‘Bravely challenging the Establishment consensus … forensically argued’ - Mail on Sunday The British government has embarked on an ambitious and legally-binding climate change target: reduce the country’s greenhouse gas emissions to Net Zero by 2050. The Net Zero policy was subject to almost no parliamentary or public scrutiny, and is universally approved by our political class. But what will its consequences be? Ross Clark argues that it is a terrible mistake, an impractical hostage to fortune which will have massive downsides. Achieving the target is predicated on the rapid development of technologies that are either non-existent, highly speculative or untested. Clark shows that efforts to achieve the target will inevitably result in a huge hit to living standards, which will clobber the poorest hardest, and gift a massive geopolitical advantage to hostile superpowers such as China and Russia. The unrealistic and rigid timetable it imposes could also result in our committing to technologies which turn out to be ineffective, all while distracting ourselves from the far more important objective of adaptation. This hard-hitting polemic provides a timely critique of a potentially devastating political consensus which could hobble Britain’s economy, cost billions and not even be effective.

The British government has embarked on an ambitious and legally-binding climate change target: reduce the country's greenhouse gas emissions to Net Zero by 2050. The Net Zero policy was subject to almost no parliamentary or public scrutiny, and is universally approved by our political class. But what will its consequences be? Ross Clark argues that it is a terrible mistake, an impractical hostage to fortune which will have massive downsides. Achieving the target is predicated on the rapid development of technologies that are either non-existent, highly speculative or untested. Clark shows that efforts to achieve the target will inevitably result in a huge hit to living standards, which will clobber the poorest hardest, and gift a massive geopolitical advantage to hostile superpowers such as China and Russia. The unrealistic and rigid timetable it imposes could also result in our committing to technologies which turn out to be ineffective, all while distracting ourselves from the far more important objective of adaptation. This hard-hitting polemic provides a timely critique of a potentially devastating political consensus which could hobble Britain's economy, cost billions and not even be effective.

Will appeal to scholars across both film studies and psychoanalysis Uses a range of contemporary films to illustrate Combines socio-political commentary and psychological insight

Will appeal to scholars across both film studies and psychoanalysis Uses a range of contemporary films to illustrate Combines socio-political commentary and psychological insight

We are constantly being told that we are on the cusp of a cashless society. The financial services industry would certainly like to see it that way. We are being enticed with contactless cards, mobile phone payment apps, and methods of bank transfer: all, apparently, for our convenience. But as Ross Clark argues in this compelling new book, it is not in our interests to surrender the right to use cash. Commercial interests want us to pay electronically in order to collect valuable data on our spending habits, while governments would love us to move to cashless payments in order to control the economy in ways which suit it, not us. If we choose to pay electronically, that is one thing, but we will regret it if we do not defend the right to pay with cash.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Determination Of The Positions Of The Feaghmain And Haverfordwest, Longitude Stations Of The Great Euopean Arc Of Parable Alexander Ross Clarke

..". a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating opera magic. " Tito Capobianco

Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student s active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike."

A long-awaited resource for the young operatic singer, this annotated guide brings together many sources to start the journey toward powerful, informed performance. An extensive discussion of fach and audition repertoire is followed by more than 400 arias organized by voice type, including canonical, contemporary, and obscure works from different languages. Each entry includes level of difficulty, voice/character type, special techniques, tessitura, and accompaniment. Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers."