This title was first published in 2002. The Park Avenue Cubists explores the work of a group of American artists committed to the belief that American abstraction could make a unique contribution to the evolution of the visual experiments begun by the European Modernists. All were inspired by the work of Braque, Picasso, Gris and Leger which they witnessed at first hand during repeated trips to Paris. Dubbed the 'Park Avenue Cubists' for the wealth and social status that enabled them to promote their own work and patronise that of their fellow members of the American Abstract Artists (AAA), the group included Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen and Charles G. Shaw. Featuring essays by Debra Bricker Balken and Robert S. Lubar on the group's place in the history of modern art, along with individual studies of the four artists and an appendix bringing together the key statements written by the artists themselves, this volume provides the first in-depth study of the group.

This title was first published in 2002. The Park Avenue Cubists explores the work of a group of American artists committed to the belief that American abstraction could make a unique contribution to the evolution of the visual experiments begun by the European Modernists. All were inspired by the work of Braque, Picasso, Gris and Leger which they witnessed at first hand during repeated trips to Paris. Dubbed the 'Park Avenue Cubists' for the wealth and social status that enabled them to promote their own work and patronise that of their fellow members of the American Abstract Artists (AAA), the group included Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen and Charles G. Shaw. Featuring essays by Debra Bricker Balken and Robert S. Lubar on the group's place in the history of modern art, along with individual studies of the four artists and an appendix bringing together the key statements written by the artists themselves, this volume provides the first in-depth study of the group.

The Princeton University Art Museum's collection of Spanish drawings includes masterworks by artists such as Jusepe de Ribera (1591–1652), Bartolomé Esteban Murillo (1617–1682), Francisco Goya (1746–1828), Pablo Picasso (1881–1973), and Salvador Dalí (1904–1989). Although many of the drawings in the collection relate to celebrated paintings, commissions, and other works by these artists, they remain largely unknown. Most have not been published previously and many are attributed here for the first time. In Spanish Drawings in the Princeton University Art Museum, preeminent scholars enrich the growing corpus of work on Spanish drawings with original research. Each of the 95 drawings is reproduced in color, often accompanied by comparative illustrations. Watermarks have been documented with beta radiography and are included in an appendix. Provenances and artist biographies round out this detailed record of one of the most important collections of its kind. Distributed for the Princeton University Art Museum