Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

No political leader is more closely identified with Louisiana State University than the flamboyant governor and U.S. senator Huey P. Long, who devoted his last years to turning a small, undistinguished state school into an academic and football powerhouse. From 1931, when Long declared himself the "official thief" for LSU, to his death in 1935, the school's budget mushroomed, its physical plant burgeoned, its faculty flourished, and its enrollment tripled. Along with improving LSU's academic reputation, Long believed the school's football program and band were crucial to its success. Taking an intense interest in the team, Long delivered pregame and halftime pep talks, devised plays, stalked the sidelines during games, and fired two coaches. He poured money into a larger, flashier band, supervised the hiring of two directors, and, with the second one, wrote a new fight song, "Touchdown for LSU." While he rarely meddled in academic affairs, Long insisted that no faculty member criticize him publicly. When students or faculty from "his school" opposed him, retribution was swift. Long's support for LSU did not come without consequences. His unrelenting involvement almost cost the university its accreditation. And after his death, several of his allies-including his handpicked university president-went to prison in a scandal that almost destroyed LSU. Rollicking and revealing, Robert Mann's Kingfish U is the definitive story of Long's embrace of LSU.

A powerful play on Lincoln's tenure in the White House from inauguration to assignation, the period of his superb greatness. Backgrounded by the devastating civil war, it presents Mary, Grant, Seward, Lee, Meade, Stanton, common soldiery and others of the time by a playwright whose skills should make him of major interest.

In 1964, less than one year into his tenure as publisher of the Bogalusa Daily News, New Orleans native Lou Major found himself guiding the newspaper through a turbulent period in the history of American civil rights. Bogalusa, Louisiana, became a flashpoint for clashes between African Americans advocating for equal treatment and white residents who resisted this change, a conflict that generated an upsurge in activity by the Ku Klux Klan. Local members of the KKK stepped up acts of terror and intimidation directed against residents and institutions they perceived as sympathetic to civil rights efforts. During this turmoil, the Daily News took a public stand against the Klan and its platform of hatred and white supremacy. Against the Klan, Major's memoir of those years, recounts his attempts to balance the good of the community, the health of the newspaper, and the safety of his family. He provides an in-depth look at the stance the Daily News took in response to the city's civil rights struggles, including the many fiery editorials he penned condemning the KKK's actions and urging peaceful relations in Bogalusa. Major's richly detailed personal account offers a ground-level view of the challenges local journalists faced when covering civil rights campaigns in the Deep South and of the role played by the press in exposing the nefarious activities of hate groups such as the Klan.

An Introduction to the Standard Model of Particle Physics familiarizes readers with what is considered tested and accepted and in so doing, gives them a grounding in particle physics in general. Whenever possible, Dr. Mann takes an historical approach showing how the model is linked to the physics that most of us have learned in less challenging areas. Dr. Mann reviews special relativity and classical mechanics, symmetries, conservation laws, and particle classification; then working from the tested paradigm of the model itself, he:

• Describes the Standard Model in terms of its electromagnetic, strong, and weak components
• Explores the experimental tools and methods of particle physics
• Introduces Feynman diagrams, wave equations, and gauge invariance, building up to the theory of Quantum Electrodynamics
• Describes the theories of the Strong and Electroweak interactions
• Uncovers frontier areas and explores what might lie beyond our current concepts of the subatomic world

Those who work through the material will develop a solid command of the basics of particle physics. The book does require a knowledge of special relativity, quantum mechanics, and electromagnetism, but most importantly it requires a hunger to understand at the most fundamental level: why things exist and how it is that anything happens. This book will prepare students and others for further study, but most importantly it will prepare them to open their minds to the mysteries that lie ahead. Ultimately, the Large Hadron Collider may prove the model correct, helping so many realize their greatest dreams or it might poke holes in the model, leaving us to wonder an even more exciting possibility: that the answers lie in possibilities so unique that we have not even dreamt of them.

Whether used as a political tactic to discredit news stories and media outlets, or as a description of false information manufactured and circulated for profit, the term ""fake news"" holds a particularly caustic sway in twenty-first-century society. A frequent subject of cable news broadcasts, periodical coverage, and social media chatter, and a constant talking point for political pundits, its impact spans from shaping minor differences in partisanship to influencing elections. In Fake News! Josh Grimm gathers a range of critical approaches to provide an essential resource for readers, students, and teachers interested in understanding this ever-present feature of today's media and political landscape. The opening section surveys the long history of fake news, with examples ranging from seventeenth-century satires of early newspapers to propaganda efforts in Nazi Germany, and then traces the evolution of the term over time. The following section explores how exposure to fake news impacts individuals, with particular emphasis on changes in popular discourse and the ability to assess sources critically. Essays in this section also highlight approaches developed by newsrooms and other organisations, including Facebook and Google, to fight the widespread dissemination of fake news. The volume pairs original research with articles from prominent scholarly journals, offering a wide-ranging and accessible discussion of debates central to the current post-truth era, covering topics such as social media, the Onion, InfoWars, media literacy, and the radicalization of white men. By highlighting key components and practical methods for examining misinformation in the media, Fake News! presents in-depth analysis of a topic that remains more timely than ever.

Are we living on borrowed time? From climate change to the Murdoch empire, from refugees to WikiLeaks -Robert Manne applies his brilliant mind to the issues and people that shape our world. This provocative and informative book includes essays on Donald Trump's links to Russia, Malcolm Turnbull's leadership, the ideas driving Islamic State, and Jonathan Franzen's views on climate activism. In the title essay, Manne shares a life-altering personal story that is frank, moving and unforgettable. Robert Manne is emeritus professor of politics at La Trobe University. His books include The Petrov Affair, The Culture of Forgetting, Left, Right, Left, Making Trouble and The Mind of the Islamic State. He has written three Quarterly Essays and is a regular contributor to the Monthly and the Guardian.

In 1964, as the polarizing Civil Rights Act made its way through the House and Senate, and Congress navigated one of the most tumultuous eras in American history, a Harris Poll put the institution's approval rating at 60 percent. Why then, fifty years later, has the public's approval of Congress eroded to an all-time low of 10 percent? Working Congress: A Guide for Senators, Representatives, and Citizens seeks to isolate the reasons for Congress's staggering decline in public opinion, and to propose remedies to reverse the grave dysfunction in America's most important political institution. Aided by the input of retired members of Congress from both major parties, editor Robert Mann and his fellow contributors identify paralyzing partisan rancor as perhaps the most significant reason for the American public's declining support of its main representative body. The lack of mutual trust within Congress reflects (and creates) the suspicion and animosity of the great majority of Americans. Working Congress argues that members of Congress must find a path to cooperation if they are to function as the representative institution the Founders intended. Trenchant chapters by Mickey Edwards, Ross K. Baker, Frances E. Lee, Brian L. Fife, Susan Herbst, and Mark Kennedy analyze the problems and challenges facing Congress and suggest solutions to counteract partisan gridlock. Though these scholars and former members share a conviction that men and women of good will can and should work together, they do not assume that their solutions will herald a bipartisan utopia. Instead, they recognize that Congress is, and will always be, a work in progress.

In The Best Australian Essays 2014, Robert Manne assembles his picks of contemporary non-fiction writing. Tim Winton reflects on the impact of landscape on the Australian character; Helen Garner remembers her mother with a raw and stirring poignancy; Christos Tsiolkas wonders how the Left forgot its origins; Tim Flannery traces the history of the Great Barrier Reef and fears for its future. With essays traversing madness, liberty under Tony Abbott, the enslaving of horses and the legacy of Doris Lessing, this sharp collection offers lucid insight, shrewd understanding and heartbreaking empathy. 'Some essays in this collection plunged me into thought. Some caused me to weep. Some brought tears of laughter. Some essays won me over by the power of their writers' imagination. Some by their analytic clarity. Some by their excruciating honesty. Some by the pain of things past or present faced without flinching.' Robert Manne

'There are few original ideas in politics. In the creation of WikiLeaks, Julian Assange was responsible for one.' This essay reveals the making of Julian Assange - both his ideas and his world-changing actions. Robert Manne explores Assange's unruly childhood and then his involvement with the revolutionary cypherpunk underground, all the way through to the creation of WikiLeaks. Pulling together the threads of his development, Manne shows how Assange became one of the most influential Australians of our time.

This is not a book of documents, snippets or worthy speeches. Instead it presents the original essays and the moments of insight that told us what Australia is and could be.
These are the essential statements - from historians, reporters, novelists, mavericks and visionaries - that take us from Federation to the present-day, and tell a story of national self-discovery.
There is the Frenchman who saw that Australia was a 'workingman's paradise', and the historian who explained why.
The two reporters who realised the true significance of Gallipoli and conveyed it to the nation.
Russel Ward on the Australian Legend, Robin Boyd on the Australian Ugliness, Donald Horne on the Lucky Country, W.E.H. Stanner on the Great Australian Silence and Anne Summers on Manzone Country.
Real Matildas, Cultural Cringers, Future Eaters and Forgotten People - and much more.
Memorably written and cohesive, this is the essential sourcebook of the words that made Australia.
Robert Manne is professor of politics at La Trobe University and a regular writer for the Monthly. His books include Making Trouble: Essays Against the New Australian Complacency and, as editor, The Australian Century and W.E.H. Stanner: The Dreaming & Other Essays.
Chris Feik is editor of Quarterly Essay, associate editor of the Monthly and publisher at Black Inc.
Miles Franklin
Albert Metin
Ellis Ashmead-Bartlett
Keith Murdoch
Maybanke Anderson
D.H. Lawrence
W.K. Hancock
P.R. Stephensen
Vance Palmer
Robert Menzies
A.A. Phillips
Manning Clark
Russel Ward
Barry Humphries
Robin Boyd
Donald Horne
W.E.H. Stanner
Humphrey McQueen
Hugh Stretton
Anne Summers
Miriam Dixson
Bernard Smith
Paul Kelly
Geoffrey Blainey
Tim Flannery
David Malouf
Inga Clendinnen
Noel Pearson
Judith Brett
Ghassan Hage

This year has seen unprecedented scrutiny of Rupert Murdoch's empire in Britain. But what about in Australia, where he owns 70 per cent of the press? In Bad News, Robert Manne investigates Murdoch's lead political voice here, the Australian newspaper, and how it shapes debate. Since 2002, under the editorship of Chris Mitchell, the Australian has come to see itself as judge, jury and would-be executioner of leaders and policies. Is this a dangerous case of power without responsibility? In a series of devastating case studies, Manne examines the paper's campaigns against the Rudd government and more recently the Greens, its climate change coverage and its ruthless pursuit of its enemies and critics. Manne also considers the standards of the paper and its influence more generally. This brilliant essay is part deep analysis and part vivid portrait of what happens when a newspaper goes rogue. "The Australian sees itself not as a mere newspaper, but as a player in the game of national politics, calling upon the vast resources of the Murdoch empire and the millions of words it has available to it to try to make and unmake governments." - Robert Manne, Bad News

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pulp And Paper Investigation Hearings: April 25, 1908-Feb. 19, 1909, With Indices], Volume 4, Issues 36-42; Pulp And Paper Investigation Hearings: April 25, 1908-Feb. 19, 1909, With Indices]; United States. Congress. House. Select Committee Under House Resolution 344 United States. Congress. House. Select Committee Under House Resolution 344, James Robert Mann, United States. Congress. House Govt. Print. Off., 1909 Paper industry; Tariff

Two verse plays that begin with the inauguration of President Abraham Lincoln and end with his assassination. LINCOLN is backgrounded by the entire length of the Civil War; portraits of Stanton, Lee, Meade, Grant, and other principals; and numbers of common soldiery. Epic in size, the plays are also noted for their accuracy and the "trenchant driving rhythms" of the verse.

"You found a trenchant, driving rhythm for the verse, something that is all your own. It wasn't imposed on the characters: it spoke for them."
- Christopher Fry

..".very possibly a major American play."
- Robert Farley

"I consider Robert Manns one of the most talented...playwrights in the generation not yet recognized by the commercial theater...His choice of style is unique; his imagination boundless; and his dedication intense. And I belive he has a real gift for the theater."
- Alan Schneider

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Isthmian Canal: Speech In The House Of Representatives, Tuesday, January 7, 1902 James Robert Mann Nicaragua Canal (Nicaragua); Panama Canal (Panama)