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Showing 1 - 25 of 79 matches in All Departments
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
(Vocal Collection). This collection for progressing students includes art songs, as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company * Campian: Jack and Joan * Dowland: Come again, sweet love * Dowland: What if I never speed * Gibbons: The Silver Swan * Ireland: Spring Sorrow * Lawes: How happy art thou * Morley: It was a lover and his lass * Morley: Now is the month of Maying * Purcell: I attempt from love's sickness * Purcell: Nymphs and Shepherds * Quilter: Weep you no more * Vaughan Williams: The Call * Vaughan Williams: Bright is the ring of words * FOLKSONGS/SPIRITUALS All Through the Night (arr. Nicholl) * The Gospel Train (Walters) * Greensleeves (arr. Stanley) * He's Got the Whole World in His Hands (arr. Boyd) * How Can I Keep from Singing (arr. Ruck) * I gave my love a cherry (arr. Dean) * Jacob's Ladder (arr. Walters) * My Lord, What a Mornin' (arr. Burleigh) * Shenandoah (arr. Walters) * Sometimes I Feel Like a Motherless Child (arr. Walters) * This Little Light of Mine (arr. Ruck).
(Vocal Collection). The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Includes: THE APPLE TREE: What Makes Me Love Him * BARNUM: Love Makes Such Fools of Us All * CANDIDE: Glitter and Be Gay * DIRTY ROTTEN SCOUNDRELS: Nothing Is Too Wonderful to Be True * DO RE MI: Cry like the Wind * THE DROWSY CHAPERONE: Bride's Lament * FIDDLER ON THE ROOF: Matchmaker * FUNNY FACE: He Loves and She Loves * GREY GARDENS: Daddy's Girl * Will You? * Around the World * Another Winter in a Summer Town * JUBILEE: Begin the Beguine * KISMET: Baubles, Bangles and Beads * LADY, BE GOOD : Fascinating Rhythm * The Man I Love * THE LIFE: I'm Leaving You * THE LIGHT IN THE PIAZZA: The Beauty Is * Fable * LITTLE WOMEN: Some Things Are Meant to Be * MARY POPPINS: Practically Perfect * Anything Can Happen * MR. PRESIDENT: The Secret Service * MYTHS AND HYMNS: How Can I Lose You? * OKLAHOMA : People Will Say We're in Love * ON THE TWENTIETH CENTURY: Never * PETER PAN: Who Am I? * My House * ROSALIE: How Long Has This Been Going On? * SHE LOVES ME: No More Candy * 1600 PENNSYLVANIA AVENUE: Take Care of This House * SONGS FOR A NEW WORLD: The Flagmaker, 1775 * SPRING AWAKENING: Whispering * STRIKE UP THE BAND: I've Got a Crush on You * SUNSET BOULEVARD: Too Much in Love to Care * WEST SIDE STORY: I Feel Pretty * Somewhere * WICKED: Let Us Be Glad * Thank Goodness * not from a show: The Girl in 14G.
The world's most trusted source for great theatre literature for singing actors. The CDs include piano accompaniments. The book features authentic editions of each song in the original keys. The songs have been carefully chosen for each voice type and are culled from a wide selection of classic and contemporary shows.
Custom arrangements for voice and piano in two keys, High Voice and Low Voice, including Caroling, Caroling * The Christmas Song * Do You Hear What I Hear * Gesu Bambino * Go, Tell It on the Mountain * I Heard the Bells on Christmas Day * I Wonder as I Wander * I'll Be Home for Christmas * O Holy Night * Silver Bells * Some Children See Him * White Christmas.
(Vocal Collection). Most voice teachers and singers still prefer the pianistic, wonderfully gratifying editions made by Alessandro Parisotti (1853-1913) of early Italian arias. This newly researched edition, with updated composer attributions, features new, clean music engravings. The collection includes the original contents of 24 Italian Songs and Arias of the Seventeenth and Eighteenth Centuries plus four additional Parisotti editions. Also includes international phonetic alphabet for each song text, word for word translations for study, historical introduction for each aria, and a preface on Parisotti and his approach to this music. This compilation includes the High, Medium High, Medium, Medium Low, and Low editions in one book, perfect for teacher reference. The "Complete" set is comparable to a retail price of $49.95 if components are bought separately.
Compiled and edited by Steven Stolen and Richard Walters, this collection has been specifically compiled to be extraordinarily useful to student singers. 17 composers are represented with historical information and 34 songs. Contents: As I Walked Forth One Summer Day * Blow, Blow, Thou Winter Wind * Come and Trip It * Diaphenia * Fain Would I Change That Note * Fair, If You Expect Admiring * Flow My Tears * Hark! the Echoing Air * Have You Seen but a White Lily Grow? * Here amid the Shady Woods * How Happy Art Thou * I Attempt from Love's Sickness to Fly * I'll Sail upon the Dog Star * If Music Be the Food of Love * In Sherwood Lived Stout Robin Hood * It Was a Lover and His Lass * Jack and Joan * Let Me Wander Not Unseen * My Lovely Celia * Nymphs and Shepherds * O Come, O Come, My Dearest * Pastime with Good Company * Rest Sweet Nymphs * The Silver Swan * Since First I Saw Your Face * Tell Me No More * Thou Soft Flowing Avon * Weep You No More, Sad Fountains * What If I Never Speed * When Daisies Pied * When Laura Smiles * Where E'er You Walk * Whither Runneth My Sweetheart? * Willow Song.
A private citizen discovers compelling evidence that a decades-old murder in Nashville was not committed by the man who went to prison for the crime but was the result of a conspiracy involving elite members of Nashville society. Nashville 1964. Eighteen-year-old babysitter Paula Herring is murdered in her home while her six-year-old brother apparently sleeps through the grisly event. A few months later a judge's son is convicted of the crime. Decades after the slaying, Michael Bishop, a private citizen,stumbles upon a secret file related to the case and with the help of some of the world's top forensic experts--including forensic psychologist Richard Walter (aka "the living Sherlock Holmes")--he uncovers the truth. What really happened is completely different from what the public was led to believe. Now, for the very first time, Bishop reveals the true story. In this true-crime page-turner, the author lays out compelling evidence that a circle of powerful citizens were key participants in the crime and the subsequent cover-up. The ne'er-do-well judge's son, who was falsely accused and sent to prison, proved to be the perfect setup man. The perpetrators used his checkered history to conceal the real facts for over half a century. Including interviews with the original defense attorney and a murder confession elicited from a nursing-home resident, the information presented here will change Nashville history forever.
For many years, bus and coach operators have experimented with vehicle types to find the vehicles that best fit their requirements. By borrowing buses and coaches from manufacturers and other operators, they can assess the pros and cons of new and existing examples of chassis and bodywork, try out hybrid and electric technology, experiment with features such as electric mirrors, or consider the use of fully autonomous vehicles. Such trials often result in large orders. Here, Richard Walter has selected a wide range of photographs from the recent past with a few older examples included. These reveal the types that were popular, the ones that were adapted and developed, and some that never saw the light of the day. There are also examples of unique one-off vehicles that were subsequently bought and put into service.
This book addresses the emerging field of genderqueer or non-binary genders - that is, individuals who do not identify as male or female. It considers theoretical, research, practice, and activist perspectives; and outlines a basis for good practice when working with non-binary individuals. The first section provides an overview of historical, legal and academic aspects of this phenomenon. The second section explores how psychotherapeutic, psychological and psychiatric theory and practice are adapting to a non-binary model of gender, and the third section considers the body related aspects, from endocrinology to surgery. This work will appeal to a wide readership, from practitioners working with non-binary individuals - including psychologists, surgeons, social workers, nurses, psychiatrists, endocrinologists, psychotherapists and counselors, lawyers, and healthcare workers - to researchers interested in the study of gender identities, to students and gender activists.
This edition presents 65 diverse songs by major composers of German art song, or lieder, and is the perfect one-volume lieder source for voice students. All the songs are new Vocal Library editions. Historical notes about the relevant history and background of each song are included, as are line-by-line translations for study. A select committee of experienced voice teachers was consulted to choose the most essential and vocally instructive songs in compiling this collection. Composers represented: Beethoven, Brahms, Franz, Gustav Mahler, Alma Mahler, Fanny Hensel, Mendelssohn, Mozart, Schubert, Clara Schumann, Robert Schumann, Strauss, Wolf. Co-editor Dr. Virginia Saya, on the faculty of Loyola Marymount University, is a musicologist with a special interest in lieder. This collection includes the first American edition of Funf Ophelia Lieder by Brahms. 288 pages, sewn binding.
(Vocal Collection). The most comprehensive, multi-volume collection of Sondheim songs ever published. Each volume has a different contents list. The volumes include songs in original keys, and appropriate transpositions. Each volume includes an extensive introductory section, with plot synopses and comments from Sondheim about songs and shows.
(P/V/G Composer Collection). The first definitive collection of Sondheim's songs, with selections from Anyone Can Whistle, Assassins, Company, Dick Tracy, Evening Primrose, Follies, The Frogs, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music, Merrily We Roll Along, Pacific Overtures, Passion, Road Show, Saturday Night, Sunday in the Park with George, and Sweeney Todd. Includes detailed notes about the shows and films.
(Vocal Collection). The largest, most comprehensive collection of French art songs ever published, with 60 songs by 24 composers. This wonderful anthology, with newly researched editions in clean new engravings, includes interesting notes about the composers, poets, facts about the composition and performance history for each song, and new line-by-line translations for study. Some songs are published in transpositions for the first time. This is the ideal collection for teachers to assign to voice students. Includes the complete Le Bestiaire (Poulenc) and Five Greek Songs (Ravel).
Dublin Bus was formed back in February 1987 when services were split out of Coras Iompair Eireann (CIE) and has, in time, become a modern and forward-thinking bus operator. During July 2018, plans were revealed for a complete overhaul of Dublin's bus services. The changes planned by the National Transport Authority have led to a renumbering of key routes and changes and improvements to frequencies. As a result Dublin Bus has lost some of its depots and routes to the Go-Ahead group, who have their own livery and created some new routes. In a tour of this fascinating and colourful city, Richard Walter illustrates the transformation of Dublin bus services in the twenty-first century, with photographs taken before and after the changes showing the variety of buses used. Also included are some of the interesting open- and closed-top vehicles that have provided tours ranging from sightseeing to afternoon teas and ghostly goings on.
This series of 5 book/CD packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert & Sullivan.
A substantial new edition of this beloved art song literature, standard fare for collegiate singers. Historical notes are included for each song, and a line by line English translation for study. George Seurat's great painting "Sunday Afternoon on the Island of La Grande Jatte" adorns the cover.
Advertising on public transport in the UK has been common practice since the early days of the horse-drawn bus. Vehicle sides were a good means of advertisers' products being seen across cities and towns and brought in additional income to operators. The traditional side and rear ads became more ambitious over the years - not just featuring commercial products but bus company promotional material too. In the 1960s the use of all-over advertising buses became popular. Traditionally these were hand-painted with incredible detail and many are now considered to be mini works of art. In more recent years, painting by hand has been replaced by wrapped vinyls and some campaigns last only a matter of weeks. There have also been experiments with illuminated and digital scrolling messages. In this colourful photographic journey, Richard Walter provides a glimpse of some of the most memorable all-over adverts in Edinburgh, London and a variety of other locations throughout the UK and Ireland, featuring some of the more bizarre examples that maybe seemed like a good idea at the time.
M Programming: A Comprehensive Guide is a complete update to ABCs of MUMPS. While ABCs of MUMPS was an introduction for novice and intermediate M programmers, M Programming: A Comprehensive Guide has a new section containing advanced material. This new section addresses features such as transaction processing, networking, structured system variables, and interfaces to other standards. Five new chapters have been added, covering an overview of M for readers familiar with other languages; M and the Windows environment; interaction between M and the underlying system; transaction processing; interfacing M with other standards; and error handling. Sections on interactive programming and futures have been extensively updated. M Programming: A Comprehensive Guide is an invaluable resource for everyone who is learning or using M.
The traditional use of paint and sign writing has been replaced over the years with more and more detail being applied to vehicles by pre-printed vinyls. This varies from essential information for passengers such as route branding or adverts, to elements of a company’s actual livery. It is also a cheaper option when replacing damaged panels and can negate the need to take a bus or coach off the road for a full repaint. Vinyls also mean that fleet names and information about contactless payments, WiFi and attractions along key routes can be bold, prominent and eye-catching. In this book, Richard Walter’s photographs illustrate the growth in the use of vinyls over the last few years, with examples of applications for special events as well as everyday use.
The design of buses and coaches is constantly changing as new technology is developed and environmentally friendly and emission-related legislation evolves. In addition to more traditional vehicles, there are now choices between hydrogen-powered hydroliners, all-electrics, vehicles with electric driving mirrors and fully autonomous buses. In this extremely colourful and diverse book, Richard Walter takes you on a photo-filled trip round the world to explore how buses and coaches are changing and how older vehicles have adapted to meet the demands of operators. Jump on board to explore how things are evolving in recent years from the wilds of the Western Isles and the big UK cities like London, York, Edinburgh, Newcastle and Glasgow to exotic locations such as pink-sanded Bermuda, sunny Tenerife, busy Hong Kong and spectacular New York. The book also looks at some of the many demonstrators that operators have evaluated and how new products have been launched at events such as the annual UK Coach Rally in Blackpool and the Euro Bus Expo. |
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