Shortlisted for the 2011 Guardian First Book Award and the 2012 Oxford-Weidenfeld Translation Prize Tochtli lives in a palace. He loves hats, samurai, guillotines and dictionaries, and what he wants more than anything right now is a new pet for his private zoo: a pygmy hippopotamus from Liberia. But Tochtli is a child whose father is a drug baron on the verge of taking over a powerful cartel, and Tochtli is growing up in a luxury hideout that he shares with hit men, prostitutes, dealers, servants and the odd corrupt politician or two. Down the Rabbit Hole, a masterful and darkly comic first novel, is the chronicle of a delirious journey to grant a child's wish.

Still Born, Guadalupe Nettel's fourth novel, explores one of life's most consequential decisions - whether or not to have children - with her signature charm and intelligence. Alina and Laura are independent and career-driven women in their mid-thirties, neither of whom have built their future around the prospect of a family. Laura has taken the drastic decision to be sterilized, but as time goes by Alina becomes drawn to the idea of becoming a mother. When complications arise in Alina's pregnancy and Laura becomes attached to her neighbour's son, both women are forced to reckon with the complexity of their emotions. In prose that is as gripping as it is insightful, Guadalupe Nettel explores maternal ambivalence with a surgeon's touch, carefully dissecting the contradictions that make up the lived experiences of women.

The mysteries of kinship (families born into and families made) take disconcerting and familiar shapes in these refreshingly frank short stories. A family is haunted by a beast that splatters fruit against its walls every night, another undergoes a near-collision with a bus on the way home from the beach. Mothers are cold, fathers are absent-we know these moments in the abstract, but Adaui makes each as uncanny as our own lives: close but not yet understood.

Long before he was the taco seller whose 'Gringo Dog' recipe made him famous throughout Mexico City, our hero was an aspiring artist: an artist, that is, till his would-be girlfriend was stolen by Diego Rivera, and his dreams snuffed out by his hypochondriac mother. Now our hero is resident in a retirement home, where fending off boredom is far more gruelling than making tacos. Plagued by the literary salon that bumps about his building's lobby and haunted by the self-pitying ghost of a neglected artist, Villalobos' old man can't help but misbehave: he antagonises his neighbours, tortures American missionaries with passages from Adorno, and flirts with the revolutionary greengrocer. A delicious take-down of pretensions to cultural posterity, I'll Sell You a Dog is a comic novel whose absurd inventions, scurrilous antics and oddball characters are vintage Villalobos.

"An irreplaceable testimony of the struggle for democracy and tolerance in Latin America." "--El Pais
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Hector Abad's "Oblivion "is a heartbreaking, exquisitely written memorial to the author's father, Hector Abad Gomez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. Twenty years in the writing, it paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America's recent history.

Juan Pablo Villalobos's fifth novel adopts a gentle, fable-like tone, approaching the problem of racism from the perspective that any position as idiotic as xenophobia can only be fought with sheer absurdity. In an unnamed city, colonised by an unnamed world power, an immigrant named Gaston makes his living selling exotic vegetables to eateries around the city. He has a dog called Kitten, who's been diagnosed with terminal cancer, and a good friend called Max, who's in a deep depression after being forced to close his restaurant. Meanwhile, Max's son, Pol, a scientist away on a scientific expedition into the Arctic, can offer little support. Gaston begins a quest, or rather three: he must search for someone to put his dog to sleep humanely; he must find a space in which to open a new restaurant with Max; and he must look into the truth behind the news being sent back by Pol: that human life may be the by-product of an ancient alien attempt at colonisation . . . and those aliens might intend to make a return visit.

Praise for Guadalupe Nettel: Nettel offers her keen attention and sympathy to any living thing struggling to get by. --The New York Times Nettel has brilliantly found a form to contain the multitudes of what one body can hold. --Nick Flynn The gaze [Nettel] turns on madnesses both temperate and destructive, on manias, on deviances, is so sharp that it has us seeing straight into our own obsessions. --Le Monde Claudio's apartment faces a wall. Rising from bed, he sets his feet on the floor at the same time, to ground himself. Cecilia sits at her window, contemplating a cemetery, the radio her best companion. In parallel and entwining stories that move from Havana to Paris to New York City, no routine, no argument for the pleasures of solitude, can withstand our most human drive to find ourselves in another, and fall in love. And no depth of emotion can protect us from love's inevitable loss. In 2006, Guadalupe Nettel was voted one of the thirty-nine most important Latin American writers under the age of thirty-nine at the Bogota Hay Festival. She has lived in Montreal and Paris, and is now based in Mexico City. Her previous books include Natural Histories and The Body Where I Was Born.

It's the 1980s in Lagos de Moreno - a town where there are more cows than people, and more priests than cows - and a poor family is struggling to get by. The father, a school teacher, insists on practising and teaching the art of the insult, while the mother prepares hundreds of quesadillas to serve to their numerous progeny: Aristotle, Orestes, Archilochus, Callimachus, Electra, Castor and Pollux. The family witnesses a revolt against the Institutional Revolutionary Party and its umpteenth electoral fraud. This political upheaval is only the beginning of Orestes' adventures and his uproarious crusade against the boredom of rustic life and the tyranny of his older brother. In Quesadillas Juan Pablo Villalobos serves up a wild banquet. Chock-full of inseminated cows, Polish immigrants, parading pilgrims, alien spacecraft and psychedelic watermelons, almost anything goes in this madcap Mexican satire of politics and class.

A brilliant new comic novel from "a linguistic virtuoso" (Jose Antonio Aguado, "Diari de Terrassa")
It's the 1980s in Lagos de Moreno--a town where there are more cows than people, and more priests than cows--and a poor family struggles to overcome the bizarre dangers of living in Mexico. The father, a high-school civics teacher, insists on practicing and teaching the art of the insult, while the mother prepares hundreds of quesadillas to serve to their numerous progeny: Aristotle, Orestes, Archilochus, Callimachus, Electra, Castor, and Pollux. Confined to their home, the family bears witness to the revolt against the Institutional Revolutionary Party and their umpteenth electoral fraud. This political upheaval is only the beginning of Orestes's adventures and his uproarious crusade against the boredom of rustic life and the tyranny of his older brother.
Both profoundly moving and wildly funny, Juan Pablo Villalobos's "Quesadillas" is a satiric masterpiece, chock-full of inseminated cows, Polish immigrants, religious pilgrims, alien spacecraft, psychedelic watermelons, and many, many "your mama" insults.

"A brief and majestic debut." --Matias Nespolo, "El Mundo
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Tochtli lives in a palace. He loves hats, samurai, guillotines, and dictionaries, and what he wants more than anything right now is a new pet for his private zoo: a pygmy hippopotamus from Liberia. But Tochtli is a child whose father is a drug baron on the verge of taking over a powerful cartel, and Tochtli is growing up in a luxury hideout that he shares with hit men, prostitutes, dealers, servants, and the odd corrupt politician or two. Long-listed for "The Guardian "First Book Award, "Down the Rabbit Hole," a masterful and darkly comic first novel, is the chronicle of a delirious journey to grant a child's wish.

Venezuela 2012: The President's illness casts a shadow over the lives of his citizens - he divides opinion, but life without him is almost unimaginable. Miguel Sanabria is a retired oncologist, ambivalent towards the President but caught between a virulently anti-Chavez wife and a equally vehement pro-Chavez brother. He is asked by his nephew to hide a mobile phone carrying secret footage that could shed new light on the President's condition. His neighbour Fredy has found a fresh angle for a new book about Chavez, but to take advantage he must agree to a "green-card" marriage and leave his girlfriend and their son for two months, even as their landlady plots to repossess their home. In another apartment live nine-year-old Maria and her neurotic, near-agoraphobic mother. Taken out of school to be educated at home, Maria turns to internet chat rooms for company, while her mother's fears about the city's endemic violence are proved tragically prescient. The fates and fortunes of these neighbours will prove inextricably entwined as the hour of the President's death draws ever closer. REVIEWS FOR THE SICKNESS "A great book" Michael Morpurgo "Powerful themes and powerful writing" Susan Hill Translated from the Spanish by Rosalind Harvey

From Ushuaia, the southernmost town in the world to the edges of the great Parana river, and from the city of Buenos Aires to its fertile plains and the estuaries of northern Argentina, The Oberon Anthology of Contemporary Argentinian Plays provides a unique insight into the preoccupations and the creative responses of one of the major theatre-producing countries in Latin America. _x000D_ Includes the plays: _x000D_ La vida extraordinaria (Extraordinary Life) by Mariano Tenconi Blanco, translated by Catherine Boyle _x000D_ Pato verde (Green Duck) by Fabian Miguel Diaz, translated by Gwen MacKeith _x000D_ Fonavi by Leonel Giacometto, translated by Rosalind Harvey _x000D_ Nou Fiuter (No Future) by Franco Calluso, translated by William Gregory _x000D_ Poema ordinario (Poor Men's Poetry) by Juan Ignacio Fernandez, translated by William Gregory _x000D_ Fuego de dragon sobre dragon de madera (Dragon Fire over Wood Dragon) by Candelaria Sabagh, translated by Kate Eaton