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This third installment in the popular series of practical books
about guns and shooting is aimed at women of all ages-the
fastest-growing segment of the sport-and it couldn't come at a
better time. America and firearms literally grew up together, but
today guns are often simply linked to crime and violence; gun
control has become a polarizing political issue; and misinformation
about firearms is spreading. Now three experts have tackled the
subject in a series of books that explores the realities of guns
and shooting and sets the record straight about some common
misconceptions. On the heels of The Gun Book for Boys and The Gun
Book for Parents, The Gun Book for Girls is for girls (and women)
interested in guns and shooting but who have little or no
background in firearms. Through example and anecdote, the book
emphasizes safety and proper usage, and it defines terms and
provides hands-on advice about using and maintaining guns. It also
covers firearms, shooting methods, clothing and accessories for
women, profiles females who shoot and who work in the gun trade,
and discusses the issues around guns for self-defense (a topic of
special interest to women). Like the other two titles, this book is
non-political and written in an easy-to-understand conversational
tone. Each book is thoroughly illustrated, and content is presented
in easily managed portions that can be read in series or singly,
all backed up with an index.
Ernest Hemingway's friend AE Hotchner once described a 'yellowed
four-by-five picture of Ernest', shown to him by Hemingway, 'aged
five or six, holding a small rifle. Written on the back in his
mother's hand was the notation, "Ernest was taught to shoot by Pa
when 2.5 years and when 4 could handle a pistol".' Firearms and
shooting infused Hemingway's existence and thus his writing. He was
a member of his high school gun club and went to war when he was
eighteen. he hunted elk, deer, and bears in the American West and
went on two extended African safaris, which figured hugely in his
writing and changed his life. To the day of his death, Hemingway
remained an avid hunter, first-class wingshot, and capable
rifleman. Following years of research from Sun Valley to Key West
and from Nairobi, Kenya, to Hemingway's home in Cuba, this volume
significantly expands what we know about Hemingway's shotguns,
rifles, and pistols - the tools of the trade that proved themselves
in his hunting, target shooting, and in his writing. Weapons are
some of our most culturally and emotionally potent artifacts. The
choice of gun can be as personal as the car one drives or the
person one marries - another expression of status, education,
experience, skill, and personal style. Including short excerpts
from Hemingway's works, these stories of his guns and rifles tell
us much about him as a lifelong expert hunter and shooters, and as
a man.
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