This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic's power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.

After fulfilling a confidential mission for President Harry Truman in 1948, Rob Royal accepts an invitation to join a covert group of private citizens advocating patriotism and other beliefs upon which America was founded. The group successfully operates outside of the government and military intelligence community. He enjoys his work, and now, as a devoted undercover agent, Royal works steadfastly to provide confidential information to top government officials, including the president of the United States.

After being subpoenaed to testify at a trial concerning one project, despite high security, United States marshals escort him up the steps of the federal building in Newark, New Jersey, where someone tries to kill him. Surviving, Royal continues to live a double life, keeping his work a secret while living what appears to be an ordinary life.

When Royal anonymously receives a newspaper article announcing an arrest concerning one of his projects, members of the covert group suspect that Royal's cover has been blown. As his enemies begin to close in on him, Royal knows that his greatest challenges lie before him. How will he be able to survive the life-threatening scenarios that greet him?

Thucydides History of the Peloponnesian War is one of the classics of ancient military writing, and one of the first true historical narratives of any kind. In Thucydides on War and National Character, Robert Luginbill explores Thucydides seminal writings on national character and its relation to humankinds tendency towards war. He investigates Thucydides theories on personal and national behavior in times of stress, with an eye for the lessons to be learned in modern times.

At the Rainbow's End is about the lives of Jefferson and Mary Bright, plantation owners, about their struggles and the struggles of recently freed slaves to survive in a newly ordered society. Lurking in the background is the Ku Klux Klan, who kill and threaten all who would oppose them in a desperate effort to restore the old order, an insurgency that fosters, among other things, jealousy and murder, and events that threaten Jefferson and Mary with more than the loss of a way of life.

This full-color field guide is an indispensable companion to the most popular neotropical ecotourism destination: Costa Rica. Featuring all the mammals, birds, reptiles, amphibians, and arthropods that one is likely to see on a trip to the rainforest (as well as those secretive creatures such as the jaguar that are difficult to glimpse), The Wildlife of Costa Rica is the guide to have when encountering trogons, tapirs, and tarantulas.

In addition to providing details for identifying animals along with interesting facts about their natural history, this guide offers tips for seeing them in the wild. Costa Rica, a peaceful nation with many and diverse animal species, is one of the best places in the world for wildlife watching and nature study. It has an excellent system of national parks and reserves, a wide choice of ecolodges, and many professionally trained tourist guides. It is possible to leave the capital city of San Jose and, just a few hours later, visit a high-elevation cloud forest, dense rainforest, savanna-like plain, or coastal habitat, each with a unique collection of animal species.

This new lightweight field guide provides nature enthusiasts visiting Costa Rica with the best introduction to the country's amazing diversity of wildlife. It is the first general field guide to Costa Rica to combine the most sought-after features:

treatment of all major phyla in the country;

coverage of the animals most likely and most desirable to be seen;

more than 600 detailed illustrations integrated with the text (the preferred method of animal identification in the wild);

full species accounts including ID points, range and habitat, size, and behaviors;

a wealth of natural history information, including more than 20 photographic natural history features; and

tips for seeing animals."

Teagan is the seed of the Tyrant Emperor Bohannon. She lives on the planet Beasly. Teagan is a servant, slave, and a dangerous secret. She is eighteen and it's time for her to take the throne from her father. Haven has been purged of all life because she might exist and because the emperor had a dream. He dreamed of the two moons of Haven over the shoulder of a woman he does not know. In the dream the woman takes his throne and his life. Teagan has the black rose of Bohannon tattooed on her shoulder blade and the population of Beasly knows exactly what they have in their midst. It's for her to find support and win the throne. Teagan looks to the crowd. "The emperor rules the land but I rule your heart. Which is stronger, the soil or the plow? I say to you the plow turns the soil and the heart rules the plow. Be patient my love, the Queen of Light will rule.

Prior to 1500 A.D. the Polynesians were the most widely spread people on earth, having settled an area of the Pacific, the Polynesian Triangle, twice the size of the United States. In this first reference guide to the mythology of these Vikings of the Pacific, Craig reviews Polynesian legends, stories, gods, goddesses, and heroes in hundreds of alphabetical entries that succinctly describe both characters and events. His wide-ranging and thorough introduction sets the subject in its geographic, historical, anthropological, and linguistic contexts, offering an illuminating overview of the origin of the Polynesians as a distinct people and tracing their voyages and settlements from Indonesia to Malaysia, Tonga, Samoa, the Marquesas, the various islands of eastern Polynesia, including Hawaii, Easter Island, and New Zealand. The introduction presents fascinating information on Polynesian navigational skills and the voyages themselves, as well as a chart that details the evolution of the thirty Polynesian languages and compares cognates from several of these languages. A simplified pronunciation guide and a selected list of Polynesian dictionaries and/or grammars are provided for those interested in pursuing the richness of the Polynesian languages. This introductory survey gives readers the necessary background to understand the origin, development, and dispersion of the myths throughout the Pacific basin.

"The Dictionary of Polynesian Mythology" is the result of many years of research. The individual entries were gleaned from nearly 300 sources in English, German, French, and Polynesian languages with the majority extracted from a number of primary sources that date generally in the nineteenth and early twentieth centuries. The printed source materials for this volume are fully described and listed by geographical group, including Maori, Cook Islands, Tahitian, Marquesan, Hawaiian, Samoan, and Tongan. General collections that retell the Polynesian stories are also surveyed. The entries are alphabetically arranged by major mythological figure; lesser characters can be located in the index. Short bibliographical citations--author, date, and page number--are included at the end of each main entry to direct readers to fuller information contained in the printed sources. An appendix provides valuable supplemental information on Polynesian gods and goddesses. This dictionary is sure to become a basic reference tool for libraries, students, and scholars of Pacific history and culture, as well as for courses in mythology, religion, and philosophy.

"A comprehensive and authoritative reference work on an area that ususally receives scant attention in more general reference works. . . . This vast compendium is not likely to be superseded for many years, and it is recommended for most libraries." Library Journal

The Book of Puka-Puka is not about travel, it is about staying still. It is about living as a conspicuous stranger and slowly allowing yourself to become absorbed into the ways of an ancient, indigenous community. This book was not composed by a colonial administrator, a missionary or an anthropologist, but by a hedonistic South Sea trader. This young American fishes, picnics, swims, sleeps and falls in love but fortunately he also listens out for good stories.

This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic's power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.

Birds of Aruba, Bonaire, and Curacao is the essential guide for anyone traveling to those islands. It showcases the more than 280 species seen on Aruba, Bonaire, and Curacao and provides descriptions of and directions to the best places to bird, from the famous white sand beaches to hidden watering holes to the majestic national parks. Aruba, Bonaire, and Curacao-the "ABCs"-located in the southwestern Caribbean, not far from Venezuela, share fascinating ecological features with the West Indies as well as the South American mainland, making birding on the islands unique. The identification portion of the book features endemic subspecies such as the Brown-throated Parakeet; a wide variety of wintering North American migrants; spectacular restricted-range northern South American species such as the Yellow-shouldered Parrot, Bare-eyed Pigeon, Troupial, Ruby-topaz Hummingbird, and Yellow Oriole; and West Indian species including the Pearly-eyed Thrasher and Caribbean Elaenia. Colorful introductory sections provide readers with a brief natural history of the islands, detailing the geography, geology, and general ecology of each. In the site guide that follows, Jeffrey V. Wells and Allison Childs Wells share their more than two decades of experience in the region, providing directions to the best birding spots. Clear, easy-to-read maps accompany each site description, along with notes about the species that birders are likely to find. The identification section is arranged in classic field guide format and offers vivid descriptions of each bird, along with tips on how to identify them by sight and sound. The accounts also include current status and seasonality, if relevant, and common names in English, Dutch, and Papiamento, often inspired by the unique voices of the birds, such as the "chibichibi" (Bananaquit) and "choco" (Burrowing Owl). The accompanying color plates feature the beautiful work of illustrator Robert Dean. The final section, on conservation, raises awareness about threats facing the birds and the habitats on which they rely and summarizes conservation initiatives and needs, offering recommendations for each island.

The sixth and final volume documenting the work of an iconic American artist The sixth and final volume of this exceptional catalogue raisonne project features over 360 works made by John Baldessari (1931-2020) between 2011 and 2019. Here, Baldessari continues his longstanding tradition of borrowing from artists as varied as David Hockney, Giotto, Gustave Courbet, Maria Lassnig, Lucas Cranach the Elder, Giorgio Morandi, and Jackson Pollock. Many of the works in this volume are a testament to the artist's fascination and engagement with art from previous eras. In one example, Baldessari's 2012 series "Double Bill" combines scenes from pairs of paintings, such as a Willem de Kooning face atop a Jean Dubuffet body, with the words, "...And Dubuffet" painted beneath: Baldessari is effectively collaborating with artists he has revered for years. This volume also surveys Baldessari's complete film and video output, from 1968 to 2004, as well as the artist's books he made, from 1972 to 2019. Additionally, an appendix catalogues works, mostly pre-1974, that were unknown at the time Volume 1 was published. Published in association with Marian Goodman Gallery

Morgan is not human; she knows exactly what she is. Her bones are titanium, her brain is synthetic, and her muscles are smart metal alloys. Her Biologic component is a human shell she wears like a costume. She first opened her eyes full grown, with a great deal of programmed knowledge and capable of conversation, in the year 2189. Earth is corporate owned and Morgan's primary programming makes her a very expensive sexual surrogate. She is a rich man's companion; she is beautiful, female, and submissive. But she has questions and she is quite capable of learning and making choices just like any sentient being. So why would she choose to serve? Morgan Nightingale 5 intends to learn herself free and human if it takes a hundred years. She has all the time she needs so she takes three energy bars, a bottle of water, an apple, and she puts it all in a plastic bag. Then she disappears into the world of men. Her adventure has just begun.

Birders in Central America have long known that Nicaragua is one of the best birding locations in the world, and with tourism to the country on the upswing, birders from the rest of the world are now coming to the same conclusion. The largest country in Central America, Nicaragua is home to 763 resident and passage birds, by latest count. Because of its unique topography-the country is relatively flat compared to its mountainous neighbors to the north and south-it forms a geographical barrier of sorts, which means that many birds that originate in North America reach their southernmost point in Nicaragua, while many birds from South America reach their northernmost point in the country. There are few places in the world where you can find both a Roadrunner and a Scarlet Macaw. Birds of Nicaragua features descriptions and illustrations of all 763 species currently identified in the country, along with information about 44 additional species that are likely to appear in the coming years. Range maps, based on years of field research, are color-coded. Other features include a richly illustrated anatomical features section, a checklist, a visual guide to vultures and raptors in flight, and a quick-find index.

Edited by Robert Dean and Lisa Turney with an essay by Hal Foster, "Evening in America," which analyzes Ruscha's paintings of the 1990s.

The period covered by Volume 5 comprises 195 paintings, reproduced in full color. A highlight is the complete layout of the 1995 Denver Central Library project, which Ruscha described as "a rolling historical landscape of Colorado and the West." Other notable series of this period include the "Cityscape" paintings, which resemble ransom notes, and a group of images of clock faces titled after the names of American cars and car manufacturers. This volume also includes numerous documentary photographs, a selection of Ruscha's sketchbook pages, and complete bibliographic references and exhibition histories.

Not every artist is suited to catalogue raisonne treatment, but the oeuvre of Ed Ruscha, comprised as it is of series, repetitions and documentations, looks great under such clerical scrutiny. Projected as a seven-volume edition under the guidance of Robert Dean and Lisa Turvey, the Ruscha Catalogue Raisonne Project lends the serial quality of Ruscha's early artist's books to the entire body of his work, while providing a definitive resource for fans, scholars and collectors in the most efficient style possible. The three previous volumes collected works from 1958-1970, 1971-1982 and 1983-1987. Such esteemed artists and critics as Walter Hopps, Lawrence Weiner, Dave Hickey, Peter Wollen and Yves-Alain Bois have contributed essays celebrating and reviewing Ruscha's steadily incremental accomplishment. Each volume of the catalogue has a stitched binding and a cloth cover with silver-colored embossing, protected with an embossed slipcase. Volume 4 is a co-publication of Gagosian Gallery and Steidl and documents 198 paintings from 1988 to 1992. In addition to almost 200 color reproductions, it includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a text by artist Mel Bochner and an essay by art historian Briony Fer.

With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre-including installations, films, painted book covers, contour gauge profiles, and more Introducing readers to the stunning breadth of Edward Ruscha's (b. 1937) creative output over the course of his entire life, this book includes materials dating back to his childhood and extending to his present-day output. The projects featured here fall outside Ruscha's production of paintings, drawings, prints, and artists' books. Many of these are unknown and most are reproduced here for the first time. Composed of three sections-Projects and Ephemera; Contour Gauge Profiles; and Painted Book Covers-the book offers Ruscha enthusiasts and scholars a hitherto unknown aspect of Ruscha's practice, while also showing how these projects coincide with, and sometimes even prefigure, the artistic work for which he is best known. The approximately 270 painted book covers, begun in 1990, utilize found books as support for small paintings and drawings. The 57 contour gauge profiles are silhouette-like profiles made using a mechanical device for reproducing contours. The largest section, Projects and Ephemera, consists of installations, sculpture and objects, films, book and poster design, utilitarian works, and more. Distributed for Gagosian