In Hidden Questions, Clinical Musings, M. Robert Gardner chronicles an odyssey of self-discovery that has taken him beneath and beyond the categoies and conventions of traditional psychoanalysis. His essays offer a vision of psychoanalytic inquiry that blends art and science, a vision in which the subtly intertwining not-quite-conscious questions of analysand and analyst, gradually discerned, open to ever-widening vistas of shared meaning. Gardner is wonderfully illuminating in exploring the associations, images, and dreams that have fueled his own analytic inquiries, but he is no less compelling in writing about the different perceptual modalities and endlessly variegated strategies that can be summoned to bring hidden questions to light. This masterfully assembled collection exemplifies the lived experience of psychoanalysis of one of its most gifted and reflective practitioners. In his vivid depictions of analysis oscillating between the poles of art and science, word and image, inquiry and self-inquiry, Gardner offers precious insights into tensions that are basic to the analytic endeavor. Evincing rare virtuosity of form and content, these essays are evocative clinical gems, radiating the humility, gentle skepticism, and abiding wonder of this lifelong self-inquirer. Gardner's most uncommon musings are a gift to the reader.

First published in 1989. Routledge is an imprint of Taylor and Francis, an informa company.

In an era in which the teaching enterprise is freighted with tactics, techniques, and methods, M. Robert Gardner guides us back to the spirit of teaching. He writes especially about the dilemmas and challenges of teaching, about how it feels to be trying to teach. Gardner's provocative, often iconoclastic musings will goad teachers of all subjects to reflect anew on their calling. Clinical readers will take special pleasure in the humane psychoanalytic sensibility that not only infuses Gardner's own teaching, but shapes his approach to the most basic questions about teaching and learning in general.

In Hidden Questions, Clinical Musings, M. Robert Gardner chronicles an odyssey of self-discovery that has taken him beneath and beyond the categoies and conventions of traditional psychoanalysis. His essays offer a vision of psychoanalytic inquiry that blends art and science, a vision in which the subtly intertwining not-quite-conscious questions of analysand and analyst, gradually discerned, open to ever-widening vistas of shared meaning. Gardner is wonderfully illuminating in exploring the associations, images, and dreams that have fueled his own analytic inquiries, but he is no less compelling in writing about the different perceptual modalities and endlessly variegated strategies that can be summoned to bring hidden questions to light.

This masterfully assembled collection exemplifies the lived experience of psychoanalysis of one of its most gifted and reflective practitioners. In his vivid depictions of analysis oscillating between the poles of art and science, word and image, inquiry and self-inquiry, Gardner offers precious insights into tensions that are basic to the analytic endeavor. Evincing rare virtuosity of form and content, these essays are evocative clinical gems, radiating the humility, gentle skepticism, and abiding wonder of this lifelong self-inquirer. Gardner's most uncommon musings are a gift to the reader.

A survey of theoretical and experimental research, this book covers all areas of lightning phenomenology. The four sections cover models of fundamental lightning processes, propagation of lightning-induced signals, measurement of lightning parameters, and lightning interaction with systems. The book provides an excellent review of the use of models to support remote sensing efforts. It includes data on high-frequency radiated fields for lightening and an overview of the data available in the frequency and time domains for lightning. The book also presents spectoral and temporal characteristics of lightning in the VHF-UHF frequency range and uses photographic and electromagnetic measurements to examine how lighting chooses a strike point.

Covering subjects such as empathy, transference, and countertransference, as well as the nature of the psychoanalytic process, the author of this work argues that there can be no psychoanalysis without self analysis.

In "Human Documents," Robert Gardner introduces the work of photographers with whom he has worked over a period of nearly fifty years under the auspices of the Film Study Center at Harvard. Their images achieve the status of what Gardner calls "human documents": visual evidence that testifies to our shared humanity. In images and words, the book adds to the already significant literature on photography and filmmaking as ways to gather both fact and insight into the human condition. In nearly 100 images spanning geographies and cultures including India, New Guinea, Ethiopia, and the United States, Human Documents demonstrates the important role photography can play in furthering our understanding of human nature and connecting people through an almost universal visual language.

Author and cultural critic Eliot Weinberger contributes the essay "Photography and Anthropology (A Contact Sheet)," in which he provides a new and intriguing context for viewing and thinking about the images presented here.

With photographs by Michael Rockefeller, Robert Gardner, Kevin Bubriski, Adelaide de Menil, Christopher James, Jane Tuckerman, Susan Meiselas, and Alex Webb.

An in-depth look at real analysis and its applications, including an introduction to wavelet
analysis, a popular topic in "applied real analysis." This text makes a very natural connection between the classic pure analysis and the applied topics, including measure theory, Lebesgue Integral,
harmonic analysis and wavelet theory with many associated applications.
*The text is relatively elementary at the start, but the level of difficulty steadily increases
*The book contains many clear, detailed examples, case studies and exercises
*Many real world applications relating to measure theory and pure analysis
*Introduction to wavelet analysis

When we observe protest marches, striking workers at pickets, and insurgent movements in the world today, a litany of objects routinely fill our field of vision. Some such objects are ubiquitous the world over, such as flags, banners, and placards. Others are situationally unique: who could have anticipated the historical importance of a flower placed in the barrel of a gun, a flaming torch, a sea of umbrellas, a motorist’s yellow vest, a feather headdress, an AK-47, or a knitted pink hat? This book explores the “stuff” at the heart of protests, revolutions, civil wars, and other contentious political events. In particular, its focus is on those objects that have or acquire symbolic importance. In the context of “contentious politics” (i.e. disruptive political episodes where people try to change societies without going through institutions), such objects can divide and unite social groups, tell stories, make declarations, spark controversy, and even trigger violent upheavals.This book draws together scholars from a variety of fields to discuss symbolic objects in contentious politics: their meanings, uses, functions, and social responses. Its purpose in doing so is threefold. The authors believe that: (1) objects and materiality have been underrepresented and under-theorized in the study of contentious politics broadly defined; (2) various individual subfields—such as social movement studies, peace and conflict studies, and scholarship on revolutions, terrorism, and (counter)insurgency—could gain much from further consideration of symbolic objects; and (3) there is much to be gained from having these subfields in conversation on the topic. In bringing these phenomena together, this book offers a serious, distinctive, and cohesive theoretical contribution, which draws upon diverse scholarly work in order to form the building blocks for future inquiry in the field. The aim of this book is not merely to “close the gap” in the literature, but to create space in the field for further and more fruitful inquiry.

In 1936 Charles Gardner joined the BBC as a sub-editor in its news department. Shortly afterwards, he was joined by Richard Dimbleby and together they became the very first BBC news correspondents. They covered everything from shipwrecks to fires, floods to air raid precautions and, in Garner's' case, new aircraft. Their exploits became legendary and they laid down the first principles of news broadcasting - of integrity and impartiality - still followed today. With the outbreak of war Charles Gardner became one of the first BBC war correspondents and was posted to France to cover the RAF's AASF (Advanced Air Strike Force). He made numerous broadcasts interviewing many fighter pilots after engagements with the Germans and recalling stories of raids, bomb attacks and eventually the Blitzkrieg when they all were evacuated from France. When he got home he wrote a book AASF which was one of the first books on the Second World War to be published. In late 1940 he was commissioned in the RAF as a pilot and flew Catalina flying boats of Coastal Command. After support missions over the Atlantic protecting supply convoys from America, his squadron was deployed to Ceylon which was under threat from the Japanese navy. Gardner was at the controls when he was the first to sight the Japanese fleet and report back its position. Gardner was later recruited by Lord Mountbatten, to help report the exploits of the British 14th Army in Burma. He both broadcast and filed countless reports of their astonishing bravery in beating the Japanese in jungle conditions and monsoon weather. After the war, Gardner became the BBC air correspondent from 1946-1953\. As such, he became known as The Voice of the Air,' witnessing and recording the greatest days in British aviation history. But Perhaps he will best be remembered for his 1940 eye-witness account of an air battle over the English Channel when German dive bombers unsuccessfully attacked a British convoy but were driven off by RAF fighters. At the time it caused a national controversy. Some complained about his commentary being like a football match,' and not an air battle where men's lives were at stake. That broadcast is still played frequently today.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Representative Massachusetts Wills, Volume 2; Representative Massachusetts Wills; Robert Gardner McClung Robert Gardner McClung

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Representative Massachusetts Wills, Volume 1; Representative Massachusetts Wills; Robert Gardner McClung Robert Gardner McClung s.n., 1912