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Those tasked with investigating crime scenes come from a variety of backgrounds and varying levels of experience. Crime Scene Investigation Procedural Guide gives the novice investigator the procedures for almost any crime scene imaginable while providing the seasoned pro a ready reference for crimes occurring even under the most unusual of circumstances. Designed as a stand-alone text or as a companion to Ross Gardner's Practical Crime Scene Investigation, the book details the precise steps that need to be taken when processing and analyzing a crime scene. Using a bulleted format for quick, easy access, the authors provide hands-on, concise instruction in a style friendly to a range of professionals. Topics discussed in this practical manual include: Preparation for response, initial response, scene management, and scene evaluation/analysis Scene photography, videography, sketching, and search and processing procedures Steps to be taken prior to releasing the scene Response, documentation, processing, and collection of evidence for specific crimes against persons and property Evaluation, processing, collection, and preservation of all items of evidence encountered at the scene, including friction ridge evidence, two- and three-dimensional impression evidence, and trace and biological evidence Bloodstain pattern documentation and shooting incident documentation Appendices include direction on working with potential blood-borne pathogens and worksheets for documenting and evaluating the scene and processing various types of evidence. A supplemental CD is included with downloadable forms for crime scene investigations. Adherence to the instructions provided in this guide will help ensure investigators that vital evidence is properly documented and preserved.
Those tasked with investigating crime scenes come from a variety of backgrounds and varying levels of experience. Crime Scene Investigation Procedural Guide gives the novice investigator the procedures for almost any crime scene imaginable while providing the seasoned pro a ready reference for crimes occurring even under the most unusual of circumstances. Designed as a stand-alone text or as a companion to Ross Gardner's Practical Crime Scene Investigation, the book details the precise steps that need to be taken when processing and analyzing a crime scene. Using a bulleted format for quick, easy access, the authors provide hands-on, concise instruction in a style friendly to a range of professionals. Topics discussed in this practical manual include: Preparation for response, initial response, scene management, and scene evaluation/analysis Scene photography, videography, sketching, and search and processing procedures Steps to be taken prior to releasing the scene Response, documentation, processing, and collection of evidence for specific crimes against persons and property Evaluation, processing, collection, and preservation of all items of evidence encountered at the scene, including friction ridge evidence, two- and three-dimensional impression evidence, and trace and biological evidence Bloodstain pattern documentation and shooting incident documentation Appendices include direction on working with potential blood-borne pathogens and worksheets for documenting and evaluating the scene and processing various types of evidence. A supplemental CD is included with downloadable forms for crime scene investigations. Adherence to the instructions provided in this guide will help ensure investigators that vital evidence is properly documented and pre
Those tasked with investigating death scenes come from a variety of backgrounds and varying levels of experience. Whether a homicide detective, crime scene investigator, medico-legal death investigator, coroner or medical examiner, Death Scene Investigation: Procedural Guide, Second Edition provides the investigator best-practice techniques and procedures for almost any death scene imaginable, including for deaths occurring even under the most unusual of circumstances. This Second Edition is fully updated to include new coverage on shallow graves, human remains at crime scenes, poisonings, expanded coverage of projectile weapons, videography, touch DNA, death notifications, and a newly added chapter dedicated to sexual deaths. In addition, the book serves as an on-scene ready reference which includes instructions on procedure including the initial notification of a death, processing the scene and body, the investigator's role at autopsy, and analyzing the scene indicators to place evidence into context. Topics discussed include: Initial response and scene evaluation Death scene management including documentation, sketching, photography, videography, observations, and search procedures A special death investigation matrix that walks the investigator though a decision tree to help in ambiguous deaths Contains discussion of all manners of death, including accident, suicide, natural and homicide Coverage of recovery of human remains from open field, aquatic, and buried sites including estimating the time of death. Wound dynamics and mechanisms of injury that covers asphyxiation, sharp and blunt force trauma, chopping injuries; handgun, rifle, and shotgun wounds, electrical injuries, and more The bulleted format and spiral binding allows for easy use and reference in the field with sections that are self-contained and cross-referenced for quick searches. With its thorough and detailed approach, Death Scene Investigation, Second Edition will be a must-have addition to any crime scene and death investigator's tool kit.
Melville's Monumental Imagination explores the connection between the contested 19th century American monument tradition and one of the nation's most revered authors, Herman Melville (1819-1891). The book was written to fill a void in recent Melville scholarship. To date, there has not been a monograph that focuses exclusively on Melville's incorporation of monuments in his fictional world. The book charts the territory of Melville's novels in order to provide a trajectory of the monumental image in one particular literary form. This feature allows the reader to gradually see the monumental image as an important marker that sheds light into Melville's eventual abandonment of long fiction. Melville's Monumental Imagination combines literary analysis and cultural criticism for a long neglected aspect of our nation's iconic development in statuary.
In this special issue review articles summarize the most outstanding features of microorganisms that can survive under extreme conditions. These microorganisms are adapted to living at 100 Degrees C in volcanic springs, at low temperatures in the cold polar seas, at high pressure in the deep sea, at very low and high pH values (pH 0-1 or pH 10-11), or at very high salt concentrations (35%). The latest findings on the molecular biology and the protein structure of these exotic organisms are presented. In addition, the potential applications of extremophiles are reviewed, including the production of enzymes, compatible solutes and the use of these extremophiles in the degradation of xenobiotics.
Melville's Monumental Imagination explores the connection between the contested 19th century American monument tradition and one of the nation's most revered authors, Herman Melville (1819-1891). The book was written to fill a void in recent Melville scholarship. To date, there has not been a monograph that focuses exclusively on Melville's incorporation of monuments in his fictional world. The book charts the territory of Melville's novels in order to provide a trajectory of the monumental image in one particular literary form. This feature allows the reader to gradually see the monumental image as an important marker that sheds light into Melville's eventual abandonment of long fiction. Melville'sMonumental Imagination combines literary analysis and cultural criticism for a long neglected aspect of our nation's iconic development in statuary.
Those tasked with investigating death scenes come from a variety of backgrounds and varying levels of experience. Whether a homicide detective, crime scene investigator, medico-legal death investigator, coroner or medical examiner, Death Scene Investigation: Procedural Guide, Second Edition provides the investigator best-practice techniques and procedures for almost any death scene imaginable, including for deaths occurring even under the most unusual of circumstances. This Second Edition is fully updated to include new coverage on shallow graves, human remains at crime scenes, poisonings, expanded coverage of projectile weapons, videography, touch DNA, death notifications, and a newly added chapter dedicated to sexual deaths. In addition, the book serves as an on-scene ready reference which includes instructions on procedure including the initial notification of a death, processing the scene and body, the investigator's role at autopsy, and analyzing the scene indicators to place evidence into context. Topics discussed include: Initial response and scene evaluation Death scene management including documentation, sketching, photography, videography, observations, and search procedures A special death investigation matrix that walks the investigator though a decision tree to help in ambiguous deaths Contains discussion of all manners of death, including accident, suicide, natural and homicide Coverage of recovery of human remains from open field, aquatic, and buried sites including estimating the time of death. Wound dynamics and mechanisms of injury that covers asphyxiation, sharp and blunt force trauma, chopping injuries; handgun, rifle, and shotgun wounds, electrical injuries, and more The bulleted format and spiral binding allows for easy use and reference in the field with sections that are self-contained and cross-referenced for quick searches. With its thorough and detailed approach, Death Scene Investigation, Second Edition will be a must-have addition to any crime scene and death investigator's tool kit.
The thirteenth-century logician Lambert of Auxerre was well known for his Summa Lamberti, or simply Logica, written in the mid-1250s, which became an authoritative textbook on logic in the Western tradition. Our knowledge of medieval logic comes in great part from Lambert's Logica and three other texts: William of Sherwood's Introductiones in logicam, Peter of Spain's Tractatus, and Roger Bacon's Summulae dialectics. Of the four, Lambert's work is the best example of question-summas that proceed principally by asking and answering questions on the subject matter. Thomas S. Maloney's translation of Logica, the only complete translation of this work in any language, is a milestone in the study of medieval logic. More than simply a translation, Maloney's project is a critical, comprehensive study of Lambert's logic situated in the context of his contemporaries and predecessors. As such, it offers a wealth of annotation and commentary. The lengthy introduction and extensive notes to the text explain the origin, theoretical context, and intricacies of the text and its doctrines. Maloney also addresses the disputed issues of authorship, date, and place of publication of the Summa Lamberti and makes available to the English-only audience the French, German, and Italian secondary sources-all translated-that are needed to enter the discussion.
Early in the 1240s the University of Paris hired a recent graduate from Oxford, Roger Bacon by name, to teach the arts and introduce Aristotle to its curriculum. Along with eight sets of questions on Aristotle's natural works and the "Metaphysics" he claims to have authored another eight books before he returned to Oxford around 1247. Within the prodigious output of this period we find a treatise on logic titled "Summulae dialectices," and it is this that is here annotated and presented in translation. The book is unique in several respects. First, there is the breadth of its sources. Not only do we find explicit reference to the usual authors such as Aristotle, Plato, Boethius, Porphyry, Cicero, and Priscian, we also find unexpected reference to Augustine, Bernardus Silvestris, Donatus, Terence, and Themistius, along with mention of the Muslim philosophers Algazel and Ibn Rushd. Second, it is clear that Bacon is drawing on or reacting to an extraordinarily wide variety of medieval sources: Garland the Computist, Hugh of St. Victor, Master Hugo, Hugutius of Pisa, Isidore of Seville, Nicholas of Damas, Nicholas of Paris, Richard of Cornwall, Robert Kilwardby, Robert of Lincoln, and Robert the Englishman. Third, it unexpectedly presents a full-blown treatment of Aristotle's theory of demonstration. And finally, Bacon reveals a highly unorthodox view of the signification of common terms. Bacon, here, takes his students and us deeper into medieval sources and controversy than any of his rivals do.
Shortly after composing his Opus maius, Opus minus, and Opus tertium (1267) Bacon felt the need once again to call attention to obstacles to the achievement of wisdom placed by the Church, academia, and civil society in the early 1270s. This he did in Part I of his Compendium of the Study of Philosophy. But his explorations in 1267 of the need for the study of languages needed, he thought, further attention. So Part II of this follow-up work renews that call with greater fervour and detail and yields a presentation of the rudiments of Greek and Hebrew, indicating how knowledge of these is needed to interpret the scriptures accurately and how many errors result from failure to recognise this. This new edition of Bacon's Compendium of the Study of Philosophy, with facing English translation, enables today's readers to engage with Bacon's philosophy. It provides a window on academic life in Oxford and Paris of the 1270s at an important time in the development of the universities of both cities.
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