Starting in 1999 with the publication of The Definitive Annotated Alice, the Norton and Liveright annotated books have become the leading series of classic, illustrated works in the English language. The long-anticipated publication of The Annotated Arabian Nights extends this tradition with a strikingly modern translation-the first of Shahrazad's tales into English by a woman-as well as erudite notes that will illuminate the stories for both dedicated readers and newcomers. Yasmine Seale's translations from both Arabic and French capture the musicality and rhythm of the Nights' poetry and prose, while Paulo Lemos Horta's annotations wrestle with the extraordinarily complex origins and history of the stories, showing that, far from being inventions of French antiquarians or English explorers, they have clear antecedents in Arabic folklore and tradition. This stunningly illustrated edition selects core stories as well as treasured later additions such as "Aladdin" and "Ali Baba" to offer an unparalleled account of a cornerstone of world literature that can be treasured by children, students and literature-lovers alike.

This story from the author of 'The Mysteries of Algiers' is set in London, Paris and Munich in the 1940s and 50s. The narrator, Caspar, details his investigations into sex, surrealism, Nazi art, hypnagogic imagery, and his quest for a vanishing woman.

The digital storytelling project Humanizing Deportation invites migrants to present their own stories in the world's largest and most diverse archive of its kind. Since 2017, more than 300 community storytellers have created their own audiovisual testimonial narratives, sharing their personal experiences of migration and repatriation. With Migrant Feelings, Migrant Knowledge, the project's coordinator, Robert Irwin, and other team members introduce the project's innovative participatory methodology, drawing out key issues regarding the human consequences of contemporary migration control regimes, as well as insights from migrants whose world-making endeavors may challenge what we think we know about migration. In recent decades, migrants in North America have been treated with unprecedented harshness. Migrant Feelings, Migrant Knowledge outlines this recent history, revealing stories both of grave injustice and of seemingly unsurmountable obstacles overcome. As Irwin writes, "The greatest source of expertise on the human consequences of contemporary migration control are the migrants who have experienced them," and their voices in this searing collection jump off the page and into our hearts and minds.

The digital storytelling project Humanizing Deportation invites migrants to present their own stories in the world's largest and most diverse archive of its kind. Since 2017, more than 300 community storytellers have created their own audiovisual testimonial narratives, sharing their personal experiences of migration and repatriation. With Migrant Feelings, Migrant Knowledge, the project's coordinator, Robert Irwin, and other team members introduce the project's innovative participatory methodology, drawing out key issues regarding the human consequences of contemporary migration control regimes, as well as insights from migrants whose world-making endeavors may challenge what we think we know about migration. In recent decades, migrants in North America have been treated with unprecedented harshness. Migrant Feelings, Migrant Knowledge outlines this recent history, revealing stories both of grave injustice and of seemingly unsurmountable obstacles overcome. As Irwin writes, "The greatest source of expertise on the human consequences of contemporary migration control are the migrants who have experienced them," and their voices in this searing collection jump off the page and into our hearts and minds.

Mamluks and Crusaders: Men of the Sword and Men of the Pen brings together a series of studies, based mainly on medieval Arabic sources, of Middle Eastern history and society in the late Middle Ages. Several of these studies deal with the confrontation between the Mamluks and the Crusaders. Others deal with aspects of Mamluk society and culture in Egypt and Syria from the 13th to the early 16th centuries. There are articles on such matters as Crusader feudalism and Mamluk iqta', Crusader and Mamluk currency, the last years of the Crusader states, Mamluk faction fighting, the size of the Mamluk army, the image of the Crusaders and other Europeans in Arabic popular literature, a neglected source on the sex life of the Mamluks, the ritual consumption of horse meat by Mamluks and Mongols, the table talk of the Mamluk Sultan Qansuh al-Ghawri, the deployment of gunpowder and firearms in the Middle East, gangsterism in Cairo and the shared interest of Ibn Khaldun and al-Maqrizi in the occult. Finally, several studies deal with questions of historiography, in both Crusader and Mamluk studies.

The Alhambra, the 'red fort' on its rocky hill above Granada, with its fountained courts and gardens, and intricate decoration, has long been a byword for exotic and melancholy beauty. In a stimulating new book in the 'Wonders of the World' series Robert Irwin, Arabist and novelist, examines its engrossing and often mysterious history. Built by a bloody and threatened dynasty of Muslim Spain, it was preserved as a monument to the triumph of Christianity. Much of what we see is the invention of later generations. Its highly sophisticated decoration is not just random but full of hidden meaning. Even its purpose - palace or theological college - is not always clear. Its influence on art, and on literature, orientalist painting and Granada cinemas, Washington Irving and Borges, has been significant. Robert Irwin enables us to understand that history fully. The Wonders of the World is a series of books that focuses on some of the world's most famous sites or monuments. Their names will be familiar to almost everyone: they have achieved iconic stature and are loaded with a fair amount of mythological baggage. These monuments have been the subject of many books over the centuries, but our aim, through the skill and stature of the writers, is to get something much more enlightening, stimulating, even controversial, than straightforward histories or guides.

The definitive account of the life and thought of the medieval Arab genius who wrote the Muqaddima Ibn Khaldun (1332-1406) is generally regarded as the greatest intellectual ever to have appeared in the Arab world-a genius who ranks as one of the world's great minds. Yet the author of the Muqaddima, the most important study of history ever produced in the Islamic world, is not as well known as he should be, and his ideas are widely misunderstood. In this groundbreaking intellectual biography, Robert Irwin provides an engaging and authoritative account of Ibn Khaldun's extraordinary life, times, writings, and ideas.

The definitive account of the life and thought of the medieval Arab genius who wrote the Muqaddima Ibn Khaldun (1332-1406) is generally regarded as the greatest intellectual ever to have appeared in the Arab world--a genius who ranks as one of the world's great minds. Yet the author of the Muqaddima, the most important study of history ever produced in the Islamic world, is not as well known as he should be, and his ideas are widely misunderstood. In this groundbreaking intellectual biography, Robert Irwin provides an engaging and authoritative account of Ibn Khaldun's extraordinary life, times, writings, and ideas. Irwin tells how Ibn Khaldun, who lived in a world decimated by the Black Death, held a long series of posts in the tumultuous Islamic courts of North Africa and Muslim Spain, becoming a major political player as well as a teacher and writer. Closely examining the Muqaddima, a startlingly original analysis of the laws of history, and drawing on many other contemporary sources, Irwin shows how Ibn Khaldun's life and thought fit into historical and intellectual context, including medieval Islamic theology, philosophy, politics, literature, economics, law, and tribal life. Because Ibn Khaldun's ideas often seem to anticipate by centuries developments in many fields, he has often been depicted as more of a modern man than a medieval one, and Irwin's account of such misreadings provides new insights about the history of Orientalism. In contrast, Irwin presents an Ibn Khaldun who was a creature of his time-a devout Sufi mystic who was obsessed with the occult and futurology and who lived in an often-strange world quite different from our own.

A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.

A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.

"The Arabian Nights" has become a synonym for the fabulous and the exotic. Every child is familiar with the stories of Aladdin, Sinbad the Sailor and Ali Baba. Yet very few people, even specialists in oriential literature, have a clear idea of when the book was written or what exactly it is. Far from being a batch of stories for children, "The Arabian Nights" contains hundreds of narratives of all kinds - fables, epics, erotica, debates, fairy tales, political allegories, mystical anecdotes and comedies. It is a labyrinth of stories within stories. Widely held in contempt in the Middle East for its frivolity and occasional obscenity, the work has nevertheless had a major influence on European and American culture, to the extent that the story collection must be considered as a key work in Western literature. A full understanding of the writings of Voltaire, Dickens, Melville, Proust and Borges, or indeed of the origins of science fiction, is impossible without some familiarity with the stories of the "Nights". This companion aims to guide the reader into this labyrinth of storytelling. It traces the development of the stories from prehistoric India and Pharaonic Egypt to modern times, and explores the history of translation and imitation. Above all, it uses the stories as a guide to the social history and counter-culture of the medieval Near East and the world of the storyteller, the snake charmer, the burglar, the sorcerer, the drug-addict, the treasure hunter and the adulterer.

Robert Irwin's authoritative introduction to the fourth volume of The New Cambridge History of Islam offers a panoramic vision of Islamic culture from its origins to around 1800. The introductory chapter, which highlights key developments and introduces some of Islam's most famous protagonists, paves the way for an extraordinarily varied collection of essays. The themes treated include religion and law, conversion, Islam's relationship with the natural world, governance and politics, caliphs and kings, philosophy, science, medicine, language, art, architecture, literature, music and even cookery. What emerges from this rich collection, written by an international team of experts, is the diversity and dynamism of the societies which created this flourishing civilization. Volume four of The New Cambridge History of Islam serves as a thematic companion to the three preceding, politically oriented volumes, and in coverage extends across the pre-modern Islamic world.

Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.

Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.

Robert Irwin began his career in the 1950s as an abstract painter. As a pioneer of the Light and Space movement in Los Angeles in the 1970s and early '80s, Irwin focused on exploring aesthetic perception as the fundamental feature of art, culminating in what he terms "conditional art" or "site-conditioned work." In addition to being a prolific artist, Irwin has been an active writer throughout his career. This book-now in paperback-includes previously published pieces along with a significant selection of writings published for the first time. The book makes clear that writing as a reflection on aesthetic questions is an integral element of Irwin's multifaceted art practice.

In Psychopathology: A Critical Perspective, Lee and Irwin demonstrate that mental illness often defies traditional forms of medical classification. They explore mental illness through sets of broad symptoms (such as psychosis or depression), rather than diagnostic checklists, integrating both psychological and neurological frameworks and presenting a unique and balanced perspective on psychopathology. Written to support teaching and learning, Psychopathology: A Critical Perspective encourages students to question the evidence supplied by traditional psychiatric methods and explore alternatives to traditional diagnostic models, reflecting real world practice. Pedagogical features such as discussion questions in each chapter encourage critical engagement and classroom debate. The result is an original examination of mental illness and a standalone resource for students in this area.