Roger Ling was born out in the sticks of rural Essex, and considers himself to be a true Essex bumpkin, and although he has lived most of his later life in the town, and ran a country pub in the wilds of Suffolk and a restaurant at the sea-side, he is still a country boy at heart. Take a walk on the wild side is a sideways look at life though his eyes, It takes a strange mind to come up with the first poem he ever wrote at the age of fifty. They turned one of our barns, into a pub And it tickles me a bit To see them posh folks eating, Where my bullocks used to shit. Most of the poems are quite irreverent and non P C, and Roger makes no apology for that as he said if you think you may be offended don't read it, although you will be missing a treat if you don't. The book is guaranteed to make you laugh out loud or at least raise a smile. Telling tales from his childhood in the nineteen fifties his rebellious teenage years in the nineteen sixties right up to date, as by his own admission as a grumpy old man. This book solves the problem of "what shall we buy grandad or grandma" as most generations especially baby boomers will recognise someone they knew or still know, so let's have some fun and perhaps shed a tear as we join him. Walking on the wild side The author would like to thank Gordon Parkinson for his brilliant drawings and my partner Rosalie and our friend Jan for their support and encouragement in the production of this book

This volume is the second in a series of five on the Insula (city block) of the Menander at Pompeii. The first (on the structures) and the fourth (on the silver treasure) have already been published; the third, on the objects, and the fifth, on the graffiti, are in preparation. The Insula of the Menander, approximately 3500 sq. m. in area, derives its name from the House of the Menander, one of the best-known dwellings of the ancient city. This was evidently the property of one of Pompeii's leading citizens. Renowned for its architectural grandeur and for the hoard of 110 pieces of silver plate found in a cellar, it also yielded room upon room of splendid wall-paintings and mosaic pavements, ranging in date from the first century BC to the eve of the eruption of AD 79. In addition to this dominant house, the block contains several smaller houses - notably the House of the Lovers and the House of the Craftsman - most of which contain further paintings and pavements of interest. The present volume publishes these decorations in full for the first time. Its importance lies in the fact that it covers the whole block, rather than concentrating upon isolated houses (as most previous volumes have done). This enables the reader not only to look at questions of chronology and iconography room by room and house by house, but also to observe broad patterns of taste and social differentiation within a particular neighbourhood of Pompeii.

This is the first of three volumes which offer a detailed analysis of one of the major city-blocks of ancient Pompeii, destroyed by the eruption of Vesuvius in AD 79. Excavated between 1926 and 1932, the Insula of Menander is so named after the structure that occupies over half the block's total area of 3,500 square metres, the House of the Menander, one of the grandest mansions of the city. Other, smaller houses, notably the House of the Lovers and the House of the Craftsmen, occupy outlying parts, and a number of shops and apartments are interspersed among them. The purpose of the present volume is to document a complete survey of the architecture of the block and thus trace the structural history of the Insula, with its intricate pattern of changing property-boundaries, over the 250-300 years of its existence. Subsequent volumes will examine the decorations (wall-paintings and mosaic pavements) and the objects that were found during excavation. Paradoxically, while Pompeii is one of the best known of all Roman archaeological sites, very few areas of the site have been fully published. This is the first time a global study has been undertaken of one of the major city-blocks and it shows the enormous potential of such investigations to reveal insights into the social history of the city.

This book provides a general survey of Roman wall painting from the second century B.C. through to the fourth century A.D., tracing the origins, chronological development, subjects, techniques, and social context of this art which had considerable influence upon European artists of the Renaissance and Neo-Classical periods. It deals particularly with the paintings from the buried cities of Pompeii and Herculaneum, and its main purpose is to provide an up-to-date summary of the subject in light of the most recent research. This is the first general history of Roman painting written specifically for English-language readers.

Roger Ling was born out in the sticks of rural Essex, and considers himself to be a true Essex bumpkin, and although he has lived most of his later life in the town, and ran a country pub in the wilds of Suffolk and a restaurant at the sea-side, he is still a country boy at heart. Take a walk on the wild side is a sideways look at life though his eyes, It takes a strange mind to come up with the first poem he ever wrote at the age of fifty. They turned one of our barns, into a pub And it tickles me a bit To see them posh folks eating, Where my bullocks used to shit. Most of the poems are quite irreverent and non P C, and Roger makes no apology for that as he said if you think you may be offended don't read it, although you will be missing a treat if you don't. The book is guaranteed to make you laugh out loud or at least raise a smile. Telling tales from his childhood in the nineteen fifties his rebellious teenage years in the nineteen sixties right up to date, as by his own admission as a grumpy old man. This book solves the problem of "what shall we buy grandad or grandma" as most generations especially baby boomers will recognise someone they knew or still know, so let's have some fun and perhaps shed a tear as we join him. Walking on the wild side The author would like to thank Gordon Parkinson for his brilliant drawings and my partner Rosalie and our friend Jan for their support and encouragement in the production of this book

The publication of the Plates Volume to accompany the Cambridge Ancient History Volume III and that for Volume VII Part 1 inaugurates a new style and format for these books. The illustrations are now presented with a descriptive text and commentary, so that each chapter is a self-contained account of matters of archaeological and art-historical interest, relevant to the history of a period and place. The order of illustration is not always that of the chapters in the text volumes, but is determined by the material illustrated and the principal subjects it suggests. The intention is thus both to complement the text volumes and to provide an independent commentary on the material evidence of antiquity. The plates for Volume VII Part 1 covers the history and culture of the Hellenistic period from 323 to the first century B.C. Individual chapters deal with particular areas of the Hellenistic world - Ptolematic Egypt, the Seleucid kingdom, Bactria and India, Asia Minor, Macedonia, Greece and the Cyclades, Sicily and Magna Graecia. Other chapters cover aspects of life and society such as warfare, religion, trade, sport and education. The narrative draws on the evidence of topography, excavation and art-history to provide a well-rounded and coherent survey of the period, illustrating the positive contributions of the Hellenistic world to the story of Greek civilization and thus, through the medium of the Romans, to the modern world.