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From a passionate and talented chef who also happens to be an Episcopalian priest comes this surprising and thought-provoking treatise on everything from prayer to poetry to puff pastry. In The Supper of the Lamb, Capon talks about festal and ferial cooking, emerging as an inspirational voice extolling the benefits and wonders of old-fashioned home cooking in a world of fast food and prepackaged cuisine. This edition includes the original recipes and a new Introduction by Deborah Madison, the founder of Greens Restaurant in San Francisco and author of several cookbooks.
Robert Farrar Capon is well known as the author of the modern
classic The Supper of the Lamb ("awesomely funny, wise, beautiful,
moving, preposterous," said The New York Times) and other acclaimed
books such as Genesis, the Movie. In Light Theology & Heavy
Cream: The Culinary Adventures of Pietro & Madeleine, Capon
returns to the kitchen to present a spirited collection of pieces
he describes as "culinary and theological snack food." Providing
significant nutritive value in terms of both cooking and thinking,
Capon offers them "as a lark." The protagonists of this endeavor
are Pietro and Madeleine, a husband and wife with clear
resemblances to the author and his wife, Valerie. With Capon's
signature wit and precision, Pietro and Madeleine explore such
diverse topics as creativity, addiction, televangelism,
spirituality, the correct way to slice a leg of lamb, and the
virtues of diners. "Given the irony of a God who saves the world by
foolishness and weakness," Capon writes, "and the hilarity by which
he gives us corn, wine, and oil-not to mention his wonderfully
two-faced creatures such as butter, salt, tobacco, and pork
fat-this is no world in which to land on one side of a paradox."
Nibbling away on Light Theology & Heavy Cream is to encounter
an author who has "always been perfectly substantial and perfectly
silly at the same time," but here "propels himself faster and
farther in both directions." "You challenge me to match the sum
total of the world's miseries with a fast, but then you complain
that I fall short because I have eaten lobster instead of beetles
or something. Why, I could starve myself stone cold to death and
still fall short. To use your very own argument, the world's
miseries are tractable only to God's grace, not my merits. A
lobster, obediently ingested, can remind me of that as well as
anything else, eaten or not eaten, on the same principle." -from
the first chapter
Capon uses a variety of exchanges to drive home his point that
salvation can be achieved not just through faith, but by active
works. Along the way, he explores guilt, forgiveness, love, anger,
romance, grief, spiritual contentment, the Incarnation,
reincarnation, resurrection, and more--managing, in the process, to
make salvation something fresh and new.
Here in one volume is Robert Farrar Capon's widely praised trilogy
on Jesus' parables -- The Parables of the Kingdom, The Parables of
Grace, and The Parables of Judgment. These studies offer a fresh,
adventurous look at all of Jesus' parables, treated according to
their major themes. With the same authorial flair and daring
insight that have earned him a wide readership, Capon admirably
bridges the gap between the biblical world and our own, making
clear both the original meaning of the parables and their
continuing relevance today.
In The Fingerprints of God best-selling author Robert Farrar Capon
takes readers on a sleuthing project, using his own uniquely
developed history of images to find evidence of the Divine Suspect
in our midst." "Capon first explores various images that prompt
proper talk about God and the nature of Scripture. The Bible, he
says, is the mystery story of God's hidden presence as the Divine
Suspect behind all history. Capon discusses the misuse of Scripture
due to literalist interpretation, looks at the ways Christ has
suffered at the hands of human image-makers, and proposes a novel
understanding of salvation history that clarifies the proper roles
of Scripture, the Holy Spirit, and Jesus." "In the second part of
the book Capon turns his magnifying glass on major thinkers from
church history - Irenaeus, Athanasius, Anselm, Luther, Melanchthon,
Calvin, Julian of Norwich, and others - pointing out both the
strong and the weak images they have produced. Throughout the
centuries, Capon sees God as the "Divine Bowler" trying to knock
down the faulty "pins" of ideas that have been set up in the lanes
of religious history, while also disclosing himself in profound and
powerful ways.
This wonderful trilogy again makes available three of Robert Farrar
Capon's sought-after early works: An Offering of Uncles, The Third
Peacock, and Hunting the Divine Fox. Brought together under one
cover to stand as a kind of 'theological trinity, ' the books in
this volume each offer a refreshingly different take on key
theological issues.
The creation story stands as one of the most famous and familiar in
Scripture. But, says best-selling author Robert Farrar Capon, most
of us misconstrue it. The reason? We have fallen into the habit of
reading Genesis the way we read all of Scripture - as a manual of
religious instructions. To break this (bad) habit, Capon here
offers a whimsical yet wonderfully fruitful approach - watching the
Bible as a historical movie whose director is God. Though Capon
does have fun with this concept, he's very serious about its
liberating effects. "When you watch a movie," he says, "you never
ask questions about whether the events depicted actually happened.
Instead, you accept the history the director shows you on the
screen." And, as Capon points out, we typically suspend judgment of
a film until we've seen all of it, letting later scenes inform and
enrich earlier ones. That, he says, is exactly how we need to see
Genesis - as just the beginning of the whole movie of Scripture.
Using this novel approach in "Genesis, the Movie," Capon develops a
commentary of theological scope and depth on the first three
chapters of Genesis. He gives every verse as it appears in the
Hebrew, the Septuagint, and the Vulgate, as well as in the KJV,
RSV, and NRSV versions of the Bible. Making extensive use of
Augustine's commentary on Genesis in his "Confessions" and "De
Genesi ad Litteram," Capon also shows the interpretive freedom with
which the church's fathers and mothers approached Scripture. This
book is as much Capon the charming writer-teacher as it is Capon
the scholar, characterized as it is by the conversational,
entertaining style for which Capon is so well known. Enriched by
Capon's signature wit, imaginative wisdom, and broad-ranging
engagement of saints, poets, and religious thinkers across the
centuries, "Genesis, the Movie" presents a remarkable new look at
Scripture that will delight and challenge its many readers.
In Part 1 of the book, "The Bedrock of Preaching", Capon discusses
how essential it is to have "a passion for the Passion" (to believe
passionately in the Good News of salvation in Christ), how to
overcome the stumbling blocks to genuinely accepting grace, and how
to relinquish a false sense of control over our salvation. This
part of the book also has important things to say to those of us
who listen to sermons and who look to the pulpit for words of grace
and hope that are truly meaningful to our lives today. In Part 2,
"The Practice of Preaching", Capon concentrates on the mechanics of
preaching in anything but a mechanical way. He begins by discussing
the ingredients of preaching, emphasizing the importance of not
just reading but really hearing the Word in the original Greek and
Hebrew, and offers some pointed comments on the Common Lectionary.
He then goes on to illustrate how to preach effectively from notes,
giving specific, day-by-day suggestions for preparation. He also
shows, using the full text of one of his sermons as an example, how
to preach from a more fully written manuscript and explains how to
move from first notes to final notes for a sermon, again using some
of his own notes as an example.
From a passionate and talented chef who also happens to be an
Episcopalian priest comes this surprising and thought-provoking
treatise on everything from prayer to poetry to puff pastry. In
"The Supper of the Lamb, " Capon talks about festal and ferial
cooking, emerging as an inspirational voice extolling the benefits
and wonders of old-fashioned home cooking in a world of fast food
and prepackaged cuisine.
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