The Old Testament is full of many remarkable stories that pose a challenge to our modern understanding. In this collection of essays, Rudolf Frieling demonstrates his unique gift for delving deeper into the meaning of the Old Testament stories, presenting them from a fresh perspective that makes them more comprehensible to today's readers. In this insightful book Frieling: -- Explores the accounts of the creation of the human being in Genesis. -- Demonstrates the ongoing power of the Psalms. -- Shows how the events of the Old Testament are a preparation for the coming of Christ. Frieling's commanding grasp of the original Hebrew and close attention to detail brings to life the rich imagery of these accounts and songs, making this a unique guide to the wisdom of the Old Testament.

When faced with the descriptions of miracles and the teachings and parables of Christ as recorded in the New Testament, it can be difficult to know what to make of them. Should they be accepted as the literal truth or dismissed as stories from a less enlightened time? In this collection of essays, Rudolf Frieling draws on his deep knowledge and insight to make the events of the New Testament more understandable to modern readers. He returns to the Greek text to uncover the meaning and power of the original language. -- Explains difficult concepts such as the Son of God and the Son of Man, and traces the path of Christ's incarnation from the Baptism in Jordan through to his death, resurrection and ascension -- Examines the parables and accounts of miraculous healings, as well as the testimonies given in Acts and the apostolic letters -- Offers a profound examination of both the Apocalypse and the Transfiguration Frieling's masterful analysis surpasses the dry concepts and conventional explanations of many biblical commentaries and brings the events of the New Testament vividly to life. The result is a work that continues to be important for understanding the New Testament today.

Reincarnation -- by which human beings return to live on earth -- is a concept most often associated with eastern philosophies rather than Christianity. Yet in this challenging book, Rudolf Frieling makes the case for the integration of reincarnation into a Christian world view. He shows how an esoteric Christianity was brought to life again through the thinking of Rudolf Steiner, arguing that theology around the 'end of days' has shown how a gap exists between death and resurrection on the Last Day. Presenting the essence of Christianity, Frieling shows how it harmonises with reincarnation, and examines the relationship of reincarnation to the Bible.

During the brief window between the two World Wars, the Rev. Prof. Hermann Beckh led research at The Christian Community Seminary in Stuttgart. In those precious years he published on music, the gospels and the ancient Mysteries. By 1930, in his Contributions to the Priests' Newsletter, he had produced the most far-reaching account of the cosmic order ever written. The typescript of this great work was destined to gather dust in the Berlin Archiv, however, until it was discovered in recent years. Published here for the first time, it is the crowning masterpiece to Beckh's Collected Works. The translated and annotated text is accompanied by Rudolf Frieling's in-depth application of Beckh's principles of the cosmic starry order to the Creed of The Christian Community, and by a number of appreciations and relevant book reviews. Through ever-deepening meditation guided by Rudolf Steiner, and his vast knowledge of Tibetan, Sanskrit, Pali and Avestan sacred texts - scarcely to be equalled in Europe at the time - Beckh came to the first-hand realization that human and cosmic life was ordered. He perceived directly that this cosmic order was: good, as originating from the World-Will; true, as from World-Thinking; and beautiful, as from World-Feeling. All three could be personally experienced in disciplined consciousness that could enter dream, sleep and pre-natal life. This, then, was Beckh's method and inspiration, as shown in this extraordinary work.

The first fully illustrated survey of participatory art and its key practitioners, published in association with the San Francisco Museum of Modern Art.
This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0--browsing, sharing, collecting, producing--increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm.
Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures--from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX--rounding out the survey. 215 color illustrations.

Das Werk bietet aktuelle Diskurse der Medienkunst im internationalen Kontext und ist gleichzeitig das Buch zur Onlineplattform www.medienkunstnetz.de. Thematische Schwerpunkte lokalisieren die Schnittstellen zwischen den Medien und KA1/4nsten. Essays und Texte von Inke Arns, Dieter Daniels, Steve Dietz, Rudolf Frieling, Susanne Holschbach, Verena Kuni, Gregor Stemmrich und Yvonne Volkart als vertiefende ErgAnzung zu Band 1: Medienkunst im Aoeberblick. Beide BAnde werden online durch multimediale und audiovisuelle Werkdarstellungen ergAnzt. Themenschwerpunkte u. a.: Essays zu Bild-Ton-Relationen, Cyborg Bodies, Foto/Byte, Generative Tools, Mapping und Text, Public Sphere_s.

Artist Bruce Conner (1933-2008) moved to San Francisco in 1957 and quickly enmeshed himself in the Bay Area's distinctive cultural milieu, combining a vision and a multifaceted body of work that went beyond the limitations of any genre. From early assemblages of the 1950s and 1960s to iconic and pioneering works in film, from photography and photograms to prints, drawings, and paintings, Conner's oeuvre continues to exert tremendous influence on artists working today. This historic retrospective catalogue will be the definitive resource on this important artist for decades to come. Offering a highly anticipated contemporary perspective on Conner, it will prove revelatory in assessing his output and place in postwar art. Illustrated in full color throughout, this comprehensive volume provides access to a range of material that has never been published, including early paintings from the 1950s and works from the last decade of Conner's life, along with a trove of fascinating ephemeral materials. The publication features original scholarship by a range of luminaries, including essays by Frieling, Garrels, Stuart Comer, Diedrich Diederichsen, Rachel Federman, and Laura Hoptman as well as contributions from Michelle Barger, Kevin Beasley, Dara Birnbaum, Carol Bove, Stan Brakhage, Will Brown, David Byrne, Johanna Gosse, Roger Griffith, Kellie Jones, Christian Marclay, Greil Marcus, Michael McClure, Megan Randall, Henry S. Rosenthal, Dean Smith, and Kristine Stiles. Published in association with the San Francisco Museum of Modern Art Exhibition dates: Museum of Modern Art, New York: July 3-October 2, 2016 San Francisco Museum of Modern Art: October 29, 2016-January 29, 2017 Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain: February 21-May 22, 2017