This book examines the relationship between the writings of Henry
James and the historical formation of mass culture. Throughout his
career, James was concerned with such characteristically modern
cultural forms as advertising, biography and the New Journalism,
forms which together constituted the 'devouring publicity' of
modern life. Richard Salmon's study situates James's fiction and
criticism within the context of the contemporary debates
surrounding these rival discursive practices. He explores both the
nature of James's contribution to the critique of mass culture and
the extent of his immersion within it. James's persistent and
ambivalent negotiation of the boundaries between private and public
experience ranged from a defence of the artist's right to privacy,
to his own counter-practice of publicity.
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