While many political theorists argue that the problems and failures of American democracy are rooted in the decline of civil society, few examine how American institutions socialize citizens to participate in the voluntary associations that comprise civil society. Peter Robert Sawyer offers a life history approach to explore citizen involvement within one community in upstate New York. Sawyer's informants model enlightened self-interest and participate actively in their community's voluntary associations. Their life histories, revealed in rich narrative, tell us how they think about political life and how various agents of socialization--family, peers, school, church, community, media, workplace, and voluntary associations themselves--influence their commitment. The results of this study provide some interesting revelations about how to construct government, corporate, education, and family institutions to encourage civic participation and to maintain the overall health of civil society.

Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene's comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare's ghostwriter accelerates due to a climate of conspiracy, including "belief echoes," which presently permeate our cultural and critical discourse.

Harold Bloom is one of the most influential—and controversial—of contemporary Shakespeare critics. These essays examine the sources and impact of his Shakespearean criticism. Through focused and sustained study of this writer as literary icon and his Shakespeare: The Invention of the Human, the essays address a wide range of issues, from the cultural role of Shakespeare to the ethics of literary theory and criticism.

Performing Shakespearean Appropriations explores the production and consumption of Shakespeare in acts of adaptation and appropriation across time periods and through a range of performance topics. The ten essays, moving from the seventeenth to the twenty-first century, address uses of Shakespeare in the novel, television, cinema, and digital media. Drawing on Christy Desmet's work, several contributors figure appropriation as a posthumanist enterprise that engages with electronic Shakespeare by dismantling, reassembling, and recreating Shakespearean texts in and for digital platforms. The collection thus looks at media and performance technologies diachronically in its focus on Shakespeare's afterlives. Contributors also construe the notion of "performance" broadly to include performances of selves, of communities, of agencies, and of authenticity-either Shakespeare's, or the user's, or both. The essays examine both specific performances and larger trends across media, and they consider a full range of modes: from formal and professional to casual and amateur; from the fixed and traditional to the ephemeral, the itinerant, and the irreverent.

The vitality of our culture is still often measured by the status Shakespeare has within it. Contemporary readers and writers continue to exploit Shakespeare's cultural afterlife in a vivid and creative way. This collection of essays shows how writers' efforts to intimate, contradict, compete with and reproduce Shakespeare keep him in the cultural conversation. The contributors analyze the methods and motives of Shakespearean appropriation by looking at a wide range of works and people including: Kenneth Branagh's "Hamlet"; "A Thousand Acres" by Jane Smiley; "Mama Day" by Gloria Naylor; Robert Browning; the Disney films "The Little Mermaid" and "The Lion King"; and Sir Arthur Quiller-Couch.

Shakespeare Between the World Wars draws parallels between Shakespearean scholarship, criticism, and production from 1920 to 1940 and the chaotic years of the Interwar era. The book begins with the scene in Hamlet where the Prince confronts his mother, Gertrude. Just as the closet scene can be read as a productive period bounded by devastation and determination on both sides, Robert Sawyer shows that the years between the World Wars were equally positioned. Examining performance and offering detailed textual analyses, Sawyer considers the re-evaluation of Shakespeare in the Anglo-American sphere after the First World War. Instead of the dried, barren earth depicted by T. S. Eliot and others in the 1920s and 1930s, this book argues that the literary landscape resembled a paradoxically fertile wasteland, for just below the arid plain of the time lay the seeds for artistic renewal and rejuvenation which would finally flourish in the later twentieth century.

Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.

Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.

Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.

Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene's comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare's ghostwriter accelerates due to a climate of conspiracy, including "belief echoes," which presently permeate our cultural and critical discourse.

Harold Bloom's Shakespeare examines the sources and impact of Bloom's Shakespearean criticism. Through focused and sustained study of this writer and his best-selling book, this collection of essays addresses a wide range of issues pertinent to both general readers and university classes: the cultural role of Shakespeare and of a new secular humanism addressed to general readers and audiences; the author as literary origin; the persistence of character as a category of literary appreciation; and the influence of Shakespeare within the Anglo-American educational system. Together, the essays reflect on the ethics of literary theory and criticism.

The vitality of our culture is still often measured by the status Shakespeare has within it. Contemporary readers and writers continue to exploit Shakespeare's cultural afterlife in a vivid and creative way. This fascinating collection of original essays shows how writers' efforts to imitate, contradict, compete with, and reproduce Shakespeare keep him in the cultural conversation.
The essays:
* analyze the methods and motives of Shakespearean appropriation
* investigate theoretically the return of the repressed author in discussions of Shakespeare's cultural function
* put into dialogue theoretical and literary responses to Shakespeare's cultural authority
* analyze works ranging from nineteenth century to the present, and genres ranging from poetry and the novel to Disney movies.

Title: The Goldfields of Mashonaland. With maps and plans.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Sawyer, Arthur Robert; 1894. 99 p.; 8 . 07108.g.7.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Goldfields Of Mashonaland Arthur Robert Sawyer J. Hewyood, 1894 Science; Earth Sciences; Geology; Geology; Gold; Gold mines and mining; Nature / Rocks & Minerals; Rocks; Science / Earth Sciences / Geology