In a world divided between good and evil, what happens when you're both? Nathan Byrn is the illegitimate son of the world's most dangerous witch. Feared by the Council of Fairborn witches who believe he is destined to follow the same destructive path as his father, Nathan must find a way to unlock his full powers before his seventeenth birthday, or face madness and death. His one hope lies with the sinister Blood witch Mercury. But Mercury's help always comes at a price - one Nathan may not be able to pay . . . Previously published as Half Bad. 'An action-packed X-rated Harry Potter' - Telegraph

The third and final instalment in the breathtaking Half Bad series by Sally Green. Nathan Byrn is running again. The Alliance of Free Witches has been all but destroyed. Scattered and demoralized, constantly pursued by the Council's Hunters, only a bold new strategy can save the rebels from total defeat. They need the missing half of Gabriel's amulet - an ancient artifact with the power to render its bearer invincible in battle. But the amulet's guardian - the reclusive and awesomely powerful witch Ledger - has her own agenda. To win her trust, Nathan must travel to America and persuade her to give him the amulet. Combined with his own Gifts, the amulet might just be enough turn the tide for the Alliance and end the bloody civil war between Blood and Fairborn witches once and for all...

In a world divided between good and evil, what happens when you're both? Nathan Byrn is the illegitimate son of the world's most dangerous witch. Kept in a cage by the Council of Fairborn witches, who believe he is destined to follow the same destructive path as his father, Nathan must find a way to unlock his full powers before his seventeenth birthday, or face madness and death. His one hope lies with the sinister Blood witch Mercury. But Mercury's help always comes at a price - one Nathan may not be able to pay . . . Now a major new Netflix series entitled The Bastard Son & the Devil Himself. 'Highly entertaining and dangerously addictive' - TIME

In conferring upon Mississippi native Elizabeth Spencer (1921-2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she "has thrived at the height of her powers to a degree that is unparalleled in modern letters." Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, "maybe an unresolved part of my psyche." In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, "The Runaways" (1994), "Master of Shongalo" (1996), and "Return Trip" (2009). The collection allows readers to observe Spencer's evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene's critical introduction helpfully places these narratives within the context of Spencer's entire body of writing. The Edward Tales confirms Spencer's place as one of our most beloved and accomplished writers.

The final book in the acclaimed Smoke Thieves trilogy by bestselling author Sally Green. As war spreads like wildfire, the Smoke Thieves face their greatest challenges yet. With her father tightening his grip on the Northern Plateau, Catherine sends her loyal bodyguard Ambrose into the dragon's den on a desperate mission to disrupt the supply of smoke. In Calidor, Edyon and March face a future divided while, trapped in the demon world, Tash wrestles with the price of her past. But as the battle for the human kingdoms reaches its climax, the demon realm reveals a final, terrible secret. One with the power to change the course of the war - and history - forever . . .

Our heroes are scattered and chaos reigns as the land is carved by war. The second book in The Smoke Thieves series by Sally Green.

After narrowly escaping the fall of Rossarb, Princess Catherine leads a rag-tag group of survivors into the barren wasteland of the Northern Plateau.

With the Brigantine army snapping at their heels, Edyon and Ambrose become separated from the group, while demon hunter Tash leads Catherine and March to an unlikely refuge - the hidden tunnels of the demon world itself. They soon find that the tunnels hold their own dangers and, while Tash travels deeper, hoping to learn more about their mysterious inhabitants, Catherine and March must return to the surface to resume the war.

But the world above is in turmoil. King Aloysius's army has captured the Pitorian prince, Tzsayn, and is poised to overrun the whole country. To have any hope of challenging her father's tyranny, Catherine needs to form her own army, but when danger lurks at every turn, how can she tell an ally from an enemy? What Tash discovers in the demon tunnels could change everything, but if the message doesn't reach Catherine in time, the war might already be lost...

The stunning sequel to Sally Green's breathtaking debut novel - HALF BAD. After finally meeting his elusive father, Marcus, and receiving the three gifts that confirm him as a full adult witch, Nathan is still on the run. He needs to find his friend Gabriel and rescue Annalise, now a prisoner of the powerful Blood witch Mercury. Most of all he needs to learn how to control his Gift - a strange, wild new power that threatens to overwhelm him. Meanwhile, Soul O'Brien has seized control of the Council of Fairborn Witches and is expanding his war against Blood witches into Europe. In response, an unprecedented alliance has formed between Blood and Fairborn witches determined to resist him. Drawn into the rebellion by the enigmatic Blood witch Van Dal, Nathan finds himself fighting alongside both old friends and old enemies. But can all the rebels be trusted, or is Nathan walking into a trap?

In conferring upon Mississippi native Elizabeth Spencer (1921-2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she "has thrived at the height of her powers to a degree that is unparalleled in modern letters." Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, "maybe an unresolved part of my psyche." In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, "The Runaways" (1994), "Master of Shongalo" (1996), and "Return Trip" (2009). The collection allows readers to observe Spencer's evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene's critical introduction helpfully places these narratives within the context of Spencer's entire body of writing. The Edward Tales confirms Spencer's place as one of our most beloved and accomplished writers.

A princess, a traitor, a soldier, a hunter and a thief. Five teenagers with the fate of the world in their hands. Five nations destined for conflict.

In Brigant, Princess Catherine prepares for a political marriage arranged by her brutal and ambitious father, while her true love, Ambrose, faces the executioner's block. In Calidor, downtrodden servant March seeks revenge on the prince who betrayed his people. In Pitoria, feckless Edyon steals cheap baubles for cheaper thrills as he drifts from town to town. And in the barren northern territories, thirteen-year-old Tash is running for her life as she plays bait for the gruff demon hunter Gravell.

As alliances shift and shatter, and old certainties are overturned, our five heroes find their past lives transformed and their futures inextricably linked by the unpredictable tides of magic and war. Who will rise and who will fall? And who will claim the ultimate prize?

The story of "Shakespeare's sister" that Virginia Woolf tells in "A Room of One's Own" has sparked interest in the question of the place of the woman writer in the Renaissance. By now, the process of recovering lost voices of early modern women is well under way. But Woolf's engagement with the Renaissance went deeper than that question indicates, as important as it was. Her writing reveals a lifelong conversation with the literature of the sixteenth and seventeenth centuries, from the travel narratives of Hakluyt to the works of Donne, Milton, Montaigne, and of course Shakespeare.
The first collection of essays to explore Woolf's Renaissance, "Virginia Woolf: Reading the Renaissance" reflects an important interdisciplinary development: contributors include Renaissance as well as twentieth-century specialists. Part of a larger movement to explore the intellectual currents shaping our literary and cultural inheritance, these essays speak to a community of readers that includes, in addition to Woolf and Renaissance scholars, anyone interested in the deep roots of modernism, women's studies, or literary history itself.