Firmly based on the authors personal experience, this book tackles a wide range of issues relating to the teaching of the arts in the primary school. The authors illustrate how primary children of all ages can be educated to both know about and to practice all the major art forms, and how a school staff can effectively accommodate and practice them all, even within the constraints of the National Curriculum. This book is unique in primary school education terms, as its primary focus is specific and it embraces every major art form dance, drama, literature, music, visual arts and film.

Firmly based on the authors personal experience, this book tackles a wide range of issues relating to the teaching of the arts in the primary school. The authors illustrate how primary children of all ages can be educated to both know about and to practice all the major art forms, and how a school staff can effectively accommodate and practice them all, even within the constraints of the National Curriculum. This book is unique in primary school education terms, as its primary focus is specific and it embraces every major art form dance, drama, literature, music, visual arts and film.

The Path to a Sustainable Civilisation shows that we have unwittingly fallen into an existential crisis of our own making. We have allowed large corporations, the military and other vested interests to capture governments and influence public opinion excessively. We have created a god called ‘the market’ and allowed our most important decisions to be made by this imaginary entity, which is in fact a human system controlled by vested interests. The result has been the exploitation of our life support system, our planet, and most of its inhabitants, to the point of collapse. This book argues that the way out of our black hole is to build social movements to apply overwhelming pressure on government and big business, weaken the power of vested interests and strengthen democratic decision-making. This must be done simultaneously with action on the specific issues of climate, energy, natural resources and social justice, in order to transition to a truly sustainable civilisation.

This multidisciplinary book provides new insights and hope for sustainable prosperity given recent developments in economics - but only if swift and strong actions consistent with Earth's biophysical limits and principles of justice are universally taken. It is one thing to put limits on resource throughput and waste generation to conform with the ecosphere's biocapacity. It is another thing to efficiently allocate a sustainable rate of resource throughput and ensure it is equitably distributed in the form of final goods and services. While the separate but interdependent decisions regarding throughput, distribution, and allocation are the essence of ecological economics, dealing with them in a world that needs to cure its growth addiction requires a realistic understanding of macroeconomics and the fiscal capacity of currency-issuing central governments. Sustainable prosperity demands that we harness this understanding to carefully regulate the rate of resource throughput and manipulate macroeconomic outcomes to facilitate human flourishing. The book begins by outlining humanity's current predicament of gross ecological overshoot and laments the half-century of missed opportunities since The Limits to Growth (1972). What was once economic growth has become, in many high-income countries, uneconomic growth (additional costs exceeding additional benefits), which is no longer advancing wellbeing. Meanwhile, low-income nations need a dose of efficient and equitable growth to escape poverty while protecting their environments and the global commons. The book argues for a synthesis of our increasing knowledge of the ecosphere's limited carrying capacity and the power of governments to harness, transform, and distribute resources for the common good. Central to this synthesis must be a correct understanding of the difference between financial constraints and real resource constraints. While the latter apply to everyone, the former do not apply to currency-issuing central governments, which have much more capacity for corrective action than mainstream thinking perceives. The book joins the growing chorus of authoritative voices calling for a complete overhaul of the dominant economic system. We conclude with policy recommendations based on a new economics that, if implemented, would come close to guaranteeing a sustainable and prosperous future. Upon reading this book, at least one thing should be crystal clear: business as usual is not a viable option.

Rod Taylor and Christopher Plummer star in this 1960s action thriller adapted from Jon Cleary's novel 'The High Commissioner'. Australian police sergeant Scobie Malone (Taylor) is sent to London to arrest High Commissioner Sir James Quentin (Plummer), who is currently engaged in sensitive peace talks, on the suspicion of murdering his first wife 25 years previously. Malone allows Quentin a few days to finish his work before taking him back to Australia and during this time stays with the suspect and his second wife Sheila (Lilli Palmer) in their home. Complications arise, however, when Malone finds himself having to prevent Quentin's assassination at the hands of a ruthless group of spies.

When Roger and Anita marry and their dogs Pongo and Perdita produce a litter of 15 dalmation puppies, they find themselves receiving unwelcome advances from the evil Cruella de Ville. She has plans to turn the pups into a fur coat and when Roger and Anita refuse, she hires two comedy crooks to steal them for her. Once the theft is revealed, Pongo rallies together a gang of canine friends and sets out on a mission to retrieve his young, discovering them in a lonely mansion, imprisoned along with a further 84 dalmation puppies.

Quentin Tarantino directs this ensemble action drama set in Europe during World War Two. In the first of two converging storylines, Shosanna (Melanie Laurent), a young Jewish woman in occupied France, seeks to avenge the death of her parents by the Nazis after narrowly escaping execution herself and fleeing to Paris. There she creates a new identity for herself as the owner and manager of a cinema. Meanwhile, a group of Jewish American soldiers known as 'The Basterds', led by First Lieutenant Aldo Raine (Brad Pitt), joins forces with German actress and undercover agent Bridget von Hammersmark (Diane Kruger) to take down the leaders of The Third Reich. The Basterds cross paths with Shosanna when her cinema, which has been commandeered by the Nazis for the screening of their latest propaganda film, becomes the target for their next attack. However, unbeknown to them, Shosanna has devised a revenge plan of her own. Christoph Waltz gained the Best Supporting Actor Awards at both the 2010 BAFTAs and Academy Awards for his portrayal of the devious Colonel Hans Landa.

At the end of the War Between The States, Frank Cavanaugh had led a party of displaced soldiers from Virginia to Cache Valley in the Utah Territory. Having stayed only a short time, he had moved on further west, and over the next thirteen years built a reputation as a man who could find anything or anyone for the right price. It had also had gained him more than a few scars, very few friends, considerable money, and the name "Manhunter." Now he had accepted a job to find and return the missing son of a railroad tycoon, and the trail had led him back to the Rocky Mountains, to the town of Juniper Flat. Here Cavanaugh finds people who appear peaceful and friendly on the surface, are fiercely loyal to their friends, and ready to fight if necessary, to defend and protect their friends and their way of life. This peaceful-appearing little town is as tough as any Cavanaugh has ever found. Fast with a gun, dogged in his searches, adept at reading people and trails alike, Cavanaugh has always been a man to be dealt with on his own terms, but when he announces his mission he soon finds the people willing to put "his terms" to the test. He soon finds some of them to be unpredictable and thoroughly dangerous, and most of the citizens of Juniper Flat are as tough as he is...and he finds this to be very much to his liking. You can ride into Juniper Flat and watch Cavanaugh, "Cherokee John," Pete Oakes, Kate, Amanda, Jesse, the Pendry family, Greenriver and all the rest and follow them as Cavanaugh gets to know them, sorts out the good from the bad, makes close friends with some, and works it all through to the end.

Legends is the story of many people and many places, a story repeated many times throughout history, but it is told here through the lives of two young people and their adventures during the late Nineteenth Century and the beginning of the Twentieth, those last great days of the great American "Wild West." The story weaves through a number of historical places and events, and many actual historical people interact with the fictional characters of the story. While the town and ranches may never have existed, many of the other places are still there to this day, and may be seen be by those who would venture there. Follow Jack and Marty and their friends and families, from their first meeting and their early lives, through their discoveries and education, and be with them as they cross the continent from Colorado to the Atlantic and back again. Live with them as they discover friendship, love, and parenthood, and as they survive tragedy; and enjoy discovering with them the new technologies on the brink of The Twentieth Century. Cheer along with them their triumphs and mourn their losses, and experience with them their fears and doubts, hopes and dreams, as you follow along with them on their daily quest to simply survive and prosper, to raise their families, and to make their world a better place. Finally, watch as Jack and Marty develop into adulthood, living their daily lives and raising their own family, and share their fortunes and misfortunes and that of those around them while they left their marks upon our history. Go with them as they face the challenges of every day life to become the true Legends of the great story that is The American West and see the west and its people as it truly was.

Collection of films starring Doris Day. In 'Please Don't Eat the Daisies' (1960) Day stars as housewife Kate McKay, who moves out of New York to the suburbs with her husband Larry (David Niven) and their four sons. However, when Kate finds out Larry has been keeping up a partying lifestyle in the city and has been seen out with Broadway star Deborah Vaughan (Janis Paige), she begins to suspect he is up to no good. In the lighthearted musical 'Calamity Jane' (1953), Day stars as the famous female sharpshooter who would rather hit targets than chase men - until she falls for 'Wild Bill' Hickok (Howard Keel), who would rather shoot Indians than chase after a tomboy like Calamity Jane. The film features the Oscar-winning song 'Secret Love'. In 'The Glass Bottom Boat' (1966) Bruce Templeton (Rod Taylor) is the boss of a research lab who hires the object of his affections, Jennifer Nelson (Day), to be his biographer in an effort to get close to her. Things don't work out as Bruce plans when his friend General Wallace Bleeker (Edward Andrews) tells him that he suspects Jennifer of being a Russian spy. In 'Young Man With a Horn' (1950) Kirk Douglas stars as trumpet player Rick Martin. Rick takes his music very seriously and becomes a star but soon he finds himself in trouble as a result of his passion for jazz, his fiery temper and getting mixed up with singer Jo Jordan (Day) and her friend Amy North (Lauren Bacall). 'Love Me Or Leave Me' (1955) tells the story of singer Ruth Etting (Day) who rose to fame as a movie star in the 1920s. Unfortunately her success was not just down to her talent as she was involved with notorious mobster Marty Sydney (James Cagney) who helped make her famous but made her life miserable. In 'Billy Rose's Jumbo' (1962) Day stars as Kitty Wonder, a girl who runs a circus with her father, Pop (Jimmy Durante). Their business is in dire trouble due to Pop's gambling and they soon begin to lose most of their acts to a rival circus run by John Noble (Dean Jagger). Kitty and Pop still have their star attraction, Jumbo the elephant, and a new wire walker named Sam Rawlins (Stephen Boyd) who Kitty takes a shine to. Sam, however, is not who he appears to be...

When Roger and Anita marry and their dogs Pongo and Perdita produce a litter of 15 dalmation puppies, they find themselves receiving unwelcome advances from the evil Cruella de Ville. She has plans to turn the pups into a fur coat and when Roger and Anita refuse, she hires two comedy crooks to steal them for her. Once the theft is revealed, Pongo rallies together a gang of canine friends and sets out on a mission to retrieve his young, discovering them in a lonely mansion, imprisoned along with a further 84 dalmation puppies.