For old and new studies in decision making and risk analysis, this book should stand at tlle watershed. Studies of conflict resolution and public policy will surely now have to take account of the model investigation provided by the IIASA team, and many things will not be the same again. This is a report of inquiries into the siting of liquefied energy gas (LEG) facilities in the Federal Republic of Germany, the Netherlands, the United Kingdom, and the United States. The risks of transporting this highly combustible stuff, and the economic benefits of being able to bring a natural energy source from one side of the globe to the other, holding it, and piping it out as needed, make LEG a model case for studying the public response to dangerous technology. The dangers of LEG are differ ent from those of nuclear power, for instance, where the response too often becomes entangled with the fear of nuclear war. The dangers of LEG include unco trollable explosions, rather than insidious contami nation. But the degree of dangerousness is very much of the same order as that of nuclear power, and is at least as difficult to assess. In four different countries the constitutional procedures involved in obtaining approval of nuclear or LEG facilities are on record. The four case histories here are a model for comparative study of conflict resolu tion. The period over which the negotiations developed is much the same."

Danica believes her life is over when her parents divorce and she is forced to move back to the town where her mother grew up. Then Danica meets a girl named Jessie and a new town and school seem to be the least of her problems. With home town secrets and questions about who she truly is, her world will change forever.

This illustrated biography is the first full-length study of a pioneering Canadian artist and his brief but eventful life (1871-1913).

He was best known for many penetrating and scrupulously accurate portraits of western and northern Canadian Indians. Edmund Montague Morris undertook to record the customs and physical appearance of the last native tribes to ride the great plains. In the summer of 1906, he accompanied the official Treaty Expedition nine to the James Bay Indians to paint the Ojibway of Northern Ontario.