When barrister Gabriel Ward steps out of his rooms at exactly two minutes to seven on a sunny May morning in 1901, his mind is so full of his latest case – the disputed authorship of bestselling children’s book Millie the Temple Church Mouse – that he scarcely registers the body of the Lord Chief Justice of England on his doorstep.

But even he cannot fail to notice the judge’s dusty bare feet, in shocking contrast to his flawless evening dress, nor the silver carving knife sticking out of his chest. In the shaded courtyards and ancient buildings of the Inner Temple, the hidden heart of London’s legal world, murder has spent centuries confined firmly to the casebooks. Until now…

The police can enter the Temple only by consent, so who better to investigate this tragic breach of law and order than a man who prizes both above all things? But murder doesn’t answer to logic or reasoned argument, and Gabriel soon discovers that the Temple’s heavy oak doors are hiding more surprising secrets than he’d ever imagined...

The Wisteria vine is beautiful and sweet.but it slowly wraps itself around the sturdy pine, slowly squeezing the life from it until the once strong pine is standing brown and frail, slowly dying and it doesn't seem to care because the Wisteria is so beautiful and innocent looking that it is inconceivable that it could be so deadly. Some people are a lot like the Wisteria, slowly establishing a strangle hold on another, slowly sapping away hope and life until there seems there is no way for the other person to go on. Wisteria is the story of such a relationship and the trials that must be endured in order to escape from it.

Where the Road Leads is the story of Joan, a recent college graduate, who is tired of the small town lifestyle and strikes out on her own 'adventure' in search of independence and 'greener grasses'. While on her quest for freedom and anonymity she finds that her 'adventure' isn't exactly as she had envisioned it and with that realization her internal struggle begins. People are seldom ever satisfied with what they have; the grass always appears to be 'greener' someplace else and the real treasures in ones life are often overlooked and go unappreciated. This is a fact that Joan comes to realize when she is far from home with no one except an abusive boyfriend and herself to rely on. Where the Road Leads says something about the 'quest' for the better life which is in each of us, and also helps to bring to light what is really important.

Capital punishment, serial killings, war, terrorism, abortion, honour killings, euthanasia, suicide bombings, war, and genocide: all involve the taking of life. Put most simply, all involve killing other people. However, cultural context heavily influences heavily how people perceive these acts, and most people reading this paragraph will likely disagree on the extent to which these "count" as killing. For such an evolved species, humans can be violent far beyond the point of humanity. Why We Kill examines this violence in its many forms, exploring how culture plays a role in people's understanding and definition of violent action. From the first chapter, which examines "conventional" homicide, to the final chapter's bone-chilling account of the Rwandan genocide, this fascinating book makes compelling reading.

Exploring the issue of how educational staff can balance successfully their research and teaching activities, this volume argues that the entire system governing the relationship amongst research, teaching and learning should be dismantled and rebuilt, focusing on symbiosis rather than conflict.

Sir Edward Marshall Hall KC saved more people from the hangman's noose than any other known barrister. In an age of inadequate defence funding, minimal forensic evidence, a rigid moral code making little allowance for human passion and a reactionary judiciary, his only real weapons were his understanding of human psychology and the power of his personality. His charismatic oratory and film star profile made him an Edwardian celebrity. Jurors collapsed and judges wept at the overwhelming power of his performances. Thousands congregated to await the verdicts in the trials in which he appeared for the defence. Curtains were brought down in West End theatres to announce the acquittals he secured. His famous trials included the Camden Town murder, Seddon the Poisoner, the Brides in the Bath, the Green Bicycle Murder and the Murder at the Savoy. As a result of his oratory in these he was adulated as an entertainer, his performances greeted with the same relish as those by the great actors; but he was also loved as a champion of the underdog, who almost single-handedly introduced compassion in to the Edwardian legal system. No other barrister in any age can claim such celebrity, nor such public adoration and affection. Meticulously researched, Marshall Hall: A Law unto Himself is the first modern biography of a complex and influential man and, as a result of access to new material: * Sets the legendary barrister in his social, historical and political context. * Reveals the sensational private life of the man behind the public figure, the two turbulent marriages, and the mistresses. * Tells the full story of his first wife's death. * Examines his magnetic oratory and extraordinary fame from a modern perspective.

Exploring the issue of how educational staff can balance successfully their research and teaching activities, this volume argues that the entire system governing the relationship amongst research, teaching and learning should be dismantled and rebuilt, focusing on symbiosis rather than conflict.