This first edition of A Dictionary of Dentistry provides over 4,500 definitions covering all the important terms and concepts used in dentistry today. Entries are written in clear and concise English without the use of unnecessary dental or medical jargon, and many entries are supplemented by detailed line drawings. The dictionary defines terms in a broad range of dental specialist areas including primary care, anatomy and comparative anatomy, physiology, biochemistry, radiography, radiology, orthodontics, periodontology, restorative dentistry, dental public health, paediatric dentistry, oral surgery, embryology, homeopathy, pharmacology, sedation, histology, implantology, ethics, and oral medicine. For completeness, some drugs, techniques, and instruments of historical interest have been included. It also includes a number of biographies of those who are considered to have made a highly significant contribution to dentistry. The principal muscles, nerves, arteries, veins, foramina, and sinuses of the head and neck together with illustrations are grouped together as appendices: also included is a further reading list, and a list of common symbols and abbreviations used in both the UK and America. A key feature of this book is the Dictionary of Dentistry companion website, which provides quick access to recommended web links for many entries, plus over 100 full-colour illustrations.. An essential guide for dental practitioners and dental students, it is also an invaluable reference source for all members of the dental team, medical practitioners, lawyers involved with members of the dental profession, and the general reader.

Jean Otth (1940-2013) was a pioneer of video art in Switzerland. Even while studying art history and philosophy at the University of Lausanne and art at the Ecole cantonale d'art de Lausanne in the early 1960s he began to experiment with the then very new medium, making full use of its visual potential. Right from the beginning, Otth's artistic trajectory, which still was influenced by the practice of painting, became closely tied to the emergence of new technologies. His works were soon exhibited in Switzerland as well as at major international shows, such as the 1973 Biennale Sao Paulo, the 1976 Venice Biennale, and the Documenta 6 in Kassel in 1977. Throughout his career he mixed immaterial video projection with material reality, exploring their interaction. While constantly questioning the media he used, Otth produced borderline works that test the observer and provoke desire through covering-up, reframing, and shifting. This new monograph, the first book ever available in English on this remarkable artist, features photographic and filmed works as well as his drawings from all periods of his career. Text in English and French.