'You're not even a fully formed person yet. Your face is still changing and your bones are still growing but already there's a detailed map of your personality out there and companies you've never heard of are getting rich off it.' Welcome to Octopus Inc., the internet giant that allows users to exchange personal data for currency. But not everyone is prepared to sacrifice their privacy for an easier life. A teenager subverts the system in an attempt to save her mother. A visionary tech exec takes shortcuts to get ahead. And a cybercriminal makes a choice between two kinds of freedom. Darknet navigates through the world of data commodification and the uncharted deep web, shining a light on the things we choose to share online and the places we can hide. It was commissioned and produced by Potential Difference and premiered at Southwark Playhouse, London, in 2016.

Eight short plays, commissioned and developed as part of the Women Centre Stage Festival, that together demonstrate the range, depth and richness of women's writing for the stage. Selected by Sue Parrish, Artistic Director of Sphinx Theatre, these plays offer a wide variety of rewarding roles for women, and are perfect for schools, youth groups and theatre companies to perform. How to Not Sink by Georgia Christou looks at duty, love and dependency across three generations of women. In Wilderness by April De Angelis, a patient and her psychiatrist head into the wilderness to find out how sane any of us really are. In Chloe Todd Fordham's The Nightclub, three very different women at a gay nightclub in Orlando are caught up in a terrifying hate crime. Fucking Feminists by Rose Lewenstein is a fiercely funny investigation of what feminism means, and what it has become. Winsome Pinnock's Tituba is a one-woman show about Tituba Indian, the enslaved woman who played a central role in the seventeenth-century Salem Witch Trials. In The Road to Huntsville by Stephanie Ridings, a writer researching women who fall in love with men on death row finds herself crossing the line. White Lead by Jessica Sian explores the expectations and responsibilities of being an artist and a woman. In What is the Custom of Your Grief? by Timberlake Wertenbaker, an English schoolgirl whose brother has been killed on active duty in Afghanistan is befriended online by an Afghan girl. Sphinx Theatre has been at the vanguard of promoting, advocating and inspiring women in the arts through productions, conferences and research for more than forty years.

'We're in a hotel. We're always in a hotel. And each room is exactly the same as the last room, and the one before that, and the one before that...' Leila wants to inspire global change. John needs to get his shit together. They have an arrangement. But managing an affair isn't easy when the world around you is falling apart. Rose Lewenstein's Cougar is a play about what - and who - we consume. It was premiered at the Orange Tree Theatre, Richmond, in February 2019, in a co-production with English Touring Theatre.