The Art of David Webb celebrates the designer s dedication to artistry over more than seven decades. When David Webb came to New York at the age of 17, he was captivated by the museums, architecture, and fashions of the day. By the time he opened shop in 1948, the city had become his muse. In his only published article, Why Not Hang Gems?, of 1963, he wrote that jewelry deserved to be regarded as art and collected by museums. That conviction fuels The Art of David Webb. Here is jewelry shown as art in more than 120 images all specially photographed for this book that speak to the variety of artistic and cultural periods that inspired David Webb and the company he founded. Examples include Webb s enameled and diamond Mondrian Bracelet, an homage to Piet Mondrian s Broadway Boogie Woogie and Yves Saint Laurent s 1960s sheath dress with its famed color blocking; a gemstone-rich dragon brooch taken from a Scythian animal pommel; and a scored rock crystal and diamond bracelet that updates art deco classics. Throughout, work by photographers, painters, sculptors, architects, couturiers, and photographers form a visual dialogue with the sumptuous David Webb jewelry. The imaginative pairings, in-depth descriptive captions, and elegantly designed publication are resounding proof that jewelry is both art and culture.

A stunning new volume which presents 120 pieces by 50 leading jewellery designers from the 1960s and '70s, including works by John Donald, Arthur King, Andrew Grima and Gilbert Albert. Simply Brilliant presents 120 pieces by 50 leading makers of jewellery in the 1960s and '70s, drawn from the Klosterman collection in Cincinnati. Most, if not all, of the individual makers of this era thought of themselves as artists first, jewellers second, and this magnificent new volume is full of stunning one of a kind pieces which reflect the inventive, ground-breaking attitudes of the era. The book explores the 1961 Goldsmiths Hall exhibition in London and its influence on contemporary jewellery designers such as John Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961 exhibition brought a new direction in jewellery design to the fore, influencing others - including the major jewellery houses such as Cartier, Bulgari, Chopard and Van Cleef and Arpels - paving the way for an international movement in fashion and design. These jewellery designers created unique pieces, often for individual clients, using non-traditional materials and unusual forms. AUTHOR: Cynthia Amneus is chief curator and curator of Fashion Arts and Textiles at Cincinnati Art Museum. 207 colour illustrations

I Am Not My Breast Cancer gathers the warm, loving, frank, and informed voices of more than eight hundred women--from every state in the nation and from continents as far away as Australia and Africa--who reveal their fears, trade advice, share experiences, and express their deepest, most intimate concerns. Essential reading for any woman with this diagnosis, it offers the companionship of other women dealing with this disease. Taking the reader chronologically through the stages of diagnosis, treatment, recovery, and self-discovery, I Am Not My Breast Cancer offers women a deeper understanding of themselves and living with cancer.