This book explores the concept of 'the Levant' as a component of the regional and international system during the age of imperialism. At its heart is a focus on the experience of Greek-speaking societies and, above all, the independent state of Greece that came into existence in 1830. A key sub-theme running through the account is the Anglo-Hellenic connection stemming from an enhanced British presence in the Eastern Mediterranean from the 1830s and 1840s, and in particular its relationship to the Greek polity. Within this framework the emergence of the idea of 'Greater Greece' is integrated into the narrative, including its regional reverberations and ethnic tensions. Other contributions examine trade and finance, gender issues, colonialism and the distinctive experience of Cyprus. The core of the volume deals centrally with three interlocking themes: modernity, nationalism and trans-nationalism. Ultimately these forces were to prove at odds with the ambiguity and elite structures that characterized the Levant in its nineteenth-century heyday. The book analyses the evolution, and increasing definition from the late 1950s, of Greece's modern European identity, while taking into account the magnetic force of other relationships and regional links. This treatment connects with the choices and dilemmas facing Greece and its surrounding region, which contemporary crises invariably throw into relief. It will be of interest both to specialised historians and students of current affairs seeking to understand the broader historical context.

This book explores the phenomenon of Independence Days. These rituals had complex meanings both in the territories concerned and in Britain as the imperial metropole, where they were extensively reported in the press. The text is concerned with the political management, associated rhetoric and iconography of these seminal celebrations. The focus is therefore very much on political culture in a broad sense, and changing perceptions and presentations over time. Highlights of the book include an overview by David Cannadine relating the topic to ornamentalism, invented tradition and transitions in British culture. Although the book is mainly concerned with the British Empire, Martin Shipway - a leading historian and cultural analyst of French decolonization - contributes an acute summary of how the same 'moment' was handled differently in the other great European empires. There are detailed and lively studies by noted specialists of the immediate coming of Independence to India/Pakistan, Malaya, Ghana, Zimbabwe, and Guyana. The book includes a thematic focus on the important role of representatives of the British monarchy in legitimating transfers of sovereignty at their point of climax. This book was published as a special issue of The Round Table.

An eminent scholar explains the essentials of English grammar to those who never studied the basics as well as those who need a refresher course. Inspired by Strunk & White's classic "The Elements of Style, " this user-friendly guide focuses exclusively on grammar, explaining the individual parts of speech and their proper arrangement in sentence form. A modest investment of 90 minutes can provide readers of all ages with simple but important tools that will improve their communication skills.
Dover (2011) original publication.

Bringing together for the first time leading historians of European decolonization, this book is a landmark in the comparative analysis of the fall of the European empires, viewed both as a problematic of European policy-making and as a formative experience in the development of new states.

In many western cities, urban nightlife is experiencing a 'McDonaldisation', where big branded names are taking over large parts of downtown areas, leaving consumers with an increasingly standardised experience.
This book takes a new look at this rapidly changing aspect of urban life, examining the relationships between young adults, nightlife and city spaces. It focuses on what the authors call 'urban nightscapes' - both mainstream and alternative youthful cultural activities in bars, pubs, night-clubs and music venues, which occur against a backdrop of increasing corporate influence in the night-time economy.

In many western cities, urban nightlife is experiencing a 'McDonaldisation', where big branded names are taking over large parts of downtown areas, leaving consumers with an increasingly standardised experience.
This book takes a new look at this rapidly changing aspect of urban life, examining the relationships between young adults, nightlife and city spaces. It focuses on what the authors call 'urban nightscapes' - both mainstream and alternative youthful cultural activities in bars, pubs, night-clubs and music venues, which occur against a backdrop of increasing corporate influence in the night-time economy.

This book comprises essays offered by friends, colleagues, and former students in tribute to Andrew Porter, on the occasion of his retirement from the Rhodes Chair in Imperial History at the University of London. The contributors, including many distinguished historians, explore through a variety of case studies 'ambiguities of empire' and of imperial and quasi-imperial relationships, reflecting important themes in Professor Porter's own writing. Whilst the range of articles reflects the breadth of Andrew Porter's scholarly collaborations and interests, the chapters focus in particular on two aspects of imperial history which have been the subject of his particular attention: religion and empire and the end of empire. The book contains original pieces on the history of British imperialism currently the subject of considerable scholarly attention. The book will be invaluable to students and scholars of empire, religion and colonialism. This book was published as a special issue of the Journal of Imperial and Commonwealth History.

An evocative exploration of the impact of the Mediterranean on British culture, ranging from the mid-eighteenth century to today Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons-including many painters and poets-who sought from it the inspiration, beauty, and fulfillment that evaded them at home. Referred to as "Magick Land" by one traveler, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. Written by one of the world's leading historians of the Mediterranean, this book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron's poetry to Damien Hirst's installations, Robert Holland shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of color, carnival, and sensual self-discovery.

Bringing together for the first time leading historians of European decolonization, this book is a landmark in the comparative analysis of the fall of the European empires, viewed both as a problematic of European policy-making and as a formative experience in the development of new states.

This book explores the concept of 'the Levant' as a component of the regional and international system during the age of imperialism. At its heart is a focus on the experience of Greek-speaking societies and, above all, the independent state of Greece that came into existence in 1830. A key sub-theme running through the account is the Anglo-Hellenic connection stemming from an enhanced British presence in the Eastern Mediterranean from the 1830s and 1840s, and in particular its relationship to the Greek polity. Within this framework the emergence of the idea of 'Greater Greece' is integrated into the narrative, including its regional reverberations and ethnic tensions. Other contributions examine trade and finance, gender issues, colonialism and the distinctive experience of Cyprus. The core of the volume deals centrally with three interlocking themes: modernity, nationalism and trans-nationalism. Ultimately these forces were to prove at odds with the ambiguity and elite structures that characterized the Levant in its nineteenth-century heyday. The book analyses the evolution, and increasing definition from the late 1950s, of Greece's modern European identity, while taking into account the magnetic force of other relationships and regional links. This treatment connects with the choices and dilemmas facing Greece and its surrounding region, which contemporary crises invariably throw into relief. It will be of interest both to specialised historians and students of current affairs seeking to understand the broader historical context.

With his journeys through Hell and Purgatory complete, Dante is at last led by his beloved Beatrice to Paradise. Where his experiences in the "Inferno" and "Purgatorio" were arduous and harrowing, this is a journey of comfort, revelation, and, above all, love-both romantic and divine.
Robert Hollander is a Dante scholar of unmatched reputation and his wife, Jean, is an accomplished poet. Their verse translation with facing-page Italian combines maximum fidelity to Dante's text with the artistry necessary to reflect the original's virtuosity. They have produced the clearest, most accurate, and most readable translation of the three books of "The Divine Comedy," with unsurpassable footnotes and introductions, likely to be a touchstone for generations to come.

The epic grandeur of Dante’s masterpiece has inspired readers for 700 years, and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance. Robert Hollander, a renowned scholar and master teacher of Dante, and Jean Hollander, an accomplished poet, have written a beautifully accurate and clear verse translation of the first volume of Dante’s epic poem, the Divine Comedy. Featuring the original Italian text opposite the translation, this edition also offers an extensive and accessible introduction and generous commentaries that draw on centuries of scholarship as well as Robert Hollander’s own decades of teaching and research. The Hollander translation is the new standard in English of this essential work of world literature.

Now I shall sing the second kingdom,
there where the soul of man is cleansed,
made worthy to ascend to heaven.
In the second book of Dante's epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust. As he witnesses the penance required on each successive terrace, Dante often feels the smart of his own sins. His reward will be a walk through the garden of Eden, perhaps the most remarkable invention in the history of literature.
Now Jean Hollander, an accomplished poet, and Robert Hollander, a renowned scholar and master teacher, whose joint translation of the Inferno""was acclaimed as a new standard in English, bring their respective gifts to Purgatorio in an arresting and clear verse translation. Featuring the original Italian text opposite the translation, their edition offers an extensive and accessible introduction as well as generous historical and interpretive commentaries that draw on centuries of scholarship and Robert Hollander's own decades of teaching and reasearch.

"Tell me a little bit about yourself?" "How do you start your day?" "Why are you a good fit"? These seem like harmless basic interview questions but there are specific purposes for asking these questions. After a failed interview you will rarely, if ever, hear TRUTHFUL FEEDBACK that could help you to enhance your interviewing skills. There are a lot of interviewing books available for sale, but none of them focus on the Interviewing Dynamic, until now The Truth About Interviewing provides holistic perspectives on how interviewers interpret and analyze your interview responses. Rehearsing good responses or great answers is not enough; any seasoned recruiter or hiring manager will be able to notice if your answers are fabricated. You need to understand the dynamic, or why are they asking the question(s) that they are asking, and what are they looking for? This will help you to ace any job interview, regardless of industry, using only your own background and experience About the Author Robert Holland is a Professional Interview Coach, Consultant, Author, and subject matter expert on Interviewing. Holland works as an independent consultant to effectively coach individuals on how to ace the interview. Holland has interviewed thousands of candidates, and trained interviewers how to conduct effective interviews during his twenty year recruiting and management tenure. Holland is also the Founder of Interview Wizz.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

How did Dante come to create his masterpiece, the Divine Comedy, a work unrivaled by any of his other writings? In this book, a preeminent Dante scholar analyzes the only real biography of the poet that we have-his body of works-to illuminate this question. Robert Hollander considers Dante's political writings, commentary, and other poems as well as the Comedy to construct an intellectual biography of the great poet. "Hollander's lucid and brilliant discussion . . . is a joy to read."-Bernard Knox, New York Review of Books