The topic of biopolitics is a timely one, and it has become increasingly important for scholars to reconsider how life is objectified, mobilized, and otherwise bound up in politics. This cutting-edge volume discusses the philosophical, social, and political notions of biopolitics, as well as the ways in which biopower affects all aspects of our lives, including the relationships between the human and nonhuman, the concept of political subjectivity, and the connection between art, science, philosophy, and politics. In addition to tracing the evolving philosophical discourse around biopolitics, this collection researches and explores certain modes of resistance against biopolitical control. Written by leading experts in the field, the book's chapters investigate resistance across a wide range of areas: politics and biophilosophy, technology and vitalism, creativity and bioethics, and performance. Resisting Biopolitics is an important intervention in contemporary biopolitical theory, looking towards the future of this interdisciplinary field.

This collection of essays from a range of philosophers and art practitioners offers tools through which we can action change across art and philosophy, across a range of media and across the theory/practice divide. Including insights from contemporary Middle Eastern art to Indigenous ritual art and from feminist and queer art to architectural algorithms, this collection will decolonise your thinking about art - bypassing the traditional Western-centred art history. The first section includes theoretical essays on the concept of multiplicities, on affect and politics as well as the thought of Raymond Ruyer and Gilbert Simondon - 2 key influences on Deleuze and Guattari. The second section includes applied essays on specific art practices including the plastic arts, theatre, architecture, music and folk performances.

The Palgrave Handbook of Theatre and Migration provides a wide survey of theatre and performance practices related to the experience of global movements, both in historical and contemporary contexts. Given the largest number of people ever (over one hundred million) suffering from forced displacement today, much of the book centres around the topic of refuge and exile and the role of theatre in addressing these issues. The book is structured in six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration including exile, refuge, displacement, asylum seeking, colonialism, human rights, globalization, and nomadism. The subsequent sections are devoted to several dozen case studies across various geographies and time periods that highlight, describe and analyse different theatre practices related to migration. The volume serves as a prestigious reference work to help theatre practitioners, students, scholars, and educators navigate the complex field of theatre and migration. 

This edited volume reconsiders the notion of life and conceptualizes those forms of life which have been excluded from modern philosophy, such as post-Anthropocene life, the life of non-human animals and the life of inorganic objects. The contributors, who include prominent contemporary philosophers and theorists ask a wide range of questions including: what new forms of subjection can we see with the return of the 'Anthropos'?, what can animals teach us in the Anthropocene?, can we reconstruct the perceptual world of animals and take a look into their 'subjectivity'?, what happens to inorganic matter (waste or digital objects) when no longer used by any subject and can we think about inorganic matter in terms of subjective self-awareness? The first section, Life Beyond the Anthropocene, critically questions Anthropocene theory and outlines alternative scenarios, such as Gaia theory or post-Anthropocene forms of life on Earth and other planets, as well as new forms of subjectivity. The second part, Human and Non-Human Interactions, investigates the obscure boundary, between life and non-life, and between human and non-human animal life forms. The third part, Forms of Life and New Ontologies, concentrates on new ontologies and discusses life in terms of vitalism, new materialism, movement, form-taking activity and plasticity.

This book examines performative strategies that contest nationalist prejudices in representing the conditions of refugees, the stateless and the dispossessed. In the light of the European Union failing to find a political solution to the current migration crisis, it considers a variety of artistic works that have challenged the deficiencies in governmental and transnational practices, as well as innovative efforts by migrants and their hosts to imagine and build a new future. It discusses a diverse range of performative strategies, moving from a consideration of recent adaptations of Greek tragedy, to performances employing fictive identification, documentary dramas, immersive theatre, over-identification and subversive identification, nomadism and political activism. This study will appeal to those interested in questions of statelessness, migration, and the problematic role of the nation-state.

Deleuze and Beckett is a collection of essays on specific aspects of the Deleuze and Beckett interface. Some of the world's leading Beckett and Deleuze specialists apply different concepts of Deleuzian philosophy to a wide range of Beckett's oeuvre, including his novels, short stories, and stage, film and television work.

Explores the concept of multiplicity in Deleuze and Guattari's work and its relevance to artistic practice. Western philosophy has habitually privileged notions of identity, essence and static existence. The importance of Deleuze and Guattari is that they critically interrogate this pattern, and instead emphasise multiplicities. This collection of essays from a range of philosophers and art practitioners, such as Mieke Bal, James Williams, Laura Marks, Gary Genosko and Eugene Holland, engages with the philosophical concept of multiplicity in novel ways.Divided into two parts, the first section includes theoretical essays on the concept of multiplicities, on affect and politics as well as the thought of Raymond Ruyer and Gilbert Simondon. The second section presents essays on specific art practices such as the plastic arts, theatre, performance and music.Illustrated with eight fascinating case studies of unusual and marginalised forms of artistic practice such as Islamic talismanic magic, refugee theatre and Aboriginal ritual, and featuring 18 illustrations by virtually unknown Eastern European avant-garde artists amongst others, the articles of this volume are at once a work of 'practical philosophy' in the Deleuzian sense and also a polyphonic artwork.

The topic of biopolitics is a timely one, and it has become increasingly important for scholars to reconsider how life is objectified, mobilized, and otherwise bound up in politics. This cutting-edge volume discusses the philosophical, social, and political notions of biopolitics, as well as the ways in which biopower affects all aspects of our lives, including the relationships between the human and nonhuman, the concept of political subjectivity, and the connection between art, science, philosophy, and politics. In addition to tracing the evolving philosophical discourse around biopolitics, this collection researches and explores certain modes of resistance against biopolitical control. Written by leading experts in the field, the book s chapters explore resistance across a wide range of areas: politics and biophilosophy, technology and vitalism, creativity and bioethics, and performance. "Resisting Biopolitics" is an important intervention in contemporary biopolitical theory, looking towards the future of this interdisciplinary field.

This book examines performative strategies that contest nationalist prejudices in representing the conditions of refugees, the stateless and the dispossessed. In the light of the European Union failing to find a political solution to the current migration crisis, it considers a variety of artistic works that have challenged the deficiencies in governmental and transnational practices, as well as innovative efforts by migrants and their hosts to imagine and build a new future. It discusses a diverse range of performative strategies, moving from a consideration of recent adaptations of Greek tragedy, to performances employing fictive identification, documentary dramas, immersive theatre, over-identification and subversive identification, nomadism and political activism. This study will appeal to those interested in questions of statelessness, migration, and the problematic role of the nation-state.

Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. "Native American Performance and Representation "provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study.
This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women's position in a multicultural society, and the relationship between authenticity and hybridity in Native performance.
An important addition to the new and growing field of Native performance, Wilmer's book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women's and gender studies, literary and film studies, and cultural studies.

Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight - or omit - and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories. The essayists included here - leading theatre scholars from all over the world, many of whom wrote essays specifically for this volume - provide an international context for national theatre histories as well as studies of individual nations. They cover a wide geographical area: Asia, the Middle East, Africa, Europe, and North America. The essays contrast large countries (India, Indonesia) with small (Ireland), newly independent (Slovenia) with established (U.S.A.), developed (Canada) with developing (Mexico, South Africa), capitalist (U.S.A.) with formerly communist (Russia), monolingual (Sweden) with multilingual (Belgium, Canada), and countries with stable historical boundaries (Sweden) with those whose borders have shifted (Germany). The essays also explore such sociopolitical issues as the polarization of language groups, the importance of religion, the invisibility of ethnic minorities, the redrawing of geographical borders, changes in ideology, and the dismantling of colonial legacies. Finally, they examine such common problems of history writing as types of evidence, periodization, canonization, styles of narrative, and definitions of key terms. Writing and Rewriting National Theatre Histories will be of special interest to students and scholars of theatre, cultural studies, and historiography.

Antigone has become a major figure in current cultural discourse thanks to the late twentieth-century interpretations by such controversial theorists as Lacan, Derrida, Irigaray, Zizek, and Judith Butler. This collection of articles by distinguished scholars from a variety of intellectual disciplines (including philosophy, psychoanalysis, feminism, theatre, and the classics) provides a postmodern perspective on the ethical and political issues raised by this ancient text and recent theatrical productions. The contributors provide an array of perspectives on a female figure who questions the role of the patriarchal state.

Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.

Theater has often served as a touchstone for critical moments of political change or national definition. Steve Wilmer selects key historical moments in American history to examine the theater's response. The selected events range from the Colonial fight for independence through Native American struggles, the Socialist Worker play and the Civil Rights Movement, to those of the last decade. Wilmer also considers audience reception and critical response.

The essays in this collection were originally delivered as part of the esteemed lecture series at Trinity College Dublin, Samuel Beckett's alma mater. The eminent contributors shed new light on Beckett's enigmatic theater, taking up an engaging array of topics. Included are new perspectives on Beckett's use of language and silence, on his attitudes toward the body, on those who influenced him and on those he has influenced (including Suzan-Lori Parks and Femi Osofisan), and on Beckett and the art of self-collaboration. Each contributor places the playwright into a network of genealogies and legacies and his work into important historical, cultural, and aesthetic contexts. Together, the essays demonstrate Beckett's impact on theater, performance, and visual arts during the latter half of the twentieth century and serve to open up new directions for Beckett studies well into the twenty-first. This is an indispensable volume for anyone interested in Beckett, whether scholar, student, or enthusiast.

Anna McMullan is Chair of Drama Studies at Queens University Belfast and author of "Theatre on Trial: Samuel Beckett's Later Drama."

S. E. Wilmer is Associate Professor of Drama Studies at Trinity College Dublin and author of "Theatre, Society and the Nation: Staging American Identities."

Illustration: Samuel Beckett at the rehearsal of "Waiting for Godot." (c) Bruce Davidson/Magnum Photos.

A volume in the series Theater: Theory/Text/Performance