A celebration of Sinatra's enduring impact on American entertainment and cultural life. For nearly sixty years, Frank Sinatra [1915-98] triumphed in concert, in the recording studio, on television, and on the big screen, refashioning his image to suit the temper of the times. Sinatra did it "his way," remaining bothelusive and alluring, and appealing to men and women alike. This collection analyzes the qualities that ensured Sinatra's staying power: his impeccable musicality, his charisma, his tough-mindedness, and even his peccadilloes. The contributors to this volume evaluate Sinatra's impact on all areas of entertainment, and examine many of the cultural forces he influenced and was influenced by, including Bing Crosby, Elvis, the "Beats," the Beatles, and Rock 'n' Roll. What emerges is a portrait of an artist, entertainment icon, and legendary symbol of popular culture. This appreciation of the Sinatra phenomenon celebrates his enduring impact on American entertainment and cultural life. Contributors: Blaine Allan, Samuel L. Chell, David Finck, Joseph Fioravanti Jeanne Fuchs, Philip Furia, Roger Gilbert, Ruth Prigozy, Walter Raubicheck, Lisa Jo Sagolla, Ron Simon, Arnold Jay Smith, James F. Smith, Patric M. Verrone, David Wild Jeanne Fuchs is Professor Emerita of Comparative Literature and Languages at Hofstra University; Ruth Prigozy is Professor of English at Hofstra University.

"He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was . . ." The Great Gatsby (1925), F. Scott Fitzgerald's masterpiece, stands among the greatest of all American fiction. Jay Gatsby's lavish lifestyle in a mansion on Long Island's gold coast encapsulates the spirit, excitement, and violence of the era Fitzgerald named `the Jazz Age'. Impelled by his love for Daisy Buchanan, Gatsby seeks nothing less than to recapture the moment five years earlier when his best and brightest dreams - his `unutterable visions' - seemed to be incarnated in her kiss. A moving portrayal of the power of romantic imagination, as well as the pathos and courage entailed in the pusuit of an unattainable dream, The Great Gatsby is a classic fiction of hope and disillusion. This edition is fully annotated with a fine Introduction incorporating new interpretation and detailing Fitzgerald's struggle to write the novel, its critical reception and its significance for future generations. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Bing Crosby's innovations as recording artist, actor, businessman, and radio and television performer. A multidisciplinary exploration, plus personal testimony from family members and colleagues. Going My Way: Bing Crosby and American Culture is the first serious study of the singer/actor's art and of his centrality to the history of twentieth-century popular music, film, and the entertainment industry. The volume uses a wide range of scholarly and cultural perspectives to explore Crosby's unique and lasting achievements. It also includes tributes and reminiscences from Bing's widow Kathryn, his grandson Steve, his record producer Ken Barnes, and one of his most popular successors, Michael Feinstein. Other contributors include Gary Giddins, the author of a widely acclaimed recent biography of the singer, and Will Friedwald, the acknowledged expert on the developmentof the "great American songbook." In addition to studying Bing Crosby's innovations and remarkable achievements as a recording artist, Going My Way explores his accomplishments as an actor, businessman, and radio and television performer. Going My Way makes an impressive case not only for Crosby's considerable talent and inimitable style, but also for his raising the quality of popular singing to the level of art. Contributors: Ken Barnes, Samuel L. Chell, Kathryn Crosby, Steven C. Crosby, John Mark Dempsey, Bernard F. Dick, Deborah Dolan, Michael Feinstein, Will Friedwald, Jeanne Fuchs, Gary Giddins, Peter Hammar, M. Thomas Inge, Malcolm MacFarlane, Eric Michael Mazur, Martin McQuade, Elaine Anderson Phillips, Ruth Prigozy, Walter Raubicheck, Linda A. Robinson, Stephen C. Shafer, David White, F.W. Wiggins Ruth Prigozy is Professor of English at Hofstra University. Walter Raubicheck is Professor of English and Chair of the English Department at Pace University.

Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives.

Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of "The Beautiful and Damned" and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.

There was a time when no one would have left Dick Haymes (1918-1980) out of the top class of such contemporaries as Frank Sinatra and Perry Como. But now the Argentine-born baritone is known only to those ardent fans and music historians who still claim him as one of the most talented popular singers of the twentieth century. Haymes worked with several great bandleaders, including Benny Goodman and Tommy Dorsey, before beginning a solo career that vaulted him to Hollywood stardom. In 1944, he worked with Twentieth Century-Fox, headlining such hit musicals as Billy Rose's Diamond Horseshoe and State Fair. Such popular recordings as "Little White Lies"; "The More I See You"; "How Blue the Night"; "For You, For Me, For Evermore"; "Speak Low"; and "Another Night Like This" made him a top draw at the box office. In the 1950s, when television took over the media landscape and the appeal of musicals declined, Haymes's career suffered. Despite efforts in the 1970s, he never reestablished success. In The Life of Dick Haymes: No More Little White Lies, Ruth Prigozy uses over forty personal interviews with singers, musicians, composers, arrangers, and Haymes's family members. She searches archival recordings of The Dick Haymes Show, films, recordings, music studies, and histories to present a full portrait of this complicated man. Prigozy chronicles Haymes's childhood, his rise in the 1940s, his decline into alcoholism, his multiple marriages and divorces (among them to such leading stars as Rita Hayworth and Joanne Dru), and the minor resurgence of his career in Europe during the last years of his life.

Combining theoretical and practical approaches, this collection of essays explores classic detective fiction from a variety of contemporary viewpoints. Among the diverse perspectives are those which interrogate the way the genre reflects important social and cultural attitudes, contributes to a reader's ability to adapt to the challenges of daily life, and provides alternate takes on the role of the detective as an investigator and arbiter of truth.

Part I looks at the nature of and the audience for detective fiction, as well as at the genre as a literary form. This section includes an inquiry into the role of the detective; an application of object-relations psychology to the genre; and analyses of recent literary criticism positing that traditional detective fiction contained the seeds of its own subversion. Part II applies a variety of theoretical positions to Agatha Christie and her heirs in the British ratiocinative tradition. A concluding essay positions the genre within the middle-class traditions of the novel since its inception in the eighteenth century. Of interest to all scholars and students of detective fiction and British popular culture.

The detective, as a preeminent figure in all forms of American popular culture, has become the subject of a variety of theoretical exploration. By investigating that figure, these essays demonstrate how the genre embodies all the contradictions of American society and the ways in which literature and the media attempt to handle those contradictions. Issues of class, gender, and race; the interaction of film and literature; and generic evolution are fundamental to any understanding of the American detective in all of his or her forms. Beginning with essays about Raymond Chandler's treatment of women, Part I concentrates on writers of the genre whose detectives embody aspects of American culture in the 20th century. Through examination of the work of Elmore Leonard, Chester Himes, Sue Grafton, and others, these essays look at the influence of film on literature, how ethnicity affects the genre's conventions, and gender issues. Part II looks closely at specific detectives in the media and demonstrates how the film detective has gone from one who upholds the moral order to one who contributes to the continuation of evil. A study of television detectives confirms the necessity of formula and variation to sustain a detective over many seasons.