood run contrary to the poetic vision presented in the Iliad and Odyssey. The epic protagonists, as larger-than-life figures who transcend gender categories, are precisely the men most likely to weep. Monsacre pursues the paradox of the tearful fighter through a series of lucid and detailed close readings, and examines all aspects of the interactions between men and women in the Homeric poems. Her illuminating analysis, first published in French in 1984, remains bold, fresh, and compelling for anyone touched-like Achilles-by a world of grief.

Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin’s acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record. Among topics analyzed in depth are the narrative structures of Homer’s epics, the Hesiodic Works and Days, and the Homeric Hymn to Apollo; the characterization of poetic and musical performers within the poems; the social context for verses ascribed to the legendary singer Orpheus; the significance of various rituals as stylized by poetic performances; and the interrelations, at the level of diction and theme, among the major genres of epic and hymn, as well as "genres of speaking" such as lament, praise, advice, and proverbial wisdom.

Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin’s acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record. Among topics analyzed in depth are the narrative structures of Homer’s epics, the Hesiodic Works and Days, and the Homeric Hymn to Apollo; the characterization of poetic and musical performers within the poems; the social context for verses ascribed to the legendary singer Orpheus; the significance of various rituals as stylized by poetic performances; and the interrelations, at the level of diction and theme, among the major genres of epic and hymn, as well as "genres of speaking" such as lament, praise, advice, and proverbial wisdom.

From one of today’s foremost scholars, a lively retelling of the timeless tales…

Here are the myths that have influenced so much of our cultural heritage. Such age-old stories as the tragic love of Orpheus and Eurydice or Demeter’s loss of her daughter, Persephone, resonate strongly with readers even today. In this book the rousing adventures of the heroes Herakles, Theseus, and Perseus are intertwined with the tragedies of immortal Prometheus and mortal Oedipus, the amorous escapades of Zeus, the trickery of Hermes, and the ecstasy of Dionysus. In-depth introductions to each section deepen your understanding of the myths—and heighten your reading pleasure.

Presented in simple yet elegant prose, these tales emerge in brilliant new life. From the creation battle of the gods and Titans to Odysseus’ return home from the Trojan War, this indispensable volume contains fifty-six legendary stories—handed down from generations past—that will continue to captivate readers for generations to come.

"Tell us, Goddess, daughter of Zeus, start in your own place:

when all the rest at Troy had fled from that steep doom

and gone back home, away from war and the salt sea,

only this man longed for his wife and a way home."

Homer's "Odyssey," at once an exciting epic of strife and subterfuge and a deeply felt tale of love and devotion, stands at the very beginning of the Western literary tradition. From ancient Greece to the present day its influence on later literature has been unsurpassed, and for centuries translators have approached the meter, tone, and pace of Homer's poetry with a variety of strategies. Chapman and Pope paid keen attention to color, drama, and vivacity of style, rendering the Greek verse loosely and inventively. In the twentieth century, translators such as Lattimore kept rigorously close to the sense of each word in the original; others, including Fitzgerald and Fagles, have departed further from the language of the original, employing their own inventive modern style.

Poet and translator Edward McCrorie now opens new territory in this striking rendition, which captures the spare, powerful tone of Homer's epic while engaging contemporary readers with its brisk pace, idiomatic language, and lively characterization. McCrorie closely reproduces the Greek metrical patterns and employs a diction and syntax that reflects the plain, at times stark, quality of Homer's lines, rather than later English poetic styles. Avoiding both the stiffness of word-for-word literalism and the exaggeration and distortion of free adaptation, this translation dramatically evokes the ancient sound and sense of the poem. McCrorie's is truly an "Odyssey" for the twenty-first century.

To accompany this innovative translation, noted classical scholar Richard Martin has written an accessible and wide-ranging introduction explaining the historical and literary context of the "Odyssey," its theological and cultural underpinnings, Homer's poetic strategies and narrative techniques, and his cast of characters. In addition, Martin provides detailed notes--far more extensive than those in other editions--addressing key themes and concepts; the histories of persons, gods, events, and myths; literary motifs and devices; and plot development. Also included is a pronunciation glossary and character index.