This story from the author of 'The Mysteries of Algiers' is set in London, Paris and Munich in the 1940s and 50s. The narrator, Caspar, details his investigations into sex, surrealism, Nazi art, hypnagogic imagery, and his quest for a vanishing woman.

A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.

Starting in 1999 with the publication of The Definitive Annotated Alice, the Norton and Liveright annotated books have become the leading series of classic, illustrated works in the English language. The long-anticipated publication of The Annotated Arabian Nights extends this tradition with a strikingly modern translation-the first of Shahrazad's tales into English by a woman-as well as erudite notes that will illuminate the stories for both dedicated readers and newcomers. Yasmine Seale's translations from both Arabic and French capture the musicality and rhythm of the Nights' poetry and prose, while Paulo Lemos Horta's annotations wrestle with the extraordinarily complex origins and history of the stories, showing that, far from being inventions of French antiquarians or English explorers, they have clear antecedents in Arabic folklore and tradition. This stunningly illustrated edition selects core stories as well as treasured later additions such as "Aladdin" and "Ali Baba" to offer an unparalleled account of a cornerstone of world literature that can be treasured by children, students and literature-lovers alike.

The Alhambra, the 'red fort' on its rocky hill above Granada, with its fountained courts and gardens, and intricate decoration, has long been a byword for exotic and melancholy beauty. In a stimulating new book in the 'Wonders of the World' series Robert Irwin, Arabist and novelist, examines its engrossing and often mysterious history. Built by a bloody and threatened dynasty of Muslim Spain, it was preserved as a monument to the triumph of Christianity. Much of what we see is the invention of later generations. Its highly sophisticated decoration is not just random but full of hidden meaning. Even its purpose - palace or theological college - is not always clear. Its influence on art, and on literature, orientalist painting and Granada cinemas, Washington Irving and Borges, has been significant. Robert Irwin enables us to understand that history fully. The Wonders of the World is a series of books that focuses on some of the world's most famous sites or monuments. Their names will be familiar to almost everyone: they have achieved iconic stature and are loaded with a fair amount of mythological baggage. These monuments have been the subject of many books over the centuries, but our aim, through the skill and stature of the writers, is to get something much more enlightening, stimulating, even controversial, than straightforward histories or guides.

In Psychopathology: A Critical Perspective, Lee and Irwin demonstrate that mental illness often defies traditional forms of medical classification. They explore mental illness through sets of broad symptoms (such as psychosis or depression), rather than diagnostic checklists, integrating both psychological and neurological frameworks and presenting a unique and balanced perspective on psychopathology. Written to support teaching and learning, Psychopathology: A Critical Perspective encourages students to question the evidence supplied by traditional psychiatric methods and explore alternatives to traditional diagnostic models, reflecting real world practice. Pedagogical features such as discussion questions in each chapter encourage critical engagement and classroom debate. The result is an original examination of mental illness and a standalone resource for students in this area.

Mamluks and Crusaders: Men of the Sword and Men of the Pen brings together a series of studies, based mainly on medieval Arabic sources, of Middle Eastern history and society in the late Middle Ages. Several of these studies deal with the confrontation between the Mamluks and the Crusaders. Others deal with aspects of Mamluk society and culture in Egypt and Syria from the 13th to the early 16th centuries. There are articles on such matters as Crusader feudalism and Mamluk iqta', Crusader and Mamluk currency, the last years of the Crusader states, Mamluk faction fighting, the size of the Mamluk army, the image of the Crusaders and other Europeans in Arabic popular literature, a neglected source on the sex life of the Mamluks, the ritual consumption of horse meat by Mamluks and Mongols, the table talk of the Mamluk Sultan Qansuh al-Ghawri, the deployment of gunpowder and firearms in the Middle East, gangsterism in Cairo and the shared interest of Ibn Khaldun and al-Maqrizi in the occult. Finally, several studies deal with questions of historiography, in both Crusader and Mamluk studies.

Ibn Jubayr's account of his journey from his home in then Islamic Spain to the holy cities of Mecca and Medina, Syria, the Crusader Kingdoms and ultimately Egypt is a landmark text for the study and understanding of the Medieval Islamic World. Broadhurst's translation gives voice to Ibn Jubayr's vivid impressions of the 12th century Mediterranean. He recounts his experiences in Saladin's Egypt in contrast to rule of the Almohads in the Maghreb, and gives a positive assessment of the conditions of Muslims in the Kingdom of Jerusalem. He also takes detailed note of and interest in the great architecture of period, both Muslim and non Muslim, as well as his experiences with the learned Sufi teachers of the East. With a new introduction by Robert Irwin, this classic first-hand account remains of upmost value to historians of the Medieval Mediterranean and Islamic World.

In 'Les Diaboliques' there are six tales of female temptresses - she-devils - in which horror and the wild Normandy countryside combine to send a shiver down the spine of the reader.

Robert Irwin's authoritative introduction to the fourth volume of The New Cambridge History of Islam offers a panoramic vision of Islamic culture from its origins to around 1800. The introductory chapter, which highlights key developments and introduces some of Islam's most famous protagonists, paves the way for an extraordinarily varied collection of essays. The themes treated include religion and law, conversion, Islam's relationship with the natural world, governance and politics, caliphs and kings, philosophy, science, medicine, language, art, architecture, literature, music and even cookery. What emerges from this rich collection, written by an international team of experts, is the diversity and dynamism of the societies which created this flourishing civilization. Volume four of The New Cambridge History of Islam serves as a thematic companion to the three preceding, politically oriented volumes, and in coverage extends across the pre-modern Islamic world.

The definitive account of the life and thought of the medieval Arab genius who wrote the Muqaddima Ibn Khaldun (1332-1406) is generally regarded as the greatest intellectual ever to have appeared in the Arab world-a genius who ranks as one of the world's great minds. Yet the author of the Muqaddima, the most important study of history ever produced in the Islamic world, is not as well known as he should be, and his ideas are widely misunderstood. In this groundbreaking intellectual biography, Robert Irwin provides an engaging and authoritative account of Ibn Khaldun's extraordinary life, times, writings, and ideas.

Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.

Spanning the fifth century to the sixteenth, and ranging from Afghanistan to Spain, this unique collection provides a profound insight into the sheer vitality and depth of Classical Arabic literature. From the earliest surviving fragments of The Thousand and One Nights to the elegant beauty and profound power of the Qur'an - believed by the Islamic faith to contain the actual words of Allah - it includes translated extracts from all the major works of the period, alongside many less well-known but equally fascinating pieces. Exploring such traditional themes as lovesick yearning and fated doom, and considering subjects as diverse as the etiquette of falling in love with slave-girls and the terrors of the sea, this compelling anthology of poetry and prose brilliantly illuminates a body of writing that has been unjustly neglected by the west for centuries.

Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.

Robert Irwin's authoritative introduction to the fourth volume of The New Cambridge History of Islam offers a panoramic vision of Islamic culture from its origins to around 1800. The introductory chapter, which highlights key developments and introduces some of Islam's most famous protagonists, paves the way for an extraordinarily varied collection of essays. The themes treated include religion and law, conversion, Islam's relationship with the natural world, governance and politics, caliphs and kings, philosophy, science, medicine, language, art, architecture, literature, music and even cookery. What emerges from this rich collection, written by an international team of experts, is the diversity and dynamism of the societies which created this flourishing civilization. Volume four of The New Cambridge History of Islam serves as a thematic companion to the three preceding, politically oriented volumes, and in coverage extends across the pre-modern Islamic world.

Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.

A distinct symbol of the desert and the Middle East, the camel was once unkindly described as half snake, half folding bedstead. But in the eyes of many the camel is a creature of great beauty. This is most evident in the Arab world, where the camel has played a central role in the historical development of Arabic society. Beauty pageants are still held for camels in some Arabic countries, and an elaborate vocabulary and extensive literature have been devoted to them. In "Camel", Robert Irwin explores why the camel has fascinated so many cultures, including those in places where camels are not indigenous. He traces the history of the camel from its origins millions of years ago to the present day, discussing such matters of contemporary concern as the plight of camel herders in the Sudan's war-torn Darfur region, the alarming increase in the population of feral camels in Australia, and the endangered status of the wild Bactrian in Mongolia and China. Throughout history, the camel has been appreciated worldwide for its practicality, resilience and legendary abilities of survival. As a result it has been featured in the works of Leonardo da Vinci, Poussin, Tiepolo, Flaubert, Kipling and Rose Macaulay, among others. From East to West, Irwin's "Camel" is the first survey of its kind to examine the animal's role in society and history throughout the world. Not just for camel aficionados, this highly illustrated book is sure to entertain and inform anyone interested in this fascinating and exotic animal.