John Roberts directs this romantic comedy following a pair of sisters who head to Cuba to scatter the ashes of their deceased father. Rosa (Eva Birthistle), a committed socialist, is determined to rescue the memory of her father from the fate her stepmother has planned: using his ashes to make a golf trophy. In tribute to her father's glamorous past as a revolutionary who once visited Cuba, she steals the ashes and heads to the Caribbean island in the company of her more materialistic sister Ailie (Charity Wakefield) and their friend Conway (Bryan Dick). They come face-to-face with both the good and bad of the island in the form of conman Ernesto (Christopher Simpson) and protective tour guide Tomas (Carlos Acosta). How will the experience change them?

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Robert Fitch argues that, within a generation, New York City has been transformed from the richest city in the world to one of the poorest in North America. The pillars of its economy-Macy's, the Daily News, Citibank, Olympia and York, the Trump organization-have cracked or collapsed. Today, the officially poor in New York number nearly 2,000,000 and more than 400,000 residents of the city are without jobs. In this indictment of those who have wrecked New York, Robert Fitch points to the financial and real-estate elites. Their goals, he argues, have been simple and monolithic: to increase the value of the land they own by extruding low-rent workers and factories, replacing them with high-rent professionals and office buildings. The planning establishment has been able of raise the value of real estate inside the city boundaries over twenty-fold. In doing so, Fitch suggests, it effectively closed New York's deep-water port, eliminated its freight rail system, shuttered its factories and destroyed its capacity for incubating new business. Now the real-estate values have collapsed. The city is left with 65,000,000 square feet of office space-enough to last, without any new building, to the middle of the twenty-first century. In pursuit of those who are responsible, Fitch arraigns the great and the bad of the city's establishment: Roger Starr, architect of "planned shrinkage" (the withdrawal of fire, police and mass transit services from black and Latino neighborhoods); the Ford Foundation, which proposed converting vast tracts of the South Bronx into a vegetable garden; City Hall fixers like John Zucotti, Herb Sturz and James Felt, who cut the deals between government and real estate by working for both sides; and the Rockefeller family, whose involuntary investment in the Rockefeller Center became a gigantic "tar baby," nearly swallowing up their entire fortune. Drawing on never-before-published material from the Rockefeller family archives, as well as other archival documents, this book aims to expose those responsible for the demise of New York.

Progressive politics has long been in crisis in the United States. As the radical Left realizes the dire consequences of defining themselves solely by what they are against, this collection challenges leading engaged academics and activists to show how radical politics can lead to a more fruitful democracy. Dealing with pressing issues of the day such as health care, race, immigration, religion, foreign policy, unions, feminism, liberalism, education, and the media, this edited volume looks at the prospects for a progressive turn in U.S. politics. In doing so, it hopes to inspire the radical imagination by showing where we can go from here. As technology continues to enable greater access to ideas around the world, the power of intellectuals is greater than ever. And given that the world is full of crushing poverty, sexism, uneven development, environmental degeneration, religious fanaticism, racism, and imperialism, the need for intellectuals to inspire the radical imagination by championing principles of economic and social justice, democracy, and universality is also greater than ever. However, political visions are required to guide that struggle. This is the aim of this book.