Best practice is the concern of this book. An architect has to be an administrator as well as designer, and smooth economical administration will provide the conditions under which client relations can be constructive and good design can be acheived. The book is divided into 76 short sections covering the entire process, from preliminary enquiries to final fees, each with a small flow chart showing who is involved and when. This sixth revised edition updates the contents in line with present day practice, bearing in mind the changes in terminology, technology, environmental demands and the legislative background. Ronald Green and Professor Ross Jamieson who writes the foreword to this edition, are both examiners for Part Three.

Buddhism Goes to the Movies: Introduction to Buddhist Thought and Practice explains the basics of Buddhist philosophy and practice through a number of dramatic films from around the world. This book introduces readers in a dynamic way to the major traditions of Buddhism: the Theravada, and various interrelated Mahayana divisions including Zen, Pure Land and Tantric Buddhism. Students can use Ronald Green's book to gain insights into classic Buddhist themes, including Buddhist awakening, the importance of the theory of dependent origination, the notion of no-self, and Buddhist ideas about life, death and why we are here. Contemporary developments are also explored, including the Socially Engaged Buddhism demonstrated by such figures as the Dalai Lama, Thich Nhat Hanh, Aung San Suu Kyi, and other Buddhist activists. Finally, comparisons between filmic expressions of Buddhism and more traditional artistic expressions of Buddhism-such as mandala drawings-are also drawn. An important addition to any introduction to Buddhist philosophy and practice, Buddhism Goes to the Movies is an excellent way to bring Buddhist thought, history, and activity to the uninitiated and interested reader.

Best practice is the concern of this book. An architect has to be an administrator as well as designer, and smooth economical administration will provide the conditions under which client relations can be constructive and good design can be acheived.
The book is divided into 76 short sections covering the entire process, from preliminary enquiries to final fees, each with a small flow chart showing who is involved and when.
This sixth revised edition updates the contents in line with present day practice, bearing in mind the changes in terminology, technology, environmental demands and the legislative background.
Ronald Green and Professor Ross Jamieson who writes the foreword to this edition, are both examiners for Part Three.
* Easy to understand jargon free step by step guide to organising a job.
* Provides invaluable information clearly laid out in flow charts for ease of use.
* Keep up to date with the latest statutory requirements and consents.

Buddhism Goes to the Movies: Introduction to Buddhist Thought and Practice explains the basics of Buddhist philosophy and practice through a number of dramatic films from around the world. This book introduces readers in a dynamic way to the major traditions of Buddhism: the Theravada, and various interrelated Mahayana divisions including Zen, Pure Land and Tantric Buddhism. Students can use Ronald Green's book to gain insights into classic Buddhist themes, including Buddhist awakening, the importance of the theory of dependent origination, the notion of no-self, and Buddhist ideas about life, death and why we are here. Contemporary developments are also explored, including the Socially Engaged Buddhism demonstrated by such figures as the Dalai Lama, Thich Nhat Hanh, Aung San Suu Kyi, and other Buddhist activists. Finally, comparisons between filmic expressions of Buddhism and more traditional artistic expressions of Buddhism-such as mandala drawings-are also drawn. An important addition to any introduction to Buddhist philosophy and practice, Buddhism Goes to the Movies is an excellent way to bring Buddhist thought, history, and activity to the uninitiated and interested reader.

Time seems to flash by when we are enjoying ourselves, and slows to a crawl when we are bored. Why? Does time exist, or is it an illusion? Does it flow? Is it linear? How real are our memories? When is now? These are just some of the questions that Time To Tell asks in its foray into what time is for us, what it does to us and for us, and how we live and react to it in our daily lives. Digging down to the roots of our lived experience in the world, Time To Tell takes us through a journey replete with twists and turns and "aha!" moments. Challenging the obvious, the book asks us to look anew at our perspective of what we naturally take for granted. Rattling the comfort of instant satisfaction, of reality shows, celebrity worship and the self-glorification of the I-generation, Ronald Green, with panache and authority, takes us on a journey that allows us a new way of looking at ourselves in the world, and to act upon what we discover.

God's Inspirations is a compilation of poems that will inspire, challenge, and uplift you. His unique style brings you through a journey of affirmation, healing, conviction, and motivation to fulfill your God-given destiny. Through these poems, Ron desires for the Lord to bring "healing, restoration, comfort and peace," and for you to realize that God is "like a pitcher of water, just wanting, and waiting to fill us up to overflowing, so that we can reach others for Him."About the Author: Ron Green was born in Cheyenne, Wyoming, and moved to California with his family at age six. He was born to loving, Christian parents and became a Christian himself at the tender age of seven. Ron has followed the Lord ever since, even through the death of his parents in a car accident. He worked in his father's business for 3 years, then in retail (Nordstrom, Macy's) for many years, and most recently for Disneyland. He also enjoys water sports, especially kayaking in Newport Beach.Endorsement: I have known Ron for 20 years, and when I read God's Inspirations, I was greatly inspired and blessed I am especially appreciative that these poems relate to what I am going through in my life, and speak to issues in my own heart. I believe these poems will speak to your heart, as well. - Olga Martinez, Mentor

With a "crooked stick," filmmaker Oscar Micheaux (1884 1951) sought to hit a "straight lick" by stressing the strategic importance of class mobility, or "uplift," for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order for him in the larger game of class. In With a Crooked Stick, J. Ronald Green pursues this seeming contradiction in a detailed analysis of each of Micheaux s 15 surviving films. He presents critical commentary on each film s plot and action and its contribution to the overall theme of uplift. Readers will also find this an invaluable guide to the preoccupations and features of Micheaux s remarkable career and the insight it provides into the
African American experience of the 1920s and 30s."

A critical examination of the films of Oscar Micheaux.

One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time.

Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.