Through attention to incidents of betrayal and self-betrayal in his friends, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualized self. This book shows how the early fiction of Conrad negotiates the opposed dangers of the self-ideal and the surrender to passion, how the middle fiction test the ideal code psychologically and ideologically and how the late fiction probes sexuality and morbid psychology. It challenges the conventional construction of Conrad's career in terms of achievement and decline.

Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work - from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels- has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.

A haunting Modernist masterpiece and the inspiration for Francis Ford Coppola's Oscar-winning film Apocalypse Now, Heart of Darkness explores the limits of human experience and the nightmarish realities of imperialism. Conrad's narrator Marlow, a seaman and wanderer, recounts his physical and psychological journey in search of the infamous ivory trader Kurtz: dying, insane, and guilty of unspeakable atrocities. Travelling upriver to the heart of the African continent, he gradually becomes obsessed by this enigmatic, wraith-like figure. Marlow's discovery of how Kurtz has gained his position of power over the local people involves him in a radical questioning, not only of his own nature and values, but also those of western civilisation. Part of a major series of new editions of Conrad's most famous works in Penguin Classics, this volume contains Conrad's Congo Diary, a chronology, further reading, notes, a map of the Congo, a glossary and an introduction discussing the author's experiences in Africa, the narrative and symbolic complexities of Heart of Darkness and critical responses to the novel. Edited with an introduction by Owen Knowles 'Seems to reach into the heart of Conrad himself' Peter Ackroyd

Through attention to incidents of betrayal and self-betrayal in his fiction, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualised self. It shows how the early fiction negotiates the opposed dangers of the self-ideal and the surrender to passion; how the middle fiction tests the ideal code psychologically and ideologically; and how the late fiction probes sexuality and morbid psychology.

Opens up the rich topic of Joseph Conrad's complex relationship with language Joseph Conrad was, famously, trilingual in Polish, French and English, and was also familiar with German, Russian, Dutch and Malay. He was also a consummate stylist, using words with the precision of a poet in his fiction. The essays in this collection examine his engagement with specific lexical sets and terminology - maritime language, the language of terror, and abstract language; issues of linguistic communication - speech, hearing, and writing; and his relationship to specific languages - his deployment of foreign languages, his decision to write in English, and his reception through translation. The collection closes with an Afterword by renowned Conrad scholar, Laurence Davies. Key Features The first academic and critical study wholly devoted to the topic of Conrad and language, and the first to address that topic from a diversity of critical approaches Speaks to a range of current trends in literary criticism including transnationalism, lateness, translation studies, terrorism and disabilities studies Comprises newly commissioned essays by leading and emerging Conrad scholars from around the world, employing a variety of approaches including philosophy, psychoanalytical theory, biographical theory, as well as textually driven readings

Opens up the rich topic of Joseph Conrad's complex relationship with language Joseph Conrad was, famously, trilingual in Polish, French and English, and was also familiar with German, Russian, Dutch and Malay. He was also a consummate stylist, using words with the precision of a poet in his fiction. The essays in this collection examine his engagement with specific lexical sets and terminology - maritime language, the language of terror, and abstract language; issues of linguistic communication - speech, hearing, and writing; and his relationship to specific languages - his deployment of foreign languages, his decision to write in English, and his reception through translation. The collection closes with an Afterword by renowned Conrad scholar, Laurence Davies. Key Features The first academic and critical study wholly devoted to the topic of Conrad and language, and the first to address that topic from a diversity of critical approaches Speaks to a range of current trends in literary criticism including transnationalism, lateness, translation studies, terrorism and disabilities studies Comprises newly commissioned essays by leading and emerging Conrad scholars from around the world, employing a variety of approaches including philosophy, psychoanalytical theory, biographical theory, as well as textually driven readings

Glenn Armstrong Shepard had his sights set on going to Mars as a flight surgeon, but a training accident on the Moon left him crippled. Now he has a new plan: to be fitted with bionic prosthetics and come back even stronger. Fate and the Space Force have

Born in Poland in 1857, Joseph Conrad is one of the great writers of the twentieth century. This book traces Conrad's life from his childhood in a Russian penal colony, through his early manhood in Marseille and his years in the British Merchant Navy, to a career as a novelist. It describes how these experiences inspired Conrad's work, from his early Malay novels to his best-known work, Heart of Darkness. Robert Hampson discusses Conrad's important relations with other writers, including Henry James and Ford Madox Ford, as well as his late-life political engagements and his relationships with women. Featuring new interpretations of all of Conrad's major works, this is an original interpretation of Conrad's life of writing.

A priest receives an unexpected visitor from his past. A triumphant celebration ends in murder. A doctor tells of an unrequited love that only ended with death. Maupassant's direct treatment of sex and sexuality, and his insistence that the artist's primary duty was faithfulness to his own perceptions, made his work a challenge to many of his nineteenth-century English readers, but in Henry James's view, his vision was, 'altogether of this life'. His stories may have mystified contemporary moralists, but he was championed by writers who admired his resistance to self-censorship and applauded the economy of his style. In this new selection of his best stories, the sensitive and faithful translations of Ada Galsworthy and Elsie Martindale Hueffer show why writers like Conrad (whose preface is included) and Ford Madox Ford revered Maupassant's work.

This is a sequence of nineteen experimental odes. The sequence offers a documentation of the last year in the form of a fragmented, multi-perspectival 'public voice' poetry. With its roots in the socio-historical context of the pandemic - from stripped supermarket-shelves or clapping for the NHS workers through to the Trump presidency and the closure of Philip Green's Arcadia - the sequence opens onto post-apocalyptic, dystopian fantasies. The locations range from warehouses on the Essex estuary and deserted university campuses to barbecues in Portland and bush-fires in Australia, registering the new awareness of the fragility of supply chains and a larger awareness of climate catastrophe. At the same time, the sequence also explores the experience of lockdown through the evocation of a series of enclosed spaces as if the experience of Covid were a bunker, a submarine, a space-station, a colony on Mars, while also attending to the necessarily mediated experiences produced by lockdown and the corresponding reliance on the technologies of video-conferencing, Instagram, zoom.

The essays included here cover the range of Fisher’s career. Redell Olsen and cris cheek discuss Fisher’s relations to Fluxus and the documentary. Will Rowe approaches Place in terms of the large-scale poem as a heuristic device, a ‘practice of knowledge’. Pierre Joris addresses the important topic of health in Fisher’s work. Will Montgomery considers Brixton as a ‘sounded space’ in the work of Allen Fisher and Linton Kwesi Johnson, while Steven Hitchins tackles one aspect of Fisher’s significant engagement with science: fractals as a way of negotiating the discontinuity and noise of everyday life. Robert Sheppard discusses The Apocalyptic Sonnets as the link between Fisher’s two large-scale projects, Place and Gravity as a consequence of shape; Scott Thurston offers a close-reading of ‘Mummer’s Shout’ (from Gravity) in terms of its compositional procedures; Clive Bush engages with ‘Philly Dog’ and the political limitations of Deleuze and Guattari; and Calum Hazell explores Sputtor in terms of collage, quotation and poetic knowledge. The volume closes with two collaborative pieces: an interview between Fisher, Paige Mitchell and Shamoon Zamir, and a selection of documents relating to PhillyTalks #19 with Karen Mac Cormack (17 October 2001).

The first great "Lost World" action-adventure-a precursor to Indiana Jones
H. Rider Haggard's "King Solomon's Mines" has entertained generations of readers since its first publication in 1885. Following a mysterious map of dubious reliability, a small group of men trek into southern Africa in search of a lost friend-and a lost treasure, the fabled mines of King Solomon. Led by the English adventurer and fortune hunter Allan Quartermain, they discover a frozen corpse, survive untold dangers in remote mountains and deserts, and encounter the merciless King Twala en route to the legendary hoard of diamonds.

CLASP is an exercise in collective remembering - with, as Lawrence Upton's essay suggests, a consciousness of memory work as also a process of selecting, forgetting and inventing. The original plan had been to focus on the 1970s, the decade during which [Ken Edwards and I] had co-edited Alembic with Peter Barry. Some of those we approached felt they could not usefully remember enough of their poetry activities in this period; some were reluctant to return to the past. Also, as the project developed, it became clear that the original plan wouldn't work: the history did not fit neatly into the limits of the decade. We would have to start earlier to understand the roots of 1970s London poetry, and we would have to stray into the 1980s to see how some of the debates and actions of the 1970s played out. -Robert Hampson, from his Introduction to this volume

The Nature of a Crime, the third of three collaborations between Joseph Conrad and Ford Madox Ford, was originally written when the two men were living in Winchelsea, Sussex, in 1906, but not published in book form until 1924, shortly after Conrad's death. The story takes the form of a series of love letters written by the unnamed narrator to a married woman, who is visiting Rome. In them, he states his intention to commit suicide as he anticipates being found out in a financial scandal. This new edition includes both writers' prefaces, and Ford's description of his first collaboration with Conrad (on the novel Romance) as an appendix. Edited by Robert Hampson, it also includes an informative Afterword and is fully annotated.

'Seaport' deals with many aspects of the history and development of Liverpool, drawing on a wide range of documentary sources, and culminating with a vivid account of what the national press called the Toxteth Riots of 1981. This event is seen in the context of the repressive policing methods of the day, especially as directed at black youths . . . [and] . . . in the historical context of Liverpools notorious role in the slave trade, and of subsequent patterns of racial discrimination . . . (Peter Barry)

Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad’s works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad’s reception throughout the continent.