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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Tityrus (Paperback)
Duncan Wiese; Translated by Max Minden Ribeiro, Sam Riviere
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R334
R270
Discovery Miles 2 700
Save R64 (19%)
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Ships in 9 - 15 working days
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The ideals of simple country living have captivated poets for a
crow's age. But in the countryside that Tityrus knows, the beech
trees tower like skyscrapers, mice wrestle each other, and the
nearby island is infected by swarms of gulls. The forest is a
source of energy, but also the home of a behemoth transformer
substation and where a little boy has drowned. The shepherds are
prescribed Ritalin, slip in the mud, cry without knowing why, and
sustain themselves on mini pizza rolls. Wiese's poetry is as
hilarious as it is gentle, moving gracefully between the everyday
and the profound. Building with the narrative quality of a novel,
Tityrus is both an elegy to a natural world that has long been
overindustrialised, and a love letter to all that remains.
Informative as well as entertaining, this volume offers many
interesting facets of the first hundred years of anthropology at
Oxford University.
Oxford has arguably contributed more to our understanding of tribal
societies than any other department of anthropology in the world.
Through creating a virtual community, by uniting their work and
their lives, by their assurance, generations of Oxford scholars
have been able to make the leaps which take us into new and
previously unsuspected worlds. They had the privileges, the shared
zeal and the shock of similarity-with-difference which engenders
true creativity and they made good use of it. (from the Preface by
Alan MacFarlane, Cambridge University). Informative as well as
entertaining, this volume offers many interesting facets of the
first hundred years of anthropology at Oxford University.
International Business is a well-established research field, in
which regionalisation has recently gained significant prominence.
Europe comprises marketplaces characterised by unique patterns of
highly advanced economic integration. No other marketplace in the
world has progressed to the same levels of harmonisation across
sovereign countries and economies. European Business is a subject
in its own right with its own research momentum. Contemporary
research evidences that firms view Europe as a challenging, mostly
- yet not entirely - mature market location. Yet this location,
often seen from a multi-country perspective, is subject to
complexities revealing strategic corporate strengths and
weaknesses. Theory, concepts and models known from International
Business hence often vary in their applicability and relevance in
this business environment. This comprehensive reference volume
brings together a global team of contributors to analyse and
overview the key issues, themes and phenomena that affect business
in Europe. With interdisciplinary perspectives, the book covers
crucial themes that any European Business research needs to
acknowledge, including business cultures and identity,
entrepreneurship and innovation, M&A and institutional trends,
European HRM, migration, climate change issues, Brexit, and more.
The selection of authors, from 17 countries worldwide, reflects the
international scope of this research field and its agenda. A unique
resource, this book provides an essential guide to researchers,
research students and scholars of business and the social sciences,
as well as the informed business community.
Highly accessible approach to game audio mixing, ideal for
professional users, but also suitable as supplementary reading for
students. Game Audio continues to be a massively hot topic in
audio, and this title represents one of the first titles dedicated
exclusively to the topic of mixing in the context of game
development. Interviews with professionals and insights from the
author's impressive portfolio will be inserted throughout to offer
real-life examples and applications of mixing techniques.
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Experimental Researches
C. G. Jung; Edited by Gerhard Adler; Translated by Leopold Stein; Edited by Michael Fordham; Translated by Diana in collaboration with Riviere; Edited by …
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R2,222
Discovery Miles 22 220
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Ships in 12 - 17 working days
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After joining the staff of the Burgholzli Mental Hospital in 1900,
Jung developed and applied the word-association tests for studying
normal and abnormal psychology. The studies have remained a
significant phase in the development of Jung's conceptions and an
important contribution to diagnostic psychology and psychiatry.
Between 1904 and 1907 he published nine studies on the tests. These
studies, together with two lectures on the association method given
in 1909 at Clark University and three articles on psychophysical
researches from American and English journals in 1907-1908, compose
this volume. Jung's association studies showed the definite
influence of Bleuler and also of Freud, with whom he worked closely
for several years. With this volume, the Collected Works are
complete except for the Miscellany, Bibliography and Index volumes.
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