An intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811-1863). This collection of essays, however, represents the first sustained critical examination of Thackeray's 'time consciousness' in all its varied manifestations. Encompassing the full chronological span of the author's career and a wide range of literary forms and genres in which he worked, Thackeray in Time repositions Thackeray's temporal and historical self-consciousness in relation to the broader socio-cultural contexts of Victorian modernity. The first part of the collection focusses on some of the characteristic temporal modes of professional authorship and print culture in the mid-nineteenth century, including periodical journalism and the Christmas book market. Secondly, the volume offers fresh approaches to Thackeray's acknowledged status as a major exponent of historical fiction, reconsidering questions of historiography and the representation of place in such novels as Vanity Fair and Henry Esmond. The final part of the collection develops the central Thackerayan theme of memory within four very different but complementary contexts. Thackeray's absorption by memories of childhood in later life leads on to his own subsequent memorialisation by familial descendants and to the potential of digital technology for preserving and enhancing Thackeray's print archive in the future, and finally to the critical legacy perpetuated by generations of literary scholars since his death.

Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.

This book examines the relationship between the writings of Henry James and the historical formation of mass culture. Throughout his career, James was concerned with such characteristically modern cultural forms as advertising, biography and the New Journalism, forms which together constituted the 'devouring publicity' of modern life. Richard Salmon's study situates James's fiction and criticism within the context of the contemporary debates surrounding these rival discursive practices. He explores both the nature of James's contribution to the critique of mass culture and the extent of his immersion within it. James's persistent and ambivalent negotiation of the boundaries between private and public experience ranged from a defence of the artist's right to privacy, to his own counter-practice of publicity.

An intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811-1863). This collection of essays, however, represents the first sustained critical examination of Thackeray's 'time consciousness' in all its varied manifestations. Encompassing the full chronological span of the author's career and a wide range of literary forms and genres in which he worked, Thackeray in Time repositions Thackeray's temporal and historical self-consciousness in relation to the broader socio-cultural contexts of Victorian modernity. The first part of the collection focusses on some of the characteristic temporal modes of professional authorship and print culture in the mid-nineteenth century, including periodical journalism and the Christmas book market. Secondly, the volume offers fresh approaches to Thackeray's acknowledged status as a major exponent of historical fiction, reconsidering questions of historiography and the representation of place in such novels as Vanity Fair and Henry Esmond. The final part of the collection develops the central Thackerayan theme of memory within four very different but complementary contexts. Thackeray's absorption by memories of childhood in later life leads on to his own subsequent memorialisation by familial descendants and to the potential of digital technology for preserving and enhancing Thackeray's print archive in the future, and finally to the critical legacy perpetuated by generations of literary scholars since his death.

Often overlooked by modern critics, The Reverberator was a departure from Henry James' immediately preceding novels, The Bostonians and The Princess Casamassima, returning to the popular 'international theme' of his earlier fiction. Its comedy of manners explores the conflicting values of American and Europeanized characters in the context of topical cultural concerns. Most notably, in its satire on popular journalism and an emerging mass-media through the scandal sheet 'The Reverberator', the novel dramatizes what James presciently saw as the 'devouring publicity' of modern life. This edition, based on the most reliable of the work's first book appearances (Macmillan, 1888), provides a thorough account of the novel's sources and composition, literary and historical contexts, and extensive revision for the New York Edition (1908), as well as extensive annotation. It will be of interest to James scholars, students of nineteenth-century Anglo-American literature and culture, and historians of journalism and new media.

Examines the relationship between the writings of Henry James and the historical formation of mass culture. Throughout his career, James was concerned with such characteristically modern cultural forms as advertising, biography, and the new journalism, forms which together he termed the devouring publicity of modern life. This study situates James's fiction and criticism within the context of the contemporary debates surrounding these rival discursive practices. It explores both the nature of James's contribution to the critique of mass culture and the extent of his immersion within it. James's persistent and ambivalent negotiation of the boundaries between private and public experience ranged from a defence of the artists right to privacy, to his own counter-practice of self-publicity. By drawing upon contemporary critical theory, the author offers a reassessment of the politics of James's cultural criticism.

This is the story as told by a man who was both a devoted fan and a loyal team member of British Racing Motors. He saw and was involved in the repeated failures and humiliating times of the 1950s, through the gradual progress of winning minor races to Jo Bonnier winning the first World Championship Grand Prix in Holland in 1959. It culminates in the ultimate honor in 1962, when, in East London, South Africa, Graham Hill drove the BRM to victory to win both the drivers World Championship and the Constructors Championship for the BRM team, thereby making a considerable contribution to British motor racing history.

Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.